The Hot Blog Archive for May, 2005

Stupidest Star Wars Story Of The Day

“About 9.4 million people attended ‘Star Wars: Episode II – Attack of the Clones’ on the first two days of its release in 2002.
Challenger researchers estimated that about 51 percent of those likely to attend the movie this week are full-time workers.
Based on the average daily pay of 130.60 dollars, the cost in terms of lost wages and productivity resulting from 4.8 million absences would be 626,880,000 dollars.”
The Full Story
You all do the work shredding this one.

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Geeeeeezzzz!!!

I closed the discussion on the political war on the Bush/Vader entry… I appreciate that people are passionate about their positions on politics, but can’t we try to discuss this issue?
Is there a reasonable, direct comparison between Bush and Vader? Or is it just press puffery?
Also, I brought up the issue of Balian killing lots of people, whether in defense or aggression, with reason. I think that the line between a “good” murder and a “bad” murder is fascinating. And I think it is relevant to Star Wars III as well.
I am proud that the personal attacks on this blog are more sophisticated than on some other blogs… but I wish people would stick to the argument instead of telling those with whom they disagree how stupid they must be. It just isn’t productive… at least not as the main course. As an occasional side dish, it can be terribly amusing.

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Later Box Office Analysis

It

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A Nightmare Month

As you know if you

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Early Box Office Analysis

Main Entry: cri

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Do Critics Have Cycles?

From Friday’s Hot Button
“I’ve been getting the strong vibe that this has been coming for the last week or two… critics are going after Monster-In-Law not with a hammer, but with nuclear weaponry. One Stars.. 1.5 Stars… No Stars. Having seen the film and gotten the joke – and every single report I have heard from screenings, many from the critics on attack, has been that the audience was 100% with the film – I had to scratch my head.”
The rest of the column…

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A Kind Thought…

Bulldog writes (in a blog entry)…
“Just thought I’d chime and say that I’ve loved coming to this site for the past few years and i especially love the addition of the blog. I may not be as regular a contributor as most others but I’d really like if we would keep personal attacks out of it. I hail from Trinidad & Tobago, a small island in the caribbean made up of not more tha 1.3million souls, so I love sharing, imparting and being imparted to, with the wider community.
We are all here because we pationately love movies, as well as pationately hate a few others, such is the universality of the silver screen. We are all here for a general commonality that is unmistakebly beautiful. Why ruin it with attacks on another persons opinion, race, age, sexual preference, perceived or real, and any other idiotic stereotype we may subscribe too. I absolutely hate scrolling down the blog page through paragraphs of attacks and comebacks that have nothing to do with why i’m here in the first place. Keep it clean, concise, and most of all topical. I believe what I believe until iI hear a better argument, and then I believe something anew. It’s just movies…everything and nothing. That’s my rant, and i hope we can get back to the movies, I know that I am.”

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One Movie Trying To Fight Its Way To A Cannes Sale

What first caught my eye was a press release by Soleil Film headed, “Soleil Film Increases Equity Interest in Feature Film “All That I Need” by 100%”
I read the press release, wondering whether a company had indeed doubled its investment in a film I had never heard of and why they were announcing it publicly. In the release it calls, All That I Need, a reality documentary movie in the spirit of Super Size Me.” It also states, “We are extremely pleased about the opportunity to acquire an increased equity share in the feature,’ commented CEO, Kenneth Eade, ‘and are even more pleased that the screening room at Cannes has been filled to capacity with major distributors who have confirmed their attendance for our May 13th screening.”
This is a May 12 press release.
On May 2, it turns out, there was a release (picked up by Yahoo! FInance) stating that there was a 75% increase in Soleil’s equity position on this same film, not May 12th 100%.
And have I mentioned, the film is not a documentary like Super Size Me? It is a fake documentary starring the director.
A little more investigation turns up another press release (May 10) in which Paramount Classics’ Susan Wrubel passing on the film. Yet Soleil takes the doubly surprising step of positioning that as a win and of quoting a distribution exec’s position on a film publicly. Wrubel is quoted as caling the film “‘incredible material,’ comparable to Lord of The Flies.” The release continues… “Although Paramount chose not to purchase distribution rights for the film, Susan Wrubel, Vice President of Acquisitions and Co Productions for Paramount commented, ‘You have something interesting here, with some incredible material. I’m sure you will be able to sell this film at Cannes, just on concept alone.’

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The Return Of Jamie Foxx

One month after the rather ugly story of Jamie Foxx and his unexpected exit from Dreamgirls ran on The Hot Button, I am pleased to see that Foxx and his management came back to the table, bringing their demands back into line with reality for the Oscar winning star… figure about half.
As many of you figured out back then, Eddie Murphy is the superstar who is likely to take a supporting role that could bring him his first Oscar nomination.
Fewer of you figured out that

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I Love New York… Too Much

Wow… it

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Second Straight Day On The Cover Of Variety

Yesterday, MCN got a visual plug, though no mention, in a story about Hollywood and blogs. (I don’t see MCN as a blog, but it seems like a counterintuitive thing to say, given how hyper the off-line media is about blogging these days.)
Today, Gabriel Snyder wrote nearly the same story on the overstated box office slump as ran here on the blog on Monday. The only real difference was degree of detail, quotes from the usual suspects (some of whom were quoted by Sharon Waxman on Monday) and the failure to pin the hype on The New York Times.

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On more thought on Huff & Puff

It finally struck me what is really problematic with the Huffington blogs… blogging is about strong feelings and even when inaccurate, it’s about someone’s sense of real truth…
Huff & Puff offers tell-alls that tell nothing.
Like any media outlet, Huff & Puff is going to have to build star writers. They could be celebs going in. But being a celebrity will never be enough.

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Why Drew McWeeny/Moriarty Shouldn't Be Writing At AICN Anymore

His words can explain without any help from me…
“So when the recent executive shuffle at Paramount took place and Brad Grey took over from Sherry Lansing and Donald DeLine, things changed. That

77 Comments »

Box Office Insanity

I guess I should get ahead of the curve before Joe Leydon starts throwing stuff…
I HATE the annual stories about the box office being ahead or behind the previous years… and HOW WORRIED Hollywood is about it. HATE them.
And so, of course, The New York Times does just that story today.
“Analysts said that the “Crusader” movie’s R rating contributed to its weak opening, along with reviews that declared Mr. Bloom’s performance inadequate.”
No… only idiots (and publicists, whose job it is to make excuses the NY Times will print) make either excuse. It was the marketing. opening weekend is almost always (85% of the time) the marketing.
Ask me and I’d say that it was the failure to try to sell anything other than Orlando Bloom and Ridley Scott and a lot of cool images until the every last week, when they finally started to sell the story of the film. Bzzt! Too late! (It isn’t that the story is so great… it’s that the previous sell left potential ticket buyers unsure of what the movie was about… which makes deciding to go almost impossible.)
The r-rated Troy opened to $47 million last year. The Matrix Reloaded, rated R, opened to $92 million the May before. So please… shut the FUCK up about the R rating.
Then, there

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Huff & Puff Gets Slammed & Slammed Quick!

One has to figure that Nikki Finke reported the vast majority of her wet, sloppy kiss of bile on the lips of Arianna Huffington before The Huffington Post launched this morning.
Did she actually wait to read the first day’s materials before writing: “This Web-site venture is the sort of failure that is simply unsurvivable, because of all the advance publicity touting its success as inevitable. Her blog is such a bomb that it

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The Hot Blog

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon