MCN Weekend Archive for February, 2016
The Weekend Report
Deadpool would not be Trumped as it glided to its third weekend at the top of the charts with an estimated $31.7 million. Three national releases bowed Oscar weekend, with Gods of Egypt commanding second spot with $13.7 million. The other two weren’t as vibrant with Olympic oddity Eddie the Eagle grossing $6.2 million and the dirty-cops-and-robbers Triple 9 scamming $5.9 million.
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To the surprise of no one, Deadpool kills it for a third weekend. Newcomer Gods of Egypt won’t get close to $15m, while Triple 9 would be happy to get to triple 6 with 4 zeros. And feel-good movie Eddie the Eagle is going to need to spread its wings over time if it isn’t going to be grounded.
Read the full article »The DVD Wrapup: Spotlight, Good Dinosaur, Cannibal Women, Bees and more

Like All the President’s Men, Spotlight is a journalistic procedural and the target of the investigation is abuse of power. While terrible crimes are unraveled, the excitement comes from watching highly trained and unusually dedicated reporters work on all eight cylinders in pursuit of a single goal: the truth.
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It was another dawn of the Deadpool as the curmudgeonly superantihero remained top choice with an estimated $55.3 million. A trio of national releases proved not much of a threat including the faith-based Risen that ranked third with $11.7 million. Also bowing was seventeeth-century horror chiller The Witch with a sturdy $8.5 million while Race, a biopic of sprinter Jesse Owens ran off the track with $7.3 million.
Read the full article »Friday Box Office Estimates

Deadpool becomes the first $200 million domestic hit of 2016 today. The Witch, the widest release ever by A24 and the first wide opening they have done, pays off with the distributor’s best weekend, passing Ex Machina‘s $5.4m expansion weekend last year. And Kevin Reynolds’ Resurrection tale, Risen, has a launch comparable to last summer’s War Room, which got all the way to $68 million domestic. Race… doesn’t. And Stephen Chow’s Chinese hit The Mermaid will deliver a $25k+ per-screen 3-day weekend despite barely any push by Sony… hardly letting people know where it’s opening, really.
Read the full article »The DVD Wrapup: Black Mass, Trumbo, Death by Hanging, Taviani Trilogy, Iron Ministry, Paprika, Black Panthers and more

Unlike so many other Hollywood gangster movies, Black Mass doesn’t waste a lot of time attempting to humanize Bulger and his pals. Indeed, it can be argued that Johnny Depp’s decision to wear icy blue contact lens occasionally makes him look too demonic. At one point, the recently released ex-con orders his buddies to help an elderly woman with her groceries, but it’s a brief sequence, quickly overshadowed by violent crimes. Bulger’s pain over losing his 6-year-old son, Douglas, to Reyes disease, is feels genuine, if only because it heightens his resolve to stay out of jail. Otherwise, Depp’s portrayal honestly describes a sociopathic killer, who doesn’t feel as if societal rules apply to him.
Read the full article »The Weekend Report: 4-Day Edition

With added Presidents Day prognostication.
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They expected big … but not huuuge. Deadpool bowed to a record-breaking estimated $135.3 million for the three-day portion (all figures reflect three day figures) of the Presidents holiday session. Two other films launched nationally with upbeat response to How to Be Single at $18.2 million and a disappointing $14.3 million for Zoolander No. 2.
Read the full article »Friday Box Office Estimates

The first Hunger Games and the first Avengers are the only non-sequels to have opening days better than the one Deadpool just delivered. Remarkable. Almost $10m more than Guardians of the Galaxy, which was a summer release. Also the biggest opening day ever in the first 80 days of the year. How To Be Single probably was unaffected, but Zoolander 2 likely took a hit – not one that would make the opening great – as some of its demo surely overlaps with Deadpool audiences.
Read the full article »The DVD Wrapup: 99 Homes, Grandma, Crimson Peak, Jan Troell, Sheba Baby and more
One way to view Ramin Bahrani’s gut-churning drama, 99 Homes, is as a powerful indictment of the corrupt practices embraced by the real-estate industry in the still unresolved collapse of the American economy. Lenders profited from the misery of homeowners who lost their jobs and couldn’t keep up with the first and second mortgages they pursued to afford everything from necessary home improvements to such luxuries as swimming pools, vacation condos and sports cars. As long as the economy was firing on all eight cylinders, everything was jake. When it spit out the bit, however, vultures like the character played by Michael Shannon in 99 Homes swooped in to displace the suckers and enrich themselves.
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Muscular Kung Fu Panda 3 flexed its pecs for a second weekend at the top of the charts with an estimated $21.2 million. The session featured a trio of national bows, with openings that ranged from good to … Slotting second was Hollywood spoof Hail, Caesar! with an $11.4 million back office. The three-hanky The Choice grossed $6.1 million while Pride + Prejudice + Zombies got skewered with $5.2 million.
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Read the full article »The DVD Wrapup: Bridge of Spies, Truth, Snow White, Breathe and more

There’s always a point in a Steven Spielberg movie where I want to pull out my cellphone – or hit the pause button on my remote – to check the validity of what’s just happened on the screen. Likewise, there are times in every performance by Tom Hanks when he appears to be channeling Henry Fonda or Jimmy Stewart, instead of remaining within the skin of his character. It doesn’t take me out of the picture for very long, just enough to remind me that the operative word in “based on a true story” is “based,” not “true.” Most fact-based movies made in Hollywood require a suspension of disbelief for the sake of telling a story. It comes with the price of a ticket. If any collaborative team is allowed more latitude than Spielberg and Hanks, however, I’d be hard-pressed to name it.
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