Festivals Archive for September, 2010

Daydream Nation Director Thinks Indies Thriving In Canada

Daydream Nation Director Thinks Indies Thriving In Canada

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TIFF Review: Three

One thing about Tom Tykwer: He always makes exactly the kind of film he wants to make, down to the smallest detail. His latest film, Three, explores ideas around relationships, love, sex and sexuality through a tale of a long-time couple, Simon (Sebastian Schipper) and Hanna (Sophie Rois), who have fit together comfortably for so…

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Nat’l Post Picks Highlights And Lowlifes Of TIFF

Nat’l Post Picks Highlights And Lowlifes Of TIFF

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Variety Picks TIFF Trends

Variety Picks TIFF Trends

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Ryan Reynolds Thinks Inside The Box

Ryan Reynolds Thinks Inside The Box

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Toronto Sales

TIFF 2010 is being promoted as a great sales fest. But is it really?

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Canada’s Fulminatin’ Fulford Jumps All Over Julian Schnabel And Miral

Canada’s Fulminatin’ Fulford Jumps All Over Julian Schnabel And Miral

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How TIFF’s Lightbox Honors Cinema’s Past As Well As Future

How TIFF’s Lightbox Honors Cinema’s Past As Well As Future

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TIFF Review: A Night for Dying Tigers

Tolstoy would have loved the Yates family in Terry Miles‘ A Night for Dying Tigers. Every unhappy family may be unhappy in its own way, but the Yates, more-or-less normal though they may seem on the surface, are just about as messed up a family as you can hope to find in an indie film….

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Chef Lin On His Toronto Celebs’ Senses

Chef Lin On His Toronto Celebs’ Senses

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Three More Toronto Sales: Everything Must Go, Peep World, Meek’s Cutoff

Three More Toronto Sales: Everything Must Go, Peep World, Meek’s Cutoff

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Dargis On Toronto’s Mounting Influence

Dargis On Toronto’s Mounting Influence (And Some Bits Of Beauty)

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Charles Ferguson Talks Inside Job On Marketplace

Charles Ferguson Talks Inside Job On Marketplace

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Richard Ayode On How Badlands And Taxi Driver Fit Into His Submarine

Richard Ayode On How Badlands And Taxi Driver Fit Into His Submarine

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Springsteen Talks Dylan, Darkness And Survivor Guilt

Documentary Subject Springsteen Talks Dylan, Darkness And Survivor Guilt

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A Tim’s Dozen: 13 Films That Got Distribution In Toronto

A Tim’s Dozen: 13 Films That Got Distribution In Toronto

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Disney Seems To Regret Last Night

Disney Seems To Regret Last Night

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Hitting The Right Notes With The Sound Of Mumbai: A Musical

Hitting The Right Notes With The Sound Of Mumbai: A Musical

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“The Great British Hope: How Andrea Riseborough Took The Film World By Storm”

“The Great British Hope: How Andrea Riseborough Took The Film World By Storm”

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Toronto Life Mourns Mid-TIFF Dearth Of Parties

Toronto Life Mourns Mid-TIFF Dearth Of Parties

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon