Awards Watch Archive for November, 2010

Gurus o’ Gold: True Grit Week – Episode One

This is Round 1 of 2 rounds of voting this week, as True Grit rolls out for most of the Gurus. Will it change the complexion of the race? Tune back in on Friday to see, as The Gurus vote on all of the Top 8 categories. Today, Winter’s Bone moves into a Top Ten tie.

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And The Blame Goes To .. Neil Patrick Harris

And The Blame Goes To .. Neil Patrick Harris

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Oscar Announces Shortlist For Live Action Shorts

Oscar Announces Shortlist For Live Action Shorts

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Black Swan: Mirrors

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Winter’s Bone And The Oath Top The Gothams

Winter’s Bone And The Oath Top The Gothams

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The Gotham Awards

Best Feature Winter’s Bone Directed by Debra Granik, produced by Anne Rossellini and Alix Madigan-Yorkin. Best Documentary The Oath Directed and produced by Laura Poitras Breakthrough Director Award Kevin Asch Writer and director of Holy Rollers Breakthrough Actor Ronald Bronstein Daddy Longlegs Best Ensemble Performance Winter’s Bone Jennifer Lawrence, John Hawkes, Dale Dickey, Lauren Sweetser,…

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Frenzy on the Wall: How to Fix the Oscars

I am an unabashed fan of the Academy Awards. I have watched every telecast since I was a young boy and I still anticipate Oscar Day as much as I always have. Historically, I have never really been a fan of the choices the Academy has made, but I still see the show itself as…

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The 33 Oscar-Qualified Animated Shorts

The 33 Oscar-Qualified Animated Shorts

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Royal Helena Bonham Carter

Royal Helena Bonham Carter

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Stephen King Starts Out The Top Tens Season

Stephen King Starts Out the Season of Top Tens

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Gurus o’ Gold – November 23, 2010

Happy Thanksgiving all. Some votes have changed and three films have fallen off The Chart, but the Top Ten remains unchanged from last week. This week’s special categories are Unexpected Nods I’d Be Thankful For and a pair of categories in memory of Ronni Chasen.

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15 Weeks To Oscar: Don’t You Forget About Me

There are a lot of good films in the Oscar race this year… but here is a list of five that feel like their Best Picture hopes may be fading away and not only deserve consideration, but could be an embarrassment to The Academy if not given a full hearing and some nods.

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Gurus o’ Gold – November 16, 2010

The Gurus have landed on their regular weekly date, Tuesday, but no changes in Best Picture since last week. But they are looking at the Supporting Acting races, with veterans up front and a youthful newcomer in each category. Plus, they look at the Globes’ Best Comedy/Musical race, offering 18 possible candidates.

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Godard’s Remarks About Anti-Semitism Charges

“That’s nonsense! What does ‘anti-Semite’ mean? All peoples of the Mediterranean were Semites. So anti-Semite means anti-Mediterranean. The expression was only applied to Jews after the Holocaust and WWII. It is inexact and means nothing.” Godard’s Pungent Remarks About Anti-Semitism Charges

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Clips Of The 2010 Governors Awards

Clips From The 2010 Governors Awards Francis Talks His Irving With – Salutes From Lucas, Bigelow, De Niro, And His Son Roman And – Clint On Eli And – Tony Bennett Serenades Wallach And – Anne Jackson, Wife Of 62 Years, Toasts Him Then – Eli Wallach Accepts With – Kevin Brownlow And – Film…

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Gurus o’ Gold – November 12, 2010

Not much movement by The Gurus on Best Picture, though Hereafter, How Do Yo Know and Secretariat have fallen from the chart. Also this week, a look at Best Director and the Animation category… we rank 5, though the category may only manage 3 nominees.

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Film Fest Buzz Can Help In Awards Season!

Film Fest Buzz Can Help In Awards Season!

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16 Weeks To Oscar – The Ongoing Story Of 10

The difference between being “in” and being “out” is, in most cases, no less dramatic or emotional for Academy nominees than for Project Runway contestants. A Best Picture nomination would significantly change the financial life of many films, if not in theatrical release, in DVD and other ancillary markets. But even more so, it would elevate the filmmakers and actors involved with those films, even though they all have serious credentials going in.

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Best Picture Chart – 16 Weeks To Go – 11/11/10

BEST PICTURE Picture Studio Director Stars Comment The Ten, If I Had To Pick Today Dec 25 True Grit Par Coens Bridges Brolin Damon Nov 24 The King’s Speech TWC Hooper Firth Dec 1 Black Swan FxSch Aronofsky Portman Oct 1 The Social Network Sony Fincher Eisenberg Nov 5 127 Hours FxSch Boyle Franco June…

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Exclusive MCN Clip – The Lottery

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon