MCN Weekend Archive for August, 2011

Wilmington on Movies: The Help

  “The Help” (Three Stars) U.S.: Tate Taylor, 2011 Like smooth Kentucky Bourbon or hot cornbread and jambalaya, or like Ray Charles’ great bluesy versions of “Georgia on my Mind” and “America the Beautiful,” The Help is old-fashioned, flavorsome stuff — old-fashioned in many good ways, and a few not-so-good ones. Set in Jackson, Mississippi…

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Weekend Estimates, August 14, 2011

Rise of the Planet of the Apes|27.1 (7,350)|-51%|104.5 The Help|25.2 (9,950)|NEW|35.1 Final Destination 5|18.1 (5,750)|NEW|18.1 The Smurfs|13.4 (3,920)|-35%|101.5 30 Minutes or Less|13.1 (4,550)|NEW|13.1 Cowboys & Aliens|7.6 (2,290)|-52%|81.4 Captain America: The First Avenger|7.1 (2,500)|-46%|156.8 Harry Potter & the Deadly Hallows, Part 2|6.9 (2,870)|-44%|357 Crazy, Stupid, Love|6.9 (2,620)|-43%|55.4 The Change-Up|6.2 (2,120)|-54%|25.7

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The Weekend Report, August 14, 2011

The chimps beat off the competition as the second weekend of Rise of the Planet of the Apes earned bragging rights with an estimated $27.1 million to rank at the top of the ticket buying list. It was close but no cigar for the debut of the 60s-set race comedy-drama The Help that bowed to $25.2 million.

Three additional films made national debuts during the frame. Final Destination 5 ranked third with $18.1 million while the irreverent 30 Minutes or Less slotted fifth with $13.1 million. And it wasn’t a gleeful moment as Glee: The 3D Concert Movie suffered stage fright with $5.8 million.

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Friday Estimates, August 13, 2011

The Apes stay on top, as The Help come in second. But with $400k splitting them, that could change before the weekend ends. In third, the 5th Final Destination. And 30 Minutes does less.

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Critics Roundup — August 12

The Help |Green|Green|||Green 30 Minutes or Less |Yellow|Yellow|||Yellow Final Destination 5 |||||Yellow Senna |Green|Green|Green|| Littlerock |||Green|| Rapt |Yellow|||| Sholem Aleicham |Green||||

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Box Office Hell — August 12

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Rise of the Planet of the Apes|27.7|32.8|25.0|27.0|26.0 Final Destination 5|24.8|21.4|22.0|23.0|20.0 30 Minutes or Less |18.6|16.5|15.0|16.0|17.0 The Help|14.8|18.9|17.0|20.0|18.0 The Smurfs |12.0|13.4|13.5|13.0|13.0 Glee Live 3D |12.0|10.9|8.3|9.0|8.0

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Wilmington on Movies: Final Destination 5

(Two Stars) U.S.: Steven Quale, 2011 In Final Destination 5, as in the other Final Destinations, blood is the money shot, the actors, or at least their characters, are expendable , and a guy named Bludworth, or his boss Destiny, is breaking up that old gang of mine (again).   For only the price of a…

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Wilmington on DVDs. The Rest. Paul, Mars Needs Moms, Despair

Paul (Two and a Half Stars) U. S.: Greg Mottola, 2011  (Universal) Suppose you were to rethink E. T. as a combination 70s road movie and Three Days of the Condor-style paranoid anti-C.I.A. thriller, with Simon Pegg and Nick Frost, of Shaun of the Dead as a couple of RV-riding, geek-slacker Brits named Graeme Willy…

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Wilmington on DVDs. Pick of the Week: Classics. Leaving Las Vegas, And Now Miguel

    “Leaving Las Vegas” (Three and a Half Stars) U. S.: Mike Figgis, 1995 (MGM/20th Century Fox) “Try to think that love’s not around. Still, it’s uncomfortably near…” Frank Sinatra, in “Angel Eyes” Nicolas Cage’s Oscar-winning performance in Leaving Las Vegas as an alcoholic Hollywood agent named Ben Sanderson — who loses his last…

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DVD Geek: Hobo With a Shotgun

Of the two possibilities open to the filmmakers who chose to call their movie, Hobo with a Shotgun, the first was to make a realistic revenge thriller of some sort, like the dozens of others that carry the same basic premise, which would be that a villain in a position of power underestimates the resolve of the seemingly insignificant hero. The second possibility, however, is the one the filmmakers actually went with…

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Wilmington on DVDs. Pick of the Week: New. Your Highness; Cameraman: The Life and Work of Jack Cardiff

  “Your Highness” (Two and a Half Stars) U.S.: David Gordon Green, 2011 (Universal) What price silliness? What price prurience? What price sheer knuckleheaded balderdash? Whatever the price, Your Highness – a sword and sorcery movie which sometimes seems geared as lowbrow comedy for frat boy idiots — pays it. This movie was so badly reviewed one…

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The DVD Wrapup: Mars Needs Moms, The Final Destination 3D, The Clinic, Super, Jumping the Broom, Battle of Algiers …

Mars Needs Moms: Blu-ray Judging simply from the negative press generated after the release of “Mars Needs Moms,” you’d have thought Disney was attempting to sell out-of-date produce to needy children, instead of a very decent family picture. The fact it underperformed so badly at the box office prompted more than one pundit to predict…

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The Weekend Report

You can’t keep a good chimp down (or orangutan) and the re-booted Rise of the Planet of the Apes swung a wide arc with an estimated $54.2 million bow that handily set it atop weekend movie going. The frame’s other wide debut, the comic The Change-Up, chuckled into fourth slot with $13.5 million.

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Wilmington on Movies: The Change-Up

      “The Change-Up” (Two Stars) U.S.: David Dobkin, 2011 The Change-Up, a big star body-swap comedy starring Ryan Reynolds and Jason Bateman, is a movie that begins with baby poop jokes and climaxes with its two “heroes” urinating together in a public fountain, before an audience. And you can almost hear the moviemakers yelling…

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Wilmington on Movies: Rise of the Planet of the Apes

I liked Rise of the Planet of the Apes very much — even though it’s obviously better directed (and acted) than it is written. The best of Rise is so damned wonderful, and the worst of it so damned silly, that it’s sometimes hard to believe, as you watch it, that you’re in the same movie you were in ten minutes or so ago.

Still, the very best scenes — usually ones involving Caesar the lead ape (as acted by Andy Serkis), with his piercing dark eyes and sometimes poignant, sometimes chilling quietude, a leader of the revolt that we know will eventually take over the planet — are among the best scenes in any blockbuster this summer, or for several summers.

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Friday Estimates, August 6, 2011

Rise of the Planet of the Apes|19.5|3648|NEW|19.5 The Smurfs|5.9|3395|-55%|61.1 Cowboys & Aliens|4.7|3754|-64%|56.3 The Change-Up|4.7|2913|NEW|4.7 Captain America; The First Avenger|3.7|3620|-52%|133.9 Crazy, Stupid Love|3.7|3020|-44%|33.8 Harry Potter & the Deadly Hollows, Part 2|3.4|3175|-49%|334 Friends with Benefits|1.4|2398|-55%|45.3 Horrible Bosses|1.3|2025|-40%|101.9 Transformers: Dark of the Moon|0.85|1854|-53%|342 Also Debuting|||| The Whistleblower|15,600|7|| Gun Hill Road|14,400|3|| Bellflower|9,300|2|| Magic Trip|4,600|4|| The Mysteries of Lisbon|3,000|2|| The…

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Wilmington on Movies: Bellflower

“Bellflower” (Two and a Half Stars) U.S.: Evan Glodell, 2011 Bellflower — a Sundance sensation reportedly shot for only $17,000 by first time writer-director-costar-co-editor Evan Glodell — introduces us to a couple of dudes, Woodrow from Wisconsin (first-timer Glodell) and Aiden from the neighborhood (first-timer Tyler Dawson) who live north of L. A. and are obsessed…

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Box Office Hell — August 5

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Rise of the Planet of the Apes|47.8|n/a|41.0|42.0|39.0 The Smurfs |21.7|n/a|20.0|23.0|20.5 The Change-Up |18.2|n/a|18.0|16.0|19.0 Cowboys and Aliens|17.5|n/a|16.0|15.0|15.0 Captain America: The First Avenger|12.7|n/a|13.0|13.0|13.0

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Critics Roundup — August 5

Rise of the Planet of the Apes |Green|Green|Green|| The Change-Up |Yellow|Green||| The Whistleblower (limited) ||Green||Green| Gun Hill Road (NY, LA) ||||Green| Magic Trip (limited) ||Green||Yellow| Bellflower (NY, LA) ||||| Mysteries of Lisbon (NY) |Green|||| The Perfect Age of Rock ‘N’ Roll (limited) |Red|||| Cold Fish |Yellow||||

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Wilmington on DVDs. The Rest. The Perfect Game, The Goods, Coming to America/Trading Places, The Dirty Harry Collection

  “The Perfect Game” (Three Stars) U.S.; William Dear, 2010 (Image)         I admit it. I’m a sucker for inspirational sports movies. And this account of the historic 1957 Little League champions from Monterey, Mexico — a warm-hearted picture directed by William Dear (Harry and the Hendersons), written by the book’s author W. William Winokur,…

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MCN Weekend

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon