Festivals Archive for September, 2011

Kaufman Digs TIFF’s Sex, Death And Corruption

Kaufman Digs TIFF’s Sex, Death And Corruption

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The Weird Return Of Screenwriter Geoffrey Fletcher

The Weird Return Of Screenwriter Geoffrey Fletcher

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67-Year-Old Richard Corliss On 72-Year-Old Francis Coppola

“Young men live in the present and the future, old men in the past.” 67-Year-Old Richard Corliss On 72-Year-Old Francis Coppola

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TIFF ’11 Dispatch: So Long, and Thanks for All the Films

This was a pretty fantastic year to be at TIFF. I saw many solid films, a fair number of fair-to-middling films, only one film bad enough to warrant a rare walkout, and even a few that were great. The area around the Lightbox and Scotiabank felt like a real live festival center this year, complete…

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Refn Narrates A Scene From Drive

Refn Narrates A Scene From Drive

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Jason Statham Does Not See Himself In A Cape

Jason Statham Does Not See Himself In A Cape

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Howell TIFFs With His Rock Ghosts, Including Same-Age John Lydon

Howell TIFFs With His Rock Ghosts, Including Same-Age John Lydon

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Jay Duplass Finds Inspiration In M. Night

Jay Duplass Finds Inspiration In M. Night

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Producer Drabinsky And Convicted Fraudster Lord Black Of Crossharbour May Lose Order Of Canada Honors

Producer Drabinsky And Convicted Fraudster Lord Black Of Crossharbour May Lose Order Of Canada Honors

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Dargis Talks TIFF

“In the cinematic war of the sexes, Mr. Fassbender’s penis and howls in Shame are no match for Ms. Knightley’s tumescent rage.” Dargis Talks TIFF

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Annnnd…. Scene!

It was the easiest, hardest, best, worst, perfectly imperfect TIFF ever… made more so by the fact that I am summing it up days before it even ends. Sony, first through Sony Classics and then through the only studio doing serious TIFF junketting this year, Columbia Pictures, dominated the festival in every way. Clooney and…

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Transcribing Coppola’s TIFF Talk

Transcribing Coppola’s TIFF Talk

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5 Questions For Loneliest Planet’s Julia Loktev

5 Questions For Loneliest Planet‘s Julia Loktev

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Panahi’s This Is Not A Film Picked By Palisades Tartan

Panahi’s This Is Not A Film Picked By Palisades Tartan

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TIFF Buy: IFC’s Got Lynn Shelton’s Your Sister’s Sister

TIFF Buy: IFC’s Got Lynn Shelton’s Your Sister’s Sister

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Oscilloscope Squares Wuthering Heights

Oscilloscope Squares Wuthering Heights

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IFC Brings First Ferrara To U.S. In Ages With 4:44 Last Day On Earth Buy

IFC Brings First Ferrara To U.S. In Ages With 4:44 Last Day On Earth Buy

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Macaulay Talks TIFF Hit Girl Model With Directors Sabin And Redmon

Macaulay Talks TIFF Hit Girl Model With Directors Sabin And Redmon

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H’wd & Fine On Skipping TIFF’s Opening Weekend

H’wd & Fine On Skipping TIFF’s Opening Weekend

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Madonna At TIFF: “Sad, Silly And Rather Sweet”

Madonna At TIFF: “Sad, Silly And Rather Sweet”

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon