Press Releases Archive for December, 2010

“BLUE VALENTINE” WINS MPAA APPEAL, NC-17 RATING MODIFIED TO R

For Immediate release: Los Angeles (December 8, 2010) – Following a hearing this afternoon, The Weinstein Company (TWC) announced that it has won a unanimous appeal of the NC-17 rating initially given to its feature film Blue Valentine by the Motion Picture Association of America.  The MPAA’s Classification and Rating Administration had bestowed the NC-17…

Read the full article »

AMY PASCAL EXTENDS LONG-TERM EMPLOYMENT AGREEMENT WITH SONY PICTURES

(December 7, 2010 –  Culver City, CA) – Sony Corporation of America has extended Amy Pascal’s employment agreement with Sony Pictures Entertainment. Pascal is Co-Chairman of Sony Pictures, and together with Michael Lynton, Chairman and Chief Executive Officer, they are responsible for overseeing all lines of business for the studio, including motion pictures (Columbia Pictures,…

Read the full article »

2010 European Film Awards

It was a good day for Roman Polanski in Europe…

Read the full article » 2 Comments »

THE SOCIAL NETWORK NAMED 2010 BEST FILM OF THE YEAR BY THE NATIONAL BOARD OF REVIEW

Annual Gala to be held on Tuesday, January 11, 2011 hosted by Meredith Vieira New York, NY – December 2, 2010 – The National Board of Review named The Social Network the 2010 Best Film of the Year. Directed by David Fincher, this timeless drama explores the moment at which Facebook, the most revolutionary social…

Read the full article » 2 Comments »

IFC FILMS ACQUIRES WORLD RIGHTS TO DIRECTOR JOE SWANBERG’S UNCLE KENT

IFC FILMS ACQUIRES WORLD RIGHTS TO DIRECTOR JOE SWANBERG’S UNCLE KENT New York, NY (December 2, 2010) – IFC Films, the leading American distributor of independent and foreign films, announced today that the company has acquired worldwide rights to director Joe Swanberg’s UNCLE KENT. The film, which stars Kent Osborne, Jennifer Prediger, Josephine Decker, and…

Read the full article » 1 Comment »

Sundance Adds World Preem Of The Interrupters, Steve James-Alex Kotlowitz Doc On Stemming Community Violence

CHICAGO FILM THE INTERRUPTERS TO PREMIERE AT SUNDANCE Kartemquin Documentary Takes an Intimate Look at Urban Violence Chicago, December 2, 2010—The Kartemquin Films documentary, The Interrupters, will have its world premiere at the 2011 Sundance Film Festival. The film, from acclaimed director Steve James (Hoop Dreams) and bestselling author Alex Kotlowitz (There Are No Children…

Read the full article »

2011 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN PREMIERES

2011 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN PREMIERES Documentary Premieres Section Debuts Dito Montiel’s Highly Anticipated The Son of No One to Close Festival PARK CITY, UT — Sundance Institute announced today the lineup of films selected to screen in the out-of-competition Premieres and new Documentary Premieres sections of the 2011 Sundance Film Festival. The…

Read the full article »

Salt Lake Art Center Named Official Venue Of 2011 Sundance Film Festival

PARK CITY, UT – Sundance Institute today announced the line-up at Salt Lake Art Center, which has been selected as an official venue of the 2011 Sundance Film Festival, hosting artists and their works as part of the Festival’s innovative New Frontier program. Curated by Shari Frilot, Sundance Film Festival Senior Programmer, New Frontier can…

Read the full article »

Sundance’s Overview Of The Dramatic And Doc Announcement

After traveling the globe in search of new talent and work, watching countless films, and hours upon hours of debate with the Programming team, the day has finally come when we announce which films will play at the 2011 Sundance Film Festival in January. With more than 10,000 films submitted this year, we have had…

Read the full article »

Sundance 2011 Announces U.S., World Cinema Dramatic And Documentary Competitions

U.S. Dramatic Competition Another Earth (Director: Mike Cahill; Screenwriters: Mike Cahill and Brit Marling) – On the eve of the discovery of a duplicate Earth, a horrible tragedy irrevocably alters the lives of two strangers, who begin an unlikely love affair. Cast: William Mapother, Brit Marling, Jordan Baker, Robin Lord Taylor, Flint Beverage. Benavides Born (Director:…

Read the full article »

JONAH HILL AND CHANNING TATUM TO STAR IN COLUMBIA PICTURES’ “21 JUMP STREET”

CULVER CITY, Calif., December 1, 2010 – Jonah Hill and Channing Tatum are set to star in a contemporary motion picture adaptation of 21 Jump Street, it was announced today by Doug Belgrad, president of Columbia Pictures.  Hill and Tatum are executive producers on the project, which will be directed by Phil Lord and Christopher…

Read the full article »

Press Releases

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon