MCN Weekend Archive for October, 2013

DVD Geek: Pacific Rim

The 62 minutes of excellent production featurettes that accompany the film reveal how incredibly thorough del Toro was in overseeing the movie’s creation, which is why, boxoffice shortcomings or not, the film is going to be around for a very long time to come. As he explains, “This movie was made by people who love giant monsters and robots, for people who love giant monsters and robots.”

Read the full article » 1 Comment »

The DVD Wrapup

War of the Worlds, Byzantium; Gift Guide 1: Del Toro, McQueen, Pulp Fiction, Dark Knight, Mama’s Family, Deano and so much more.

Read the full article »

The Weekend Report

From the sublime to the ridiculous, the debut of Bad Grandpa led weekend movie going with an estimated $31.8 million. The Counselor, the session’s other major national debut, got clobbered in a fourth place finish that courted a dismal $8 million. Exclusive newcomers were also generally disappointing though nonfiction The Square on the Egyptian Arab Spring posted $12,600 from a solo rally. Also strong was the U.S. release of Cannes winner Blue is the Warmest Color with a $105,000 box office from four screens following its bow in Quebec three weeks ago.

Read the full article »

Friday Box Office Estimates

Bad Grandpa killed the Gravity star… Bad Grandpa killed the Gravity star…” Sing it! No real surprise here. The Jackass brand is golden in late September and October, the last Jackass film opening to $50 million in 2010. This “Jackass presents” film will not be that big, but it will probably be the second highest opener amongst all of their releases. Fox couldn’t get the Mexican drug cartel pirates to excite people like Somali pirates and saw this relatively weak opening coming a mile away.

Read the full article »

Wimington on DVDs: The Haunting, Eyes Without a Face, The Conjuring

Horror movies are usually often judged by how much they get under our skins: how much sheer emotional discomfort they generate. By that measure, and several others, the James Wan-directed scary show The Conjuring, failed to get to me.

Read the full article »

The DVD Wrapup

Conjuring, Internship, Monsters U, Oka!, Pawn Shop, Shepard & Dark, Faust Redux, La Notte, Trejo!, Beauty of Devil and much more.

Read the full article »

The Weekend Report

Gravity continued to spin in a high orbit with an estimated $31.1 million to top session movie going. The industry had to be thankful for the film’s momentum as a trio of new national releases failed to reach their presumed apex. The re-imagined Carrie bowed to $16.4 million and slotted third behind Captain Phillips. The combo of Stallone and Schwarzenegger provided Escape Plan with a tepid $9.7 million and the ripped from the headlines The Fifth Estate grossed a WeakiLeaks $1.7 million. A flood of exclusives provide only a couple of bright spots including the stranded at sea All is Lost with Robert Redford not such a victim to the elements on a box office of $94,400 from six berths. But the big noise was the phenomenal $960,000 launch of 12 Years a Slave from 19 screens.

Read the full article »

Friday Box Office Estimates

Gravity continues to (bad pun) above the pack, as the remake of Carrie will likely end the weekend about $10m behind the Clooney’s unlikely sequel to Up In The Air, Up In The Lack of Air. (Or is it Ms. Bullock’s unlikely sequel to Speed? Too bad Dennis Hopper wasn’t around to voice flight command.) The Fifth Estate goes down in flames. Escape Plan needs to go back to the drawing board.

Read the full article »

The DVD Wrapup

The Heat, Pacific Rim, Drug War,Cockney Rejects, Maniac, Untold History, Vikings, Jug Music, Jumper, and a whole bunch more.

Read the full article » 2 Comments »

The Weekend Report

The attraction was considerable as Gravity retained a commanding pull in the marketplace with an estimated $43.6 million, a relatively modest 22% lower orbit from its opening box office. That meant that the critically-acclaimed Captain Phillips had to settle for second mate with a solid debut of $25.8 million. The session’s only other national newcomer was genre actioner Machete Kills, which grossed $3.7 million.

Read the full article »

Friday Box Office Estimates

Gravity continues to hold down the lead, as Tom Hanks and Paul Greengrass’ Captain Phillips line up for what could arguably be the best October opening for a drama since The Departed and Training Day.

Read the full article »

Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

The Purge may be well-named. The movie‘s eventually almost non-stop brutality and terror have a kind of emetic effect, which is what happens in most of these pictures.

Read the full article » 8 Comments »

The DVD Wrapup

Laurence Anyways, Exorcist, Hangover, After Earth, Chucky, Midnight’s Children, American Horror, Mea Culpa and so much more.

Read the full article »

The Weekend Report

You can’t hear a shout-out in space. But on Earth, Gravity handily pulled down an estimated $54.8 million to rest atop the box office charts. The frame’s only other national release was thriller Runner Runner that turned third place with $7.6 million.

Read the full article »

Friday Box Office Estimates

Gravity opens so well that we will avoid any pun describing its numbers (for now). Word of mouth is mighty and it could well be the rare film not driven by children that gets a big Saturday bump. The record for October openings is $52.6 million. Getting crushed under the weight of the big October opening is the horribly titled Runner Runner (a term known to poker players, but not the mainstream audiences that need to show up to drive business for a mainstream movie). The film could well have a nearly identical opening weekend to the first Koppelman/Levien-written feature, Rounders (circa 1998).

Read the full article »

The DVD Wrapup

Croods, Mermaid/Oz 3D, Big Parade, 100 Bloody Acres, House of Wax, Bob and the Monster, Latinos, Wild Style… and so much more.

Read the full article »

MCN Weekend

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon