Movie City News Archive for June, 2012

Why Christopher Eccleston Prefers The Stage And TV To Film

Why Christopher Eccleston Prefers The Stage And TV To Film

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Wilmington on DVDs: 21 Jump Street; Spider-Man; Spider-Man 2; Spider-Man 3; Erin Brockovich; Sister Act; Sister Act 2: Back in the Habit

The first two Spider-Man movies were such smash critical hits (Spider-Man 2, co-scripted by Alvin Sargent, has been hailed as the acme of the whole genre, until The Avengers), that an inevitable backlash plagued the vulnerable and tearful Spider-Man 3. (Seen by itself, most critics would have probably liked it fine – just as the public liked all three). But some smasheroos deserve their popularity and this is one (excuse me, these are three) of them.

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Editor Of Rotten Tomatoes Zooms In On Film Crickets’ “Pitfall Of Getting Too Indie-Focused”

Editor Of Rotten Tomatoes Zooms In On Film Crickets’ “Pitfall Of Getting Too Indie-Focused”

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Wilmington on DVDs: Deliverance

   CO-PICK OF THE WEEK: CLASSIC DELIVERANCE (40th Anniversary collector’s edition) Four Stars U.S.; John Boorman, 1972 (Warner Bros.) Four Southern businessmen, searching for the joys of youth, join together for a Georgia canoe trip on the beautiful but often dangerously turbulent Cahulawassee River. Soon however, after a violent confrontation with two evil backwoodsmen, they find themselves…

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Soderbergh Tired Of Making “Important Movies”?

Soderbergh Tired Of Making “Important Movies”?

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Redford Talks Watergate

“It’s all about the truth. It’s really about how important searching for the truth is, and how digging for the truth then is different than it is today.” Redford Talks Watergate To Sean Means

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Emerson, Overflowing, On “Life In Movies (And Vice Versa)”

Emerson, Overflowing, On “Life In Movies (And Vice Versa)”

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Times Adds Gail Collins To Its Many Cooks In Nora Ephron’s Kitchen

“She could get a little wry about the more self-obsessed aspects of the movement at its height, like the meetings where everyone was required to bring mirrors and examine their private parts.” Times Adds Gail Collins To Its Many Cooks In Nora Ephron’s Kitchen

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“Neil Young and Jonathan Demme’s Ragged Glories”

“Neil Young And Jonathan Demme’s Ragged Glories”

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“Why Kickstarter ‘Can’t’ And Won’t Protect Backers Once A Project Is Funded”

“Why Kickstarter ‘Can’t’ And Won’t Protect Backers Once A Project Is Funded”

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Whoopi Goldberg Turns To Kickstarter To Fund Her Moms Mabley Doc

Whoopi Goldberg Turns To Kickstarter To Fund Her Moms Mabley Doc

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Pitchfork Talks To Music Supervisor Randall Poster About The Aural Soundscapes Of Wes Anderson, Harmony Korine And Skrillex

Pitchfork Talks To Music Supervisor Randall Poster About The Aural Soundscapes Of Wes Anderson, Harmony Korine And Skrillex

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Meet Dwight Henry, The Baker Who Became Co-Star Of Beasts Of The Southern Wild

Meet Dwight Henry, The Baker Who Became Co-Star Of Beasts Of The Southern Wild

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Scott Macaulay On Aaron Sorkin And Listening To “Internet Girl”

Scott Macaulay On Aaron Sorkin And Listening To “Internet Girl”

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Ira Deutchman Looks To Europe’s B.O. Returns And Says, “Let’s Focus On The Grownups”

Ira Deutchman Looks To Europe’s B.O. Returns And Says, “Let’s Focus On The Grownups”

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“In effect, News Corporation had evolved into a successful entertainment company with a newspaper problem.”

“In effect, News Corporation had evolved into a successful entertainment company with a newspaper problem.”

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NewsCorp’s Wall Street Journal Says NewsCorp Board Took 90 Minutes To Approve Split Into Two Entities; Ink And Entertainment

NewsCorp’s WSJ Says NewsCorp Board Took 90 Minutes To Approve Split Into Two Entities; Ink And Entertainment

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SleepySkunk Assembly Of 25 Minutes Of The Amazing Spider-Man Disappears From Parts Of The Internet, But Leaves Issues Swinging

SleepySkunk Assembly Of 25 Minutes Of The Amazing Spider-Man Disappears From Parts Of The Internet, But Leaves Issues Swinging

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The 1998 Website For You’ve Got Mail

The 1998 Website For You’ve Got Mail

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Alessandra Stanley Sez Nora Ephron Had A “Happy Ending”

Alessandra Stanley Sez Nora Ephron Had A “Happy Ending”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon