Awards Update Archive for January, 2011

Gurus o’ Gold: Oscar Nominations (Pt 3 of 3)

The third group of Oscar nominations, as seen by The Gurus. None are unanimous, though Song and Score come closest.

Group 1 | Group 2 | Group 3

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20 Weeks Extra: Could There Be One More Turn?

After becoming the favorite for Best Picture in just the last week, does The King’s Speech now have a lock on the win? Or is the another spin coming?

And when those who aren’t so happy about the turn of events look for a comparison, which on sticks best? Rocky? Ordinary People? Or maybe something else…

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Gurus o’ Gold: Oscar Nominations (Pt 2 of 3)

Eight more categories in from The Gurus. The only unanimity in this group is in Animation. The tightest races are Foreign Language and Editing. The last categories tomorrow.

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“Aronofsky is a handsome, big-boned guy

“Aronofsky is a handsome, big-boned guy with a small, vulpine smile and a lingering impression of sternness that even his man-of-the-hour high spirits can’t dispel.”

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Why Oscar-Nommed “Dark, Intense” Director Tetsuya Nakashima Will Never Win

Why Oscar-Nommed “Dark, Intense” Director Tetsuya Nakashima Will Never Win

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Gurus ‘ Gold: Oscar Nominations (Pt 1 of 3)

The Gurus are putting together their votes in all Oscar categories. Five of the Top 8 categories have unanimous votes for the frontrunners. And the other 3 are also pretty one-sided. On Thursday, we’ll see if the rest of the ballot looks less settled in the eyes of The Gurus.

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Oscar Nominations Day

“This is a big surprise. I don’t agree with the concept of awards ceremonies, but I’m prepared to make an exception for the ones I’m nominated for. The last time there was a naked man covered in gold paint in my house, it was me.”

The List of Nominations
Nominee Reactions
Nominations by Film
Nominations by the Numbers
The Nominations Sidebar

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Complete List Of Oscar Nominations, 2010/11

Here they are…

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Frenzy on the Wall: If I Had a Ballot 2011

I’m going to give my picks for the Oscars in the major awards, as if I had an actual ballot. Since the Academy cannot be trusted to make the right decisions and will probably make the safe choice whenever possible, it’s fun to give my perspective. Needless to say, I don’t see the Academy sending me a ballot anytime soon.

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7 Weeks To Oscar: And So, Phase One Ends…

Ballots are in. Will anything change from now until Oscar night?

Could be. But probably not.

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Gurus o’ Gold, 1/12/11

The Gurus have as narrow a view of most of the guilds seem to have right now. So like the selections, the page will go unadorned today. Mila Kunis and Jeremy Renner have some heat, as The Gurus look at the Supporting Acting categories, which just last month looked like free-for-alls. And the Directors are down to a list of 6 contenders.

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The Top Tens: January 12, 2011

As we get closer to finishing the 2010, the top of the chart seems solid. Nothing changes in the top ten, but Everyone Else moves up into the rankings.

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Top Tens: January 8, 2011

The top ten shuffle a bit and Inception is now in the number two slot. Black Swan moves up, Toy Story 3 and Winter’s Bone slip back.

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The Top Tens: January 7, 2011

True Grit continues to climb up the chart, Toy Story 3 is closing the gap with Inception, and The Social Network stands alone.

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8 Weeks To Oscar: It’s Getting Serious

Oscary History Shock,
The Contenders Chase The Clock.
Eight Days, They’re Done,
Phase II Begun!
Oscary History Shock

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Gurus o’ Gold: The Holiday Is Over! (Jan 5, 2011)

The Gurus welcome you to 2011! The long-ranking Top 2, Social Network & King’s Speech, are now in a dead tie on top. But Rooster, Mattie &
LaBoeuf are chasing, as True Grit leaps from #7 to #3 this week.

We also ask, how many of these major guild nominations might translate into Oscar nods?

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The Top Tens: January 3, 2011

While The Social Network stays put, True Grit and The Fighter are slowly working their way up the chart. More lists still to come.

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Top Tens: January 1, 2011

More lists .. and True Grit moves up into the top ten. While most of the rest of the chart remains the same, there are more than 150 titles on the list .. proving that almost every movie has someone out there who loves it.

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Awards Update

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon