Awards Watch Archive for September, 2010

Croatia Dresses In The Blacks For Oscar

Croatia Dresses In The Blacks For Oscar

Read the full article »

Collating The Debt, Cieply Coins Phrase, “Rump Miramax”

Collating The Debt, Cieply Coins Phrase, “Rump Miramax”

Read the full article »

Aronofsky Compares Black Swan And The Wrestler

Aronofsky Compares Black Swan And The Wrestler

Read the full article »

Godard Donates Some Euro To Accused MP3 Downloader’s Defense

Godard Donates Some Euro To Accused MP3 Downloader’s Defense

Read the full article »

Weinsteins Going For Golden Gong Glory Again?

Weinsteins Going For Golden Gong Glory Again?

Read the full article »

Clint Interested In Death, But Not So Much In A Personal Sort Of Way

Clint Interested In Death, But Not So Much In A Personal Sort Of Way

Read the full article »

Honeycutt Means Well When He Sez Eastwood’s Hereafter Reminds Him Of “Old Claude Lelouch Movies”

Honeycutt Means Well When He Sez Eastwood’s Hereafter Reminds Him Of “Old Claude Lelouch Movies”

Read the full article »

Clint Contemplates Hereafter

Clint Contemplates Hereafter

Read the full article »

Goldstein Asserts 9/11 TIFF Preem, The Conspirators

Goldstein Asserts 9/11 TIFF Preem, The Conspirators, From “Past His Prime” Redford Is Actually A Succinct Parable For Post-9/11 America

Read the full article »

Poland Embraces All That I Love For Oscar

Poland Embraces All That I Love For Oscar

Read the full article »

Marketing Miral

Knife Fight: Unnamed Source Wonders How WeinsteinCo Will Market Miral

Read the full article »

Never Let Me Go Overboard: Danny Leigh On “Instant Masterpieces”

Never Let Me Go Overboard: Danny Leigh On “Instant Masterpieces”

Read the full article »

Colin Firth On Capturing The Essence Of A King

Colin Firth On Capturing The Essence Of A King

Read the full article »

Japan Confesses Kokuhaku For Oscar

Japan Confesses Kokuhaku For Oscar

Read the full article »

Deadline Past, Schnack Handicaps Oscar Doc Shortlist

Deadline Past, Schnack Handicaps Oscar Doc Shortlist

Read the full article »

Sweden’s Oscar Pick

Sweden’s Oscar Pick Is Simple Simon And – Hungary Checks Out Bibliothèque Pascal

Read the full article »

The Academy Replies To Msr. Godard’s Not-Quite-Non Reply

The Academy Replies To Msr. Godard’s Not-Quite-Non Reply

Read the full article »

Gurus o’ Gold – A Pre-Toronto Look At The 2010/11 Field

Update: The last 3 Gurus have chimed in. Not a lot changes at the top.

TIFF starts in 2 days and by its end, only 8 of the 42 charted films will still be unseen.

Read the full article » 22 Comments »

Scott Admires Power Of The Natural World In Films High Up In Telluride

Scott Admires Power Of The Natural World In Films High Up In Telluride

Read the full article »

26 Weeks To Oscar: The Year Of… Patience

The awards season has gotten off to a rousing “uh, okay.”

Yeah, the festival season is upon us and there is a lot of drool dripping over some of these films – including my own happy salivations – but festival excitement is not, in and of itself, an answer.

Read the full article » 44 Comments »

Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon