MCN Columnists
Noah Forrest

Frenzy On Column By Noah ForrestForrest@moviecitynews.com

11 Movies to See This Summer

It’s funny how, as I’ve gotten older, the “thrill” of summer movies aren’t what they used to be. I remember counting down the days until I got Entertainment Weekly’s Summer Movie Preview and reading every story about every film, marking the magazine up with check marks, all the films that I wanted to see immediately…

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J. Lo, You Coulda Been a Contenda

Watching the ads for Jennifer Lopez’s latest film, I can’t help but feel a bit wistful. I think about the potential that was clearly there, but more often I think about how stupid she made me seem. For years I defended Lopez and her abilities based on the talent displayed in the remarkable Out of Sight.  She…

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Now Playing

As a film essayist, the question I get asked most often is, “so, what’s the last good movie you saw?” When I say something like, “well, I just saw Ophuls’ La Ronde and thought it was spectacular,” I’m inevitably met with blank stares. When most people ask about the last good film you’ve seen, they…

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Remakes Galore

I generally shrug when I hear about this or that film being remade or “reimagined” or whatever buzz word that is supposed to make you forget that you’re seeing a retread. I know a lot of people get upset when they hear about one of their favorite films being remade and how it means that…

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I Miss Jude Law

Jude Law has to be one of the most underrated and overexposed actors out there and the two go hand in hand; folks dismiss Law as just tabloid fodder with a pretty face and because of that, I think the public at large doesn’t appreciate him for being what he is. And what is he? …

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Tim Burton: Sometimes Being an Auteur is a Bad Thing

As an elitist film snob, I subscribe to the “auteur” theory. I believe that the director is the true author of the film and that it is my job as a film writer to trace a filmmaker’s themes and creative tics through their filmography. When Truffaut wrote about the Auteur theory, he was speaking mostly…

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Classics Versus New Releases

There are too many damn movies. As a cinephile, I feel it is my duty to see as many films as possible. But unfortunately, Hollywood won’t just give me time to catch up on all the ones I’ve missed since they keep churning out new films every year. So I try to see somewhere between…

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Marty, You Can Do Better

Last week, I spoke of the virtues of Martin Scorsese and why all film geeks everywhere should be excited to see his newest film, Shutter Island.  The opening of a new Scorsese film was something that I felt was a cinematic event more exciting than the first weekend of any blockbuster.  So, just know that when I…

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A Scorsese Love Poem and Unmade Movies

Scorsese the Underdog I haven’t seen Shutter Island yet, although it seems like the rest of the film community has.  That’s fine by me since I wouldn’t want to see it any other way than on Friday afternoon with a crowd full of film fans, rather than a screening room full of critics.  Seeing The Departed on…

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Red Riding: Better than The Godfather?

Some films are so dense that it’s impossible to truly appreciate them while you’re watching them for the first time. The Red Riding trilogy is one of those films. Although, calling it a “trilogy” isn’t really appropriate because although it is three separate films by three separate directors using three very techniques, they are all…

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If I Had a Ballot

I have to be honest; I really haven’t been following the Oscars as closely as I usually do. I’m not sure why that is, but if I had to venture a guess, I’d say it’s because of two big factors: 1) 2009 was one of the worst years for movies in recent history and 2)…

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So Long, Old Friend

I know that a large portion of my readers come to my column to get some insight or information about the movies currently playing in theaters. Most weeks, I’m obliged to do just that; I think that cinema is an ever-growing organism and there are always issues and idiosyncrasies in the present-day film world that…

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It’s Really Not That Complicated

I’m a big fan of the romantic comedy genre, but I am no fan of It’s Complicated. I think watching two people fall in love and laughing at the same time is one of the singular pleasures of going to the movies. The basic premise is almost always the same: Here are two people who…

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The Top Ten of the Aughts

The past decade has had an awful lot of good films, which made this a hard column to write. My preliminary list, as discussed here had 54 films vying for ten spots on this list. It took me a month to slowly narrow things down and put them in some kind of order. Here is…

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James Gray Director of Two Lovers

Noah has a far-ranging conversation with Two Lovers director James Gray about Francis Ford Coppola, Italian neo-realism vs French New Wave, The 400 Blows, and his potential next film: The Lost City of Z starring Brad Pitt. Listen to Noah Forrest Podcast with James Gray

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The Top Ten of 2009

As I look back on the cinematic year and the one hundred and fifty new releases that I saw, I feel absolutely certain that this is one of the worst years for films in recent history. No doubt 2009 is the worst year of the past decade with only a handful of great films, one…

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The 2nd Annual Frenzies

Since every minor and major critics group in the country has come up with their own award, I decided last year that I would start my own, The Frenzies. Last year was a rousing success and as with everything in Hollywood that is successful in its first go-round, it’s time for the sequel! I still have…

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The Best of All Decades

A few weeks ago, I wrote a long column about why 25th Hour is the best film of the aughts. That got me thinking about what the rest of my list would look like. I’ve narrowed down the list of potential candidates – I’m ultimately going to pick ten – and in the interest of full…

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For Your Consideration 2009

Every year I try to single out the performances and films that I think aren’t getting enough attention during the awards season.  It seems that certain storylines become more “interesting” or certain actors or films become the “underdog” that everyone roots for and a lot of quality gets lost in the shuffle. And this year,…

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Precious is Great Melodrama

I have to start this piece by saying that I’m a young, white male.  I’ve lived in New York City since the early part of this decade.  I have no idea what it is like to be a sixteen-year-old black girl in 1987 Harlem.  I cannot comment with any authority about whether or not the story told in Precious is…

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Frenzy On Column

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon