Press Releases Archive for January, 2012

The Baftas 2012 Long List

Best Film The Descendants Drive The Girl with the Dragon Tattoo The Help Hugo The Ides of March The Iron Lady Midnight in Paris Moneyball My Week with Marilyn Senna Tinker Tailor Soldier Spy War Horse We Need to Talk About Kevin [Complete PDF here.] Film Not in the English Language Abel As If I…

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The National Society Of Film Critics 2011 Awards

The National Society of Film Critics on Saturday, January 7th, 2012, chose “Melancholia” as Best Picture of the Year 2011. Kristin Dunst was named best actress for her performance in Lars von Trier’s film, and Brad Pitt was named best actor for his work in “Moneyball” and “The Tree of Life.” Albert Brooks (or his…

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84TH ACADEMY AWARDS TRAILER, BY FUNNY OR DIE, LAUNCHES JANUARY 6

January 5, 2012 FOR IMMEDIATE RELEASE Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences has produced its trailer for the 84th Academy Awards in conjunction with Funny Or Die. The trailer features host Billy Crystal and celebrity cameo appearances by Robin Williams, Josh Duhamel, Megan Fox, William Fichtner and Vinnie Jones….

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8 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS

January 5, 2012 FOR IMMEDIATE RELEASE Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences today announced that eight scientific and technical achievements represented by 28 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation at the Beverly Wilshire on Saturday, February 11, 2012. Unlike other Academy…

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10 CONTENDERS REMAIN IN VFX OSCAR® RACE

January 4, 2012 FOR IMMEDIATE RELEASE Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 84th Academy Awards®. The films are listed below in alphabetical order: “Captain America: The First Avenger” “Harry Potter and the Deathly…

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DIMENSION FILMS PICKS UP THE BLACK MARKS

New York, NY, January 4, 2012 – Dimension Films announced that it has acquired U.S. distribution rights to the heist comedy THE BLACK MARKS from Darius Films starring Kurt Russell (DEATHPROOF), Matt Dillon (CRASH, THERE’S SOMETHING ABOUT MARY) and Jay Baruchel (KNOCKED UP).  The film is written and directed by Jonathan Sobol (A BEGINNER’S GUIDE…

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Drive Returns to ArcLight Hollywood for Exclusive Engagement

Albert Brooks in Attendance for Q&A on Friday Jan. 6, 7:20PM NEW YORK—Jan. 3 2012 — FilmDistrict is very excited to announce that Drive, directed by Nicolas Winding Refn and starring Ryan Gosling and Albert Brooks, will be returning to the ArcLight Hollywood for an exclusive one-week engagement, beginning this Friday, January 6th. Brooks will…

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Norwegian cinemas 2011: Record attendance, best local market share

Headed by Headhunters, Norwegian films sold 2,855,000 tickets to reach the best result in 36 years – The Troll Hunter screened at more than 45 international festivals With a 2011 attendance of 11,650,000 – up 5.7% on last year – Norwegian cinemas delivered the largest growth of the theatrical market in Europe, according to statistics…

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Cinema Eye Honors Announces 2012 Heterodox Nominees

FOR IMMEDIATE RELEASE January 3, 2012 New York – The Cinema Eye Honors for Nonfiction Filmmaking today announced the five nominees for its second annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine. The 2012 Heterodox Award will be presented at the Cinema Eye Honors for Nonfiction Filmmaking on January 11 at the Museum of…

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PGA Awards Nominees 2012

PRODUCERS GUILD OF AMERICA ANNOUNCES THEATRICAL MOTION PICTURE AND LONG-FORM TELEVISION NOMINATIONS FOR THE 2012 PRODUCERS GUILD AWARDS LOS ANGELES, CA (January 3, 2012) – The Producers Guild of America (PGA) announced today the motion picture and long-form television nominations for the 23rd Annual Producers Guild Awards. The categories include: The Darryl F. Zanuck Producer…

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Online Film Critics Society Awards

The Tree of Life, which led the Online Film Critics Society nominations with seven, was the big winner at the 15th Annual Online Film Critics Society Awards. The film took home the prize for Best Picture as well as trophies for Best Director (Terrence Malick), Best Supporting Actress (Jessica Chastain), Best Editing and Best Cinematography….

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon