Festivals Archive for May, 2012

Weighing Tom Hardy

“I can’t tell you anything about Batman. You know the score, you know the score. Don’t f— with it.” Weighing Tom Hardy

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John And Katrine Boorman On Their Doc, 1970s Filmmaking, Excalibur And A Never-Made “Lord Of The Rings”

“Get off the f—ing grass, Katrine!” John And Katrine Boorman On Their Doc, 1970s Filmmaking, Excalibur And A Never-Made “Lord Of The Rings”

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Dupont Arrays Factoids About On The Road

Dupont Arrays Factoids About On The Road

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From Cannes, Rodney Ascher Talks Shining Doc Room 237 5’49”

From Cannes, Rodney Ascher Talks Shining Doc Room 237 5’49”

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At Cannes, Taubin Favors Death Over Patriarchy

At Cannes, Taubin Favors Death Over Patriarchy

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“Ken Loach Saved My Life”

“Ken Loach Saved My Life”

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Cinematic Americana Now Coming From Other Countries

Cinematic Americana Now Coming From Other Countries

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Gael Garcia Bernal On Cannes And Democracy

Gael Garcia Bernal On Cannes And Democracy

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Photographer Caitlin Cronenberg Shoots Brandon Cronenberg And David Cronenberg At Cannes

Photographer Caitlin Cronenberg Shoots Brandon Cronenberg And David Cronenberg At Cannes

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Videodrone: Cronenberg Sez Film Is Dead, Long Live The New Flash

“I have no particular affection for film whatsoever, other than the smell when you open those film cans.” Videodrone: Cronenberg Sez Film Is Dead, Long Live The New Flash

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Wes Anderson Set To Reteam With Owen Wilson

Wes Anderson Set To Reteam With Owen Wilson

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“Then we have Abbas Kiarostami’s Like Someone in Love, regarding which I have to just punt, I’m afraid. What I don’t remotely understand is what the movie purports to be about, or why Kiarostami wanted to make it.”

“Then we have Abbas Kiarostami’s Like Someone in Love, regarding which I have to just punt, I’m afraid. What I don’t remotely understand is what the movie purports to be about, or why Kiarostami wanted to make it.”

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Bradshaw In The Room With The Weinsteinco Cannes Roadshow

Bradshaw In The Room With The Weinsteinco Cannes Roadshow

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FSLC Sneak-Peeks DP/30 With Wes Anderson And Beasts Of The Southern Wild

FSLC Sneak-Peeks DP/30 With Wes Anderson And Beasts Of The Southern Wild

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Django Unchained on the Croisette

The 10-minute “Django Unchained” trailer that screened for select press in Cannes – obviously not a final cut – opened on a typical Western backdrop, with slaves walking across a dusty cliff. But hey, I will tell you what you want to know…

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Cannes: After Lucia (Despues de Lucia)

I still can’t quite catch my breath. It is the ultimate nightmare of a parent – even of a 2 year old – to think they will be victims, victimizers, or perhaps worse, silent witnesses to the abuse of others when standing up for honor is only dangerous as a social abstraction.

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Dupont Covers Kiarostami At Cannes

Dupont Covers Kiarostami At Cannes

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Besson, Kavanagh Tie EuropaCorp And Relativity For Co-Finance, US Distrib Of 2 Pics, Likely More

Besson, Kavanagh Tie EuropaCorp And Relativity For Co-Finance, US Distrib Of 2 Pics, Likely More

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Xavier Dolan Says He Couldn’t Part With A Single One Of Laurence Anyways 159 Minutes

Xavier Dolan Says He Couldn’t Part With A Single One Of Laurence Anyways‘ 159 Minutes

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Cannes Competition review: Amour

I can’t completely relate to “Amour,” because I am fortunate enough to have a relatively healthy family that has yet to really require hospice care. Knock on wood.

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon