Press Releases Archive for February, 2012

Radius-TWC Acquires BACHELORETTE

New York, NY, February 7, 2012 – The Weinstein Company (TWC) announced today that its new label, Radius-TWC, has acquired from Strategic Motion Ventures the North American distribution rights to the comedy BACHELORETTE, the debut feature from writer-director Leslye Headland. Adapted by Headland from her acclaimed stage play of the same name, BACHELORETTE had its…

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MILLA JOVOVICH TO HOST ACADEMY’S SCI-TECH AWARDS

February 6, 2012 FOR IMMEDIATE RELEASE Beverly Hills, CA – Actress Milla Jovovich will host the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards on Saturday, February 11, at the Beverly Wilshire in Beverly Hills. Jovovich will present 10 awards to 30 individual recipients during the evening. Jovovich is the star of…

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‘Rango’ Receives Best Animated Feature Award at 39th Annual Annie Awards

FOR IMMEDIATE RELEASE LOS ANGELES, Feb. 5, 2012 — Paramount Pictures’ ‘Rango’ took top honors as the Best Animated Feature at the 39th Annual Annie Awards, Saturday, February 4, at UCLA’s Royce Hall. With the expanded list of categories from 25 to 28, and the addition of two new categories – Editing and Best Animated…

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Winner of the World Cinema Directing Award at the 2012 Sundance Film Festival

Winner of the World Cinema Directing Award at the 2012 Sundance Film Festival New York, NY – February 3, 2012 – Kino Lorber, Inc. is proud to announce the acquisition of all US and Canadian rights to the acclaimed documentary 5 Broken Cameras (2012), a daring chronicle of resistance in the West Bank by first-time…

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Sony Worldwide picks up ‘THE RAID’ sequel from Celluloid Nightmares

For Immediate Release: PT Merantau Films and XYZ Films Producing “The Raid” Sequel in Indonesia Sony Pictures Worldwide Acquisitions Group pre-buys U.S., Latin America and Spain from Celluloid Nightmares Los Angeles, CA (February 2, 2012) – The forces behind the wildly popular Indonesian actioner THE RAID are now set for a sequel. On track to…

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SONY PICTURES CLASSICS ACQUIRES JACQUES AUDIARD’S RUST & BONE

FOR IMMEDIATE RELEASE NEW YORK (February 1, 2012) – Sony Pictures Classics announced today that they have acquired all North American, Latin American and Eastern European rights to Jacques Audiard’s (A PROPHET) RUST & BONE from Hengameh Panahi of Celluloid Dreams.  The film recently wrapped production. The film was co-written by Jacques Audiard and Thomas…

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PALADIN TO RELEASE “OTTER 501”

Santa Barbara Fest World Premiere To Be Followed by Spring Theatrical Launch New York, February 1, 2012 – Paladin announced today that it will release OTTER 501, a new film that chronicles the true story of an orphaned baby otter who is rescued on the Northern California coast, per company president Mark Urman. The latest…

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SXSW 2012 Film Program

Films screening in Narrative Feature Competition are: This year’s 8 films were selected from 1,112 submissions. Each film is a World Premiere. Booster Director & Screenwriter: Matt Ruskin When Simon’s brother is arrested for armed robbery, he is asked to commit a string of similar crimes in an attempt to get his brother acquitted. Cast: Nico…

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FINAL OSCAR® BALLOTS MAILED TO ACADEMY MEMBERS

February 1, 2012 FOR IMMEDIATE RELEASE Beverly Hills, CA – Final ballots for the 84th Academy Awards® were mailed today (February 1) to the 5,783 voting members of the Academy of Motion Picture Arts and Sciences. Completed ballots must be returned to PricewaterhouseCoopers (PwC) by 5 p.m. Tuesday, February 21.  Ballots received after the deadline…

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FANS CRASH SERVERS FOR EARLY PREVIEW SCREENINGS OF “TITANIC” IN 3D

SELL-OUT CROWDS IN THE U.S. AND ACROSS THE WORLD WILL BE AMONG THE FIRST AUDIENCES ANYWHERE TO SEE THE RE-MASTERED MOVIE ON VALENTINES DAY, FEBRUARY 14th, IN ADVANCE OF THE FILM’S WORLDWIDE RE-RELEASE ON APRIL 6th HOLLYWOOD, CA (February 1, 2012) – Fans the world over rushed the web in the last 24-hours – crashing…

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Behind the Academy Awards® Tallies for 78 Years and Counting! PwC Preserves Hollywood’s Best Kept Secrets

Final Ballots Mailed Today Completed Ballots Due to PwC on Tuesday, February 21, 2012 BEVERLY HILLS, Feb. 1, 2012 – PwC celebrates its 78th year leading the Oscars® balloting process on behalf of the Academy of Motion Picture Arts and Sciences (the Academy).  PwC balloting leaders Brad Oltmanns and Rick Rosas will again oversee the…

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INSTINCTIVE FILM EXPANDS TALENT DIVISION

FOR IMMEDIATE RELEASE: Los Angeles, CA (January 31, 2012)- Instinctive has partnered with Das Imperium Management to establish an international talent agency network. The Berlin-based film finance, production and development outfit opened Instinctive Management LA under Jeremy Loethen in the US last year representing on screen talent as well as above the line creatives. Das Imperium…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon