Press Releases

MTV Movie & TV Awards Nominations

“BLACK PANTHER” AND “STRANGER THINGS” LEAD NOMINATIONS FOR 2018 “MTV MOVIE & TV AWARDS” HOSTED BY TIFFANY HADDISH NETWORK WILL ONCE AGAIN FEATURE ALL GENDER-NEUTRAL CATEGORIES New York, NY (May 3, 2018) – MTV today announced the categories and nominees for the 2018 “MTV Movie & TV Awards,” hosted by Tiffany Haddish, that celebrate the…

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AGC STUDIOS PICKS UP ROLAND EMMERICH’S MIDWAY

AGC STUDIOS PICKS UP ROLAND EMMERICH’S MIDWAY  Starlight Culture Entertainment Group and Providence Entertainment Limited To Fully Finance The WWII Epic LOS ANGELES (May 2, 2018) – Stuart Ford’s AGC Studios has acquired the international rights to Midway, to be directed by iconic filmmaker Roland Emmerich (Independence Day franchise, The Day After Tomorrow) from a script by Wes Tooke, and will introduce…

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SLATE ENTERTAINMENT GROUP BRINGS TRANSPARENCY TO THE FILM INDUSTRY WITH DISRUPTIVE BLOCKCHAIN TECHNOLOGY

[pr] The Company Introduces BINGE, a Blockchain Video-On-Demand Platform; SLATIX, a Blockchain Electronic Ticketing Application; and SLATE, a Digital Token LOS ANGELES and TORONTO (May 1, 2018) – Slate Entertainment Group (SEG) has announced the development of its new multi-layered entertainment ecosystem powered by advanced blockchain technology. SEG is a highly-skilled amalgamation of entertainment, business and technical expertise…

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IMR INTERNATIONAL TO LAUNCH FOREIGN SALES ON SCOTT Z. BURNS’ ‘THE TORTURE REPORT’ FOR VICE STUDIOS, STARRING ADAM DRIVER, ANNETTE BENING AND JON HAMM

IMR INTERNATIONAL TO LAUNCH FOREIGN SALES ON SCOTT Z. BURNS’ ‘THE TORTURE REPORT’ FOR VICE STUDIOS, STARRING ADAM DRIVER, ANNETTE BENING AND JON HAMM  Tim Blake Nelson, Ted Levine, Michael C. Hall, Ben McKenzie & Matthew Rhys round-out the cast with sales commencing in Cannes  LOS ANGELES (May 1, 2018) – IMR announced that they will be introducing Scott…

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Jake Gyllenhaal to Star as Leonard Bernstein in “The American” with Cary Joji Fukunaga to Direct. BRON Studios comes aboard.

Sierra/Affinity to commence international sales at the 2018 Cannes Film Market New York, NY (May 1, 2018) – Jake Gyllenhaal is set to produce and star as Leonard Bernstein in “The American,” with Cary Joji Fukunaga directing and producing. BRON Studios will produce and back the film, which begins principal photography in the fall. Sierra/Affinity commences…

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Saudi Arabia’s First Full-Service Production Studio Launches as Its First Int’l Co-Prod Wraps

[pr] FIRST FULL-SERVICE PRODUCTION STUDIO “NEBRAS FILMS” LAUNCHED IN SAUDI ARABIA Production Wraps on the Facility’s First International Co-Production “Born a King”  LOS ANGELES / SAUDI ARABIA:  In advance of the Cannes Film Festival, Mr. Abdullah Al Nafisah today announced the launch of Saudi Arabia’s first full-service production studio Nebras Films. Setting out to develop and produce a…

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SAG-AFTRA on Unanimous Passage of the Music Modernization Act by the U.S. House of Representatives

SAG-AFTRA Statement on Unanimous Passage of the Music Modernization Act by the U.S. House of Representatives    LOS ANGELES (April 25, 2018) – SAG-AFTRA commends the U.S. House of Representatives for unanimously passing the Music Modernization Act [H.R. 5447] today.   SAG-AFTRA National Executive Director David White said the following:   “Today’s vote by the House is an…

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“I’m not sure anybody has ever seen DETOUR looking so good, and it’s still one of the most revered and beloved noir classics.”

THE ACADEMY FILM ARCHIVE AND THE FILM FOUNDATION PRESENT NEW 4K RESTORATION OF EDGAR G. ULMER’S DETOUR (1945) RESTORATION TO PREMIERE AT TCM CLASSIC FILM FESTIVAL JANUS FILMS TO RELEASE THEATRICALLY IN FALL 2018 New York, NY. (April 25, 2018) – The Academy Film Archive and The Film Foundation, in collaboration with Cinémathèque Royale de Belgique,…

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For Oscar 91, Academy Issues More Rules Arcana

AWARDS RULES APPROVED FOR 91ST OSCARS® CAMPAIGN REGULATIONS UPDATED FOR NEW AWARDS SEASON LOS ANGELES, CA — The Academy’s Board of Governors has approved Oscars® rules and campaign regulations for the 91st Academy Awards®. Submission deadlines for awards eligibility have been changed. There is now one submission deadline – Monday, October 1, 2018 – for…

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Oscar 91: February 24, 2019

THE ACADEMY AND ABC ANNOUNCE KEY DATES FOR 91ST OSCARS® THE OSCARS AIRS LIVE SUNDAY, FEBRUARY 24, 2019 ON THE ABC TELEVISION NETWORK LOS ANGELES, CA — The Academy and the ABC Television Network today announced key dates for the 91st Oscars®. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 24, 2019. Academy key dates…

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Dan Fellman To Finish Remainder Of William Mechanic’s Term On Academy Board

DANIEL FELLMAN NAMED GOVERNOR OF ACADEMY’S  EXECUTIVES BRANCH LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that Daniel Fellman has been named governor of the Academy’s Executives Branch. Fellman will serve out the remainder of William Mechanic’s term which concludes on June 30, 2019. Mechanic announced his resignation from the…

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Vin Diesel And H Collective Partners Acquire xXx Franchise

THE H COLLECTIVE AND SONY PICTURES WORLDWIDE ACQUISITIONS STRIKE GLOBAL DISTRIBUTION DEAL  The Partnership Will See the Studio Release and Market Up to Four Films Per Year from The H Collective LOS ANGELES, CA (April 18, 2018) – LA-based studio The H Collective has entered into a deal with Sony Pictures Worldwide Acquisitions (SPWA) to distribute and market up…

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Wallace Shawn Releases an Audio Play, “Evening at the Talk House,”

The Intercept presents “Evening at the Talk House,” a three-part audio play by award-winning actor and playwright Wallace Shawn, starring Matthew Broderick, Shawn, Larry Pine, Jill Eikenberry, Michael Tucker, John Epperson, Claudia Shear and Annapurna Sriram New York, NY – April 18, 2018 – The Intercept, in collaboration with Topic Studios, is proud to present “Evening at the Talk House,”…

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Michael Moore Names Joseph Beyer Exec Director Before Fourteenth Annual Traverse City Film Festival

  FOUNDER MICHAEL MOORE TO KICK OFF 14TH ANNUAL TRAVERSE CITY FILM FESTIVAL AND NEW EXECUTIVE DIRECTOR NAMED TRAVERSE CITY, MICH. (April 17, 2018) Traverse City Film Festival (TCFF) founder and president Michael Moore announced dates for the 14th annual edition, running July 31 to August 5, along the beautiful shores of Lake Michigan’s Grand Traverse Bay Traverse City,…

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Nantucket Film Festival Announces Noah Baumbach, Morgan Neville And Andrew Heckler as 2018 Honorees

NANTUCKET FILM FESTIVAL ANNOUNCES 2018 HONOREES AND NEW PROGRAMS NOAH BAUMBACH RECEIVES TOP HONOR AT SCREENWRITERS TRIBUTE MORGAN NEVILLE RECIPIENT OF SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING AWARD ANDREW HECKLER RECOGNIZED WITH NEW VOICES IN SCREENWRITING AWARD THE ALL-STAR COMEDY ROUNDTABLE, THE IMPROV TAKE-OVER PRESENTED BY BEN STILLER FEATURING THOMAS MIDDLEDITCH AND BEN SCHWARTZ LIVE TAPING OF…

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David Ninh, Late Of Kickstarter And Film Society Of Lincoln Center, Moves To Kino Lorber As Director of Press and Publicity

New York, NY – April 17, 2018 – Kino Lorber announced today that David Ninh is joining the company as Director of Press and Publicity, beginning at Kino Lorber on April, 23, 2018. He will report to the company’s Senior VP Theatrical, Non-theatrical Distribution & Acquisitions Wendy Lidell and to Company CEO Richard Lorber for corporate communications. Ninh was previously…

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Tribeca Film Festival Announces Jurors

THE 17THANNUAL TRIBECA FILM FESTIVAL® ANNOUNCES 2018 JURIES Jurors include Josh Charles, Amy Kaufman, Dan Cogan, Lakeith Stanfield, Joanna Gleason, Susan Lacy, Ray Liotta, Zosia Mamet, Chris Messina, Jenny Lumet, Norman Reedus, Alysia Reiner, Nelson George, Ondi Timoner, Sasheer Zamata NEW YORK, NY – The Tribeca Film Festival, presented by AT&T, today announced the members of…

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SAG-AFTRA Calls for End to Auditions and Interviews in Private Hotel Rooms or Residences

Union Issues Guideline No. 1 as Part of SAG-AFTRA Code of Conduct on Sexual Harassment LOS ANGELES (April 12, 2018) – To help protect members from potential harassment and exploitation, SAG-AFTRA released today a Guideline that calls for an end to the practice of holding professional meetings in private hotel rooms or residences. This is the first expansion…

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Sue Kroll Launches Kroll & Co. Entertainment At WB

INDUSTRY VETERAN SUE KROLL LAUNCHES KROLL & CO. ENTERTAINMENT AT WARNER BROS. The widely respected movie executive kicks off an impressive development and production slate BURBANK, CA, April 4, 2018 – Having made her mark as one of the industry’s top studio executives for more than two decades, Sue Kroll is now hanging her own production shingle,…

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Michael Schlesinger’s “Vintage” Comedy Shorts With “The World’s Favorite Fake 1930s Comedy Team” Hit The Bricks

KINO LORBER ACQUIRES ALL NORTH AMERICAN RIGHTS TO RETRO COMEDY BIFFLE AND SHOOSTERz Collection of New “Vintage” Comedy Shorts Starring “The World’s Favorite Fake 1930s Comedy Team” Available on DVD May 22, 2018 Feature-Length Compilation To Be Released on Major Digital Platforms including iTunes, Amazon, Google Play and Vudu on May 22, 2018 March 30, 2018 –  Kino Lorber has acquired all North American rights to BIFFLE AND SHOOSTER,…

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Press Releases

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon