Press Releases Archive for October, 2011

Sundance Institute and Indian Paintbrush Announce New Fellowship Program for Independent Filmmakers

For Immediate Release October 7, 2011 First Indian Paintbrush Fellows Announced Los Angeles, CA — Sundance Institute today announced a new fellowship program with Indian Paintbrush that will provide grants to filmmakers supported by the Institute’s Feature Film Program. In each of two years, five or more filmmakers who have been selected for the Feature…

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TODAY MARKS THE 162ND ANNIVERSARY OF EDGAR ALLAN POE’S DEATH

THE RAVEN Honors Edgar Allan Poe today! THE RAVEN’s official trailer debuted last night on G4’s “Attack of the Show” and is now available at www.apple.com/trailers Today at Westminster Hall in Baltimore, the burial site of Edgar Allan Poe, THE RAVEN director James McTeigue (V for Vendetta) and co‐star Luke Evans (Immortals) will be engaging…

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SUNDANCE SELECTS TAKES NORTH AMERICAN RIGHTS TO BESS KARGMAN’S DANCE DOC FIRST POSITION

FOR IMMEDIATE RELEASE New York, NY (October 6, 2011) – Sundance Selects announced today that the company is acquiring North American rights to director Bess Kargman’s documentary FIRST POSITION. The film, which was also produced by Kargman, features some of the world’s most talented aspiring ballet dancers. FIRST POSITION made its world premiere last month…

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“VIVE LE CINEMA!” CLAUDE LELOUCH CELEBRATES 50 YEARS OF FILMMAKING IN CHICAGO

FOR IMMEDIATE RELEASE October 5, 2011 — The 47th Chicago International Film Festival welcomes back French film director and producer Claude Lelouch and joins him in his celebration of 50 years in the film industry. The Festival will present Lelouch with a Silver Hugo award at the Saturday October 8, 7:30 pm screening of What Love May…

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FOURTH-YEAR WINNERS OF FOCUS FEATURES’ AFRICA FIRST PROGRAM ANNOUNCED

$10,000 IN FINANCING GOES TO FIVE NEW MOVIEMAKERS FOR THEIR SHORT FILMS FOR IMMEDIATE RELEASE NEW YORK, October 6, 2011 – For a fourth consecutive year, Focus Features’ Africa First program for short films, the worldwide film company’s initiative earmarked exclusively for emerging filmmakers of African nationality and residence, has awarded five filmmakers $10,000 apiece,…

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SUNDANCE INSTITUTE ANNOUNCES FIRST-EVER NEW FRONTIER STORY LAB, OCTOBER 23-28 AT SUNDANCE RESORT, SIX ARTIST TEAMS AND PROJECTS SELECTED

For Immediate Release October 6, 2011 Los Angeles, CA — Sundance Institute today announced the New Frontier Story Lab, a new initiative to support artists and creators developing projects that explore the convergence of film and new media technologies. The six projects selected for the inaugural New Frontier Story Lab, October 23-28 at the Sundance…

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THE HUMAN CENTIPEDE II (FULL SEQUENCE) GRANTED 18 CERTIFICATE

Eureka Entertainment is pleased to announce the forthcoming release of the controversial horror film The Human Centipede II (Full Sequence). Ian Sadler, Sales Director for Eureka Entertainment,  Bounty Films’ UK distributor said: “We are really pleased that after nearly 4 months of detailed discussion and debate, we have been able to reach an agreement with the BBFC and to…

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STATEMENT BY MPAA CHAIRMAN AND CEO SENATOR CHRIS DODD ON STEVE JOBS’ PASSING

FOR IMMEDIATE RELEASE October 5, 2011 WASHINGTON, DC – Senator Chris Dodd, CEO and Chairman of the Motion Picture Association of America, Inc. (MPAA) joined the millions worldwide who are mourning the loss of Steve Jobs, co-founder and former CEO of Apple. The following is a statement by Senator Dodd: “The genius of Steve Jobs, a…

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Historic Alliance Opens Door to Academy Museum at LACMA

HISTORIC ALLIANCE OPENS DOOR TO ACADEMY MUSEUM AT LACMA Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences and the Los Angeles County Museum of Art (LACMA) have taken a step toward realizing a museum dedicated to motion pictures and the creation of a new and unique cultural center for the city…

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Independent Filmmakers Set “99 Percent: The Occupy Wall Street Collaborative Film”

99 Percent: The Occupy Wall Street Collaborative Film is a documentary film project founded by independent filmmakers working in conjunction across the country.  Award-winning directors, producers, editors and cinematographers have come together and pledged their time, skills and gear to document the events taking place in NYC and across America.  And they’re inviting you to…

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DISNEY AND DISNEY•PIXAR FAVORITES POISED TO RETURN TO THEATERS IN 3D

FOR IMMEDIATE RELEASE ‘Beauty and the Beast,’ ‘Finding Nemo,’ ‘Monsters, Inc.’ and ‘The Little Mermaid’ Will Make 3D Theatrical Debut in 2012 and 2013 BURBANK, Calif. – October 4, 2011 – On the heels of the phenomenal success of The Lion King 3D – which will cross the $80 million mark at the domestic box…

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Disney Announces 3D Foursome

FOR IMMEDIATE RELEASE DISNEY AND DISNEY•PIXAR FAVORITES POISED TO RETURN TO THEATERS IN 3D ‘Beauty and the Beast,’ ‘Finding Nemo,’ ‘Monsters, Inc.’ and ‘The Little Mermaid’ Will Make 3D Theatrical Debut in 2012 and 2013 BURBANK, Calif. – October 4, 2011 – On the heels of the phenomenal success of The Lion King 3D –…

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ALECIA MOORE JOINS DIRECTOR STUART BLUMBERG’S THANKS FOR SHARING

Film’s All-Star Cast Also Includes Mark Ruffalo, Tim Robbins, Gwyneth Paltrow, Patrick Fugit, Joely Richardson, and Josh Gad New York, NY (October 3, 2011) – Class 5 Films and Olympus Pictures announced today that Alecia Moore has been brought on board to co-star in writer-director Stuart Blumberg’s dramedy THANKS FOR SHARING. Blumberg, who was previously…

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KILLER/HOPE MASTERCLASS

IFP and indieWIRE Present: KILLER/HOPE MASTERCLASS -get your movie made -make it well, make it great -get it seen & survive to do it all over again Cantor Film Center 36 E 8th St., New York, NY 10003 Saturday, November 5 from 10am until 4pm. The Independent Filmmaker Project (IFP), the nation’s oldest and largest…

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Reykjavik Int’l Film Festival 2011 Awards

New Best Icelandic Short Film Award established to honor Thor Vilhjálmsson Record festival attendance nears 27,000 admissions THE GOLDEN PUFFIN Discovery Award Russian director Angelina Nikonova´s film TWILIGHT PORTRAIT (Portret V Sumerkakh) which tells a story of revenge between a social worker and a militia man against the modern day backdrop of a Russia ridden…

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Press Releases

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon