The Hot Blog Archive for September, 2006

BORAT II

It

14 Comments »

Friday Box Office by Mojo

Rank. Movie Title (Distributor) / Theater Count
Daily Gross | % Change (Last Week) | Total Gross | Days in Release
1. The Covenant (Sony / Screen Gems) / 2,681
est. $3,150,000 | – | est. $3,150,000 | 1
2. Hollywoodland (Focus Features) / 1,548
est. $1,875,000 | – | est. $1,875,000 | 1
3. The Protector (Weinstein Company) / 1,541
est. $1,825,000 | – | est. $1,825,000 | 1
4. Invincible (Buena Vista) / 2,987
est. $1,750,000 | -42.8% | est. $41,621,000 | 15
5. Crank (Lions Gate) / 2,515
est. $1,440,000 | -56.9% | est. $16,499,000 | 8
6. Little Miss Sunshine (Fox Searchlight) / 1,560
est. $1,280,000 | -29.8% | est. $38,501,000 | 45
8. The Illusionist (Yari Film Group Releasing) / 1,362
est. $1,250,000 | -20.5% | est. $14,700,000 | 22
7. The Wicker Man (Warner Bros.) / 2,784
est. $1,250,000 | -56% | est. $14,621,000 | 8
9. Talladega Nights (Sony) / 2,617
est. $910,000 | -39% | est. $140,091,000 | 36
10. Accepted (Universal) / 2,381
est. $760,000 | -40.2% | est. $30,492,000 | 22

13 Comments »

All The Kings Men

So, what

38 Comments »

TIFF Friday

Has it ever felt like the party your at just can’t quite get started?
Such is the saga of TIFF 06 so far.
Today the movies got better, with good experiences with both The Lives of Others and Hana. Neither was quite the unmitigated home run suggested by some earlier reviews, but still, two strong pictures. (More on both later on MCN)
Unfortunately, the first screening for me was at noon becuase of the very long Borat night last night. I also missed ThinkFILM’s annual breakfast as a result.
Then I missed Guy Maddin’s event because I had something on my schedule for just after it was scheduled to end, Maddin started an hour late, and I left for my next thing… only to find out that I had mis-calendared the second event. Sucks.
Also, news that Peter O’Toole is too ill to join us here at TIFF to receive roses for his turn in Venus and Ridley Scott heading out of Toronto early and thus, skipping much of his A Good Year schedule.
It’s got to get better soon, right?

1 Comment »

Also Premiering AT TIFF 06

The One Sheet For Lionsgate’s release of the LAFF Doc Winner…
deliver1sht.jpg
(the case it was in was, obviously, dirty)

20 Comments »

A Little Less Borat, A Little More Conversation

The Midnight debut of Borat: Cultural Learnings Of America For Make Benefit Glorious Nation Of Kazakhkstan had all the making of one of the great all-time Toronto events. Borat arrived on a woman-peasant-drawn carriage on which he and his horse rode. The overflow crowd, including a block-long rush ticket line, screamed and yelped and chanted as Borat arrived.
Fox was here in numbers, including both Tom Rothman & Jim Giannopoulos, to witness the outpouring of passion and affection. And this is a film on which there has been some concern that Borat was not a well enough known character to open the movie. But clearly, the trailer is working pretty damned well.
It took a while to get the crowd, which included Michael Moore (looking good – no, not skinny – and surprisingly relaxed), and a few other celebrities, including director Larry Charles, that comic Sasha Baron Cohen

18 Comments »

Toronto 9/7 – The First Three Movies

TIFF 2006 started with a thud today…
It wasn

10 Comments »

First Night In TO

tiffwmoney.jpg
A local shopkeeper is already commenting on how he/she sees the fest… though I am sure the store will take the money from fest goers.
dep_nich.jpg
Is this outdoor for The Border or The Departed? Jack looks pretty darned good, huh? But is it really an image from the current film? And where is Marky “Invincible” Mark?

53 Comments »

Lunch With David – CRIKEY!

Here this one is…

9 Comments »

The VERY Uncensored Shortbus Trailer

Here it is… watch who’s watching you watch

7 Comments »

Finally! The Least Important Story Of All The Unimportant Stories!

Getting on the planr for Toronto, but couldn’t resist leaving you with this world changing image…
suribrad.jpg
She looks oddly familiar…

9 Comments »

How The Paper Of Record Has Fallen

All the quotes in a New York Times story except for one by Sumner Redstone…
“said one producer who asked not to be identified because he worked frequently with the studio.”
“said a person apprised of the meetings who declined to be identified because of their private nature”
“declined to be identified because of the sensitive nature of the subject.”
“said one top Hollywood executive, speaking on condition of anonymity because he continues to make movies with the studio.”

Don’t highly paid reporters feel humiliated by putting their names to this kind of gossip reporting?
Really! How far are we from “a source told us this, but wouldn’t let us use their name because they were lying and didn’t want to be caught”?
Shouldn’t people be embarrassed to be writing these words? This is called GOSSIP! Get it?

9 Comments »

F-in Wow!

Following up on the Paramount/Viacom shalke-up…
Here is my projection of the future. Philippe Dauman is Redstone

19 Comments »

4-Day Weekend Estimates by Klady

No real surprises this weekend.
Crank, the teen skewing actioner, fell behind Invincible, the family feel good, after Crank had a slight lead on Friday.
The Wicker Man was less of an unmitigated disaster than it could have been.
Little Miss Sunshine continues to build effectively on word of mouth and simple, clean ads. My $50 million guess on the film

50 Comments »

The Hot Blog

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon