The Weekend Report

Audiences checked into Hotel Transylvania and the occupancy rate in its maiden edition topped session charts with an estimated $42.6 million. The bridesmaid’s spot went to freshman sci-fi entry Looper with $20.9 million and a third national debut – the hot button education yarn Won’t Back Down – flunked the commercial test with a $2.7 million gross. Also upbeat was the limited opener of the tuneful Pitch Perfect (expanding nationally next weekend) that tallied $5.2 million at 335 venues.

Wilmington on Movies: Pitch Perfect

  PITCH PERFECT (Three Stars) U.S.: Jason Moore, 2012 In the mood for ateen-oriented movie musical comedy about college boys and girls’ A cappella groups? Want to watch (and hear) a bunch of enthusiastic unaccompanied singers slugging it out in something called the ICCA (International Championship of Collegiate A Cappella), with unaccompanied (sort of)  renditions of…

Wilmington on Movies: Looper

To tell the truth, Looper has a plot almost as tricky and paradoxical enjoyable as “All You Zombies” — or as Heinlein’s earlier classic “By His Bootstraps,” or as Alfred Bester’s amazing “5,271,009,” or as Philip Dick’s (alternate universe) “Eye in the Sky,“ or as Fredric Brown’s well-named “Paradox Lost,“ or as Chris Marker’s melancholy French film-poem La jetée, and the nightmarishly weird American movie it inspired, Terry Gilliam‘s Twelve Monkeys (which also starred Bruce Willis).

Friday Estimates

Sony takes the two top spots with an animated film about a guy who never dies and his daughter and the hotel they own and a live action thriller about a guy who is supposed to kill himself and a kid and a mom and the house in the cornfield. Two other new entries, focused on female audiences, open to considerably less box office, though the singing hotties nearly doubled up on the shouting mommies.

Pride’s Friday 5: Looper, Drunkboat, Woman In The Fifth, Damsels In Distress,The Samaritan

This was a Sunday afternoon a long time ago, sometime near the end of the twentieth century. In years of theatergoing in Chicago and other cities, I’d seen some grand coups de theatre, but this one, this one that shaped itself beyond the actors’ pace, made an indelible mark. Outside, a sunny afternoon on the second floor above the Victory Gardens theater; inside, a variation on Fritz Lang’s M. Somewhere in the middle of the brief, striking piece, the sound of whistling rose from the Clark Street sidewalk a floor below. The character of The Detective stood at an open window, listening to the whistling, holding the pose, holding the scene…

The DVD Wrapup: Klown, Avengers, American Horror Story … More

Because Klown is the product of a country, Denmark, that isn’t afraid of portraying the sexual maturation process in an honest and occasionally comedic way, director Mikkel Norgaard can have his cake and reserve a large slice of it for viewers, too.

Wilmington on DVDs: Lonesome, The Last Performance, Broadway

Ah wait, you say. You’ve seen and heard it, or something like it, before. Indeed. Your grandparents probably saw and heard it before, and maybe theirs as well. In fact, as in countless other Hollywood movies, this is a classic example of the famous movie romance formula “boy meets girl, boy loses girl, boy…”

Stop. You know the rest. Or do you?

Wilmington on DVDs: The Avengers

DVD PICK OF THE WEEK: NEW THE AVENGERS (Four Stars) U. S.: Joss Whedon, 2012 (Walt Disney Video)    (  “We need a plan of attack.” — Steve Rogers/Captain America “I have a plan: Attack!” — Tony Stark/Iron Man 1. Of Hulks and Iron Men and Smashes As you watch the mega-hit movie The Avengers…

Wilmington on Movies: End of Watch

End of Watch is a pretty damned exciting Los Angeles buddy-cop movie, made with lots of energy and style. But it has one pretty big flaw: Those damned cameras.

The Weekend Report

The fight for bragging rights dominated weekend estimates with three incoming movies all claiming top spot on the charts. From this perch the lineup shakes out with the cop on the beat End of Watch ahead with $12.9 million, Clint in baseball Trouble with the Curve right behind with $12.7 million and the chiller The House at the End of the Street trailing with $12.4 million.

Wilmington on Movies: Dredd 3D

Hmmmm. I don’t know if any of you have had deranged fantasies of running around a 200-story vertical slum in a stiff black mask, dodging gun battles and massacres and periodically going into slow-motion attacks, or being hurled out of windows or whatever and dropping slowly to the street. But, if you have, this movie will almost certainly satisfy them all, perhaps forever.

Friday Estimates

Jennifer Lawrence, Jake Gyllenhaal, Clint Eastwood, Amy Adams and Chair lead the box office in a heavy weekend of new titles. The other newbie cracking the Top Ten is Dredd, though it is a bit disappointing at $2.2m on Friday. The Master goes semi-wide (783 screens) and the per-screen plummets from $48k to $1800 per-screen for the day. This weekend’s muscular exclusive release is The Perks of Being A Wallflower with just over $21k per-screen on 4 on Friday.

Wilmington on DVDs: Children of Paradise

  PICK OF THE WEEK: CLASSIC  CHILDREN OF PARADISE (“Les Enfants du Paradis“) (Four Stars) France: Marcel Carne, 1945 (Criterion Collection) OVERTURE There has never been a movie valentine to the art of the stage quite as intoxicating and as wonderful as the French film masterpiece Children of Paradise — director Marcel Carne and screenwriter Jacques Prevert’s…

Wilmington on DVDs: The Babymakers; Bound; The Window

THE BABYMAKERS (Also Blu-ray) (One Star)  U.S.: Jay Chandrasekhar, 2012 (Millennium Entertainment) Devotees of jokes about masturbation, sterility, sperm bank burglaries and getting repeatedly kicked in the groin, will have struck the mother lode with the new comedy The Babymakers — a movie so coarse, crude and defiantly raunchy that it makes the Farrelly Brothers…

The DVD Wrapup: Chico & Rita, Detachment, Cabin in Woods, End of Road … More

In the powerful ensemble drama, “Detachment,” director Tony Kaye and writer Carl Lund imagine what it might be like not only to teach in a school that, in and of itself, could constitute a level in Dante’s “Inferno,” but also how that experience might impact the teachers in their off-hours. As somber and dirge-like as “Detachment” often is, it demands that we not give up on our public schools and children who were born behind an 8-ball.

Wilmington on DVDs: The Best Exotic Marigold Hotel; The Cabin in the Woods

    CO-PICKS OF THE WEEK: NEW THE BEST EXOTIC MARIGOLD HOTEL (Three Stars) U.K.: John Madden, 2012 (20th Century Fox) Some countries have massive oil deposits; some have huge veins of silver or gold. England is blessed with a large, constantly replenished reservoir of prime acting talent: probably more great (and good) stage and movie actors than…

Wilmington on Movies: Searching for Sugar Man

I will say that I loved the movie, that it deserves all the praise it has received, and that, if you care about rock ‘n’ roll, and art, and politics, and the plight of poor people in our rich country, and if you’re curious about the mysteries of commerce and hype (or non-hype) in the United States if America (and the rest of the world), you must see this movie. I watched it again the other night and fell in love with it all over again. What’s more amazing: I just talked to a friend who also loves the movie, and he told me he was sitting in Starbucks last morning when suddenly he heard….Well, I won’t tell you.

Wilmington on Movies: Finding Nemo 3D

    FINDING NEMO (Five Disc Ultimate Collector’s Edition, with Blu-ray/DVD/3D) (Four Stars) U.S.: Andrew Stanton & Lee Unkrich, 2003-12 (Walt Disney/Pixar) Finding Nemo, the first one, was that epic 2003 Pixar computer-animated cartoon adventure about a boy clownfish named Nemo (Alexander Gould) and his nervous father Marlin, how they were separated on Australia‘s Great Barrier Reef,…

The Weekend Report

Newcomers Resident Evil: Retribution and Finding Nemo 3D led weekend ticket sales with respective estimated debuts of $20.9 million and $17.4 million. Both films nonetheless bowed to lower than anticipated returns and saw their media thunder stolen by potent returns in the niches. The sessions other national freshman _ the inspirational drama The Last Ounce of Courage _ weighed in with a dull $1.8 million.

The big noise was unquestionably The Master, a daunting, compelling study of inter-dependence that opened with five 70mm engagements and a staggering near capacity $748,000. Also displaying premiere power was the Wall Street cautionary Arbitrage with a $2 million launch from 197 engagements.

Friday Estimates

About 5,000 people saw The Master on Friday on each of its five 70mm screens. That’s a lot of full or sold-out shows. Can the cult expand? Meanwhile, in studio world, the Resident Evil franchise is back again, still opening to over $8m on Friday, still likely to crack $40m domestic, and chasing the stunning up-shift in international business for the most recent incarnation (2010), which did $236 million overseas. If it does half of that, Sony will still be downright giddy.