Press Releases Archive for September, 2012

IFC FILMS TAKES NORTH AMERICAN RIGHTS TO MIRA NAIR’S THE RELUCTANT FUNDAMENTALIST

 TORONTO, CANADA (September 13, 2012) – IFC Films announced today from the 2012 Toronto International Film Festival that the company is acquiring all North American rights to director Mira Nair’s THE RELUCTANT FUNDAMENTALIST starring Liev Schreiber, Kate Hudson, Kiefer Sutherland, and Riz Ahmed in the title roles. Based on the best-selling novel of the same…

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Michael Tully’s PING PONG SUMMER Heads Into Production

FOR IMMEDIATE RELEASE Indie comedy starring Susan Sarandon, Lea Thompson, John Hannah, and Amy Sedaris shooting on location in Ocean City, Maryland beginning September 17 PING PONG SUMMER, a 1980s-set family beach comedy, begins principal photography on September 17 in Ocean City, Maryland.   Academy Award Winner Susan Sarandon stars alongside BAFTA-nominated John Hannah (THE MUMMY,…

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TRIBECA FILM ACQUIRES U.S. RIGHTS AT TIFF TO HOW TO MAKE MONEY SELLING DRUGS

FOR IMMEDIATE RELEASE Theatrical and Multi-Platform Release Planned for 2013 *** TORONTO – Sept. 13, 2012 – Tribeca Film has acquired U.S. rights to Bert Marcus Productions’ How to Make Money Selling Drugs, which had its world premiere on Friday night at the Toronto International Film Festival. The provocative documentary offers an in-depth look at…

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Patricia Riggen Attached To Direct Chilean Miners Film

NEWS RELEASE  For Immediate Release SANTIAGO DE CHILE (September 11, 2012) – Film producer Mike Medavoy announced today that Patricia Riggen has come on board to direct the theatrical film currently entitled THE 33, based on the story of the 33 Chilean Miners, whose remarkable rescue from the San Jose Mine captivated the world’s attention. The Mexican-born…

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SUNDANCE INSTITUTE ANNOUNCES PAUL FEDERBUSH, INTERNATIONAL DIRECTOR, FEATURE FILM PROGRAM

Los Angeles, CA — Sundance Institute today announced the appointment of Paul Federbush to International Director, Feature Film Program (FFP).   Federbush will oversee the international activities of the Institute’s Feature Film Program.   Federbush will begin September 24, reporting  to Michelle Satter, Founding Director, Feature Film Program. In his new role, Federbush is responsible…

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IFC FILMS ACQUIRES THRILLER BREAKING THE GIRLS FOR U.S. FROM MYRIAD PICTURES

Madeline Zima, Agnes Bruckner and Shawn Ashmore star in film from Director Jamie Babbit New York, NY (September 10, 2012) – IFC Films has acquired from Myriad Pictures the U.S. distribution rights to director Jamie Babbit’s thriller BREAKING THE GIRLS, starring Madeline Zima (CALIFORNICATION), Agnes Bruckner (BLOOD AND CHOCOLATE) and Shawn Ashmore (X-MEN: THE LAST STAND). Written by Mark Distefano…

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U.S. RIGHTS TO THE PLACE BEYOND THE PINES, STARRING RYAN GOSLING, BRADLEY COOPER, EVA MENDES AND DIRECTED BY DEREK CIANFRANCE, ACQUIRED BY FOCUS FEATURES FOR 2013 RELEASE

FOR IMMEDIATE RELEASE TORONTO, September 9th, 2012 – U.S. rights to The Place Beyond the Pines, the highly anticipated new drama from director Derek Cianfrance, starring Academy Award nominee Ryan Gosling, Bradley Cooper, and Eva Mendes, have been acquired by Focus Features for a 2013 release. Focus CEO James Schamus and president Andrew Karpen made…

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DAVID MICHÔD’S THE ROVER SECURES SIGNIFICANT INTERNATIONAL SALES

Toronto – September 7, 2012 – THE ROVER, directed by David Michôd and starring Guy Pearce and Robert Pattinson, has generated multiple pre-sales in several key territories.  The drama has now been sold in territories including the UK, Canada and Benelux to eOne, Scandinavia to Nordisk, Latin America to Sun Distribution, the Middle East to Italia…

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EXCLUSIVE MEDIA ANNOUNCES THE FORMATION OF NEW US DISTRIBUTION COMPANY: EXCLUSIVE RELEASING

Los Angeles, CA (Sept 6, 2012) – Exclusive Media Co-Chairmen Nigel Sinclair and Guy East today announced the launch of Exclusive Releasing, a new US distribution and aquistions company. Scott Pascucci is President and COO and Matt Brodlie is Head of Acquisitions for the new company, effective immediately. Exclusive Releasing plans to theatrically distribute between three and four…

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Jeffrey Katzenberg, Hal Needham, D.A. Pennebaker and George Stevens, Jr. to Receive Academy’s Governors Awards

Jeffrey Katzenberg, Hal Needham, D.A. Pennebaker and George Stevens, Jr. to Receive Academy’s Governors Awards –The Board of Governors of the Academy of Motion Picture Arts and Sciences voted tonight to present Honorary Awards to stunt performer Hal Needham, documentarian D. A. Pennebaker and arts advocate George Stevens, Jr., and the Jean Hersholt Humanitarian Award to philanthropist…

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THE WORLD PREMIERE OF “STAND UP GUYS,” STARRING OSCAR® WINNERS AL PACINO, CHRISTOPHER WALKEN AND ALAN ARKIN, AND PRODUCED BY OSCAR® WINNING PRODUCER AND CHICAGOAN TOM ROSENBERG, TO OPEN THE 48TH CHICAGO INTERNATIONAL FILM FESTIVAL

Producer Tom Rosenberg and Director Fisher Stevens with Cast Members Pacino, Walken, Arkin and Julianna Margulies Celebrate the Film’s Premiere in Chicago October 11, 2012 CHICAGO (September 05, 2012) – The eyes of the entertainment world will be on Chicago when the 48th Chicago International Film Festival opens with the World Premiere of the highly…

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ANNAPURNA PICTURES ACQUIRE U.S RIGHTS TO HARMONY KORINE’S “SPRING BREAKERS”

FOR IMMEDIATE RELEASE                                           AHEAD OF FESTIVALS, THE ACQUISITION MARKS A FIRST COLLABORATION BETWEEN CHRIS HANLEY’S MUSE PRODUCTIONS AND MEGAN ELLISON’S ANNAPURNA PICTURES LOS ANGELES (September 4, 2012) – Annapurna Pictures announced today that they have purchased…

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39TH TELLURIDE FILM FESTIVAL’S FOUR-DAY EVENT COMES TO A CLOSE

Telluride Film Festival (August 31 – September 3, 2012), presented by the National Film Preserve, draws to a close today following a spectacular weekend of diverse programming, surprise screenings and special guests.

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Unions & Guilds Applaud Extension Of California Film & Television Tax Credit Program

For Immediate Release August 31, 2012, Los Angeles – As a broad coalition of unions and guilds representing labor and the entertainment industry, we join together to welcome today’s passage of the two-year extension of the California Film & Television Tax Credit Program by both houses of the California State Legislature. On the eve of this Labor…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon