Awards Watch Archive for October, 2011

19 Weeks To Oscar (20W2O) Charts: October 23, 2011

With 19 weeks to go, the Oscar race has barely moved. The only real event of the last week was the successful release of Tintin in 19 countries overseas.

That’s all about to change. In the next 3 weeks, most of the award season will take root. All but a couple of the contenders will be exposed to the light. Talent will be filling the corridors of LA’s hotels and screening rooms at a nearly insane level. Some will rise. Some will fall.

But for now… animation.

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20W20: Best Animated Feature Chart, Oct 30, 2011

BEST ANIMATED FEATURE Picture Studio Comment The Nomination Frontrunners (seen) Rango Par The Adventures Of Tintin Par/Sony If qualified as animation Happy Feet Two WB Kung Fu Pands 2 Sony Rio Fox Arthur Christmas Sony Puss In Boots DWA Cars 2 Pixar Hoodwinked Too! TWC Gnomeo & Juliet BV Winnie The Pooh Dis Mars Needs…

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20W20: Best Picture Chart, Oct 30, 2011

BEST PICTURE Date Picture Studio Director Comment Seen & Close to Certain Open Midnight in Paris SPC Allen Their first love of 2011 Nov 23 The Artist TWC Hazanavicius Their current love of 2011 Nov 18 The Descendants FxSrch Payne The love to come in 2011 We’re Waiting!!!! Dec 28 War Horse DW/Dis Spielberg Old-fashioned……

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Brett Ratner Is Amused

Brett Ratner Is Amused

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19 Weeks To Oscar: The Mean Season?

It’s a tough year for Oscar voters. Lots of great movies… but not too many that will leave them walking out of the theater with a smile on their face for the whole human race. Insanity, rape, murder, sex addiction, 9/11, and even one of the “feel goods” is about sacrificing something you love for your country. Fun Fun Fun!

(Charts to come.)

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Spirit Awards Return To Santa Monica Beach On February 25

Spirit Awards Return To Santa Monica Beach On February 25

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47th Chicago Film Fest Audiences Go For… The Artist

47th Chicago Film Fest Audiences Go For… The Artist

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20 Weeks To Oscar (20W2O) Charts: October 23, 2011

We are now on the 20 week road to Oscar and here, to go with
the first column of this year’s series, are the first set of post-Toronto charts for Best Picture and the four acting categories. Six unseen movies are still major question marks in all of the races, especially Best Picture, which could have anywhere from 5 to 10 nominees this year.

(BP Chart corrected, Monday 11:30a)

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20W20: Best Actress Chart, Oct 23, 2011

10/23/11 Charts Picture | Actor | Supporting Actor | Actress | Supporting Actress BEST ACTRESS Picture Comment The Field Michelle Williams My Week With Marilyn Transformative performance by a twice-nominated actor playing a famous person in more than an imitation, Rooney Mara The Girl With The Dragon Tattoo No doubt she’ll be great and the…

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20W20: Best Supporting Actor Chart, Oct 23, 2011

10/23/11 Charts Picture | Actor | Supporting Actor | Actress | Supporting Actress BEST SUPPORTING ACTOR Picture Comment The Field Christopher Plummer / Stellan Skarsgard The Girl With The Dragon Tattoo I expect one of these two great actors to take a nod… maybe both.  Or a shy Academy could reward Plummer by nom’ing him…

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20W20: Best Supporting Actress Chart, Oct 23, 2011

10/23/11 Charts Picture | Actor | Supporting Actor | Actress | Supporting Actress BEST SUPPORTING ACTRESS Picture Comment The Field Berenice Bejo The Artist The movie The Academy will adore.  Berenice has the harder role, in a way… the Ginger… backwards and in heels. Janet McTeer Albert Nobbs She channels Hugh Jackman perfectly and delivers…

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20W20: Best Actor Chart, Oct 23, 2011

10/23/11 Charts Picture | Actor | Supporting Actor | Actress | Supporting Actress BEST ACTOR Picture Comment The Field Jean Dujardin The Artist One of France’s biggest stars is about to become one of Hollywood’s favorite stars. A win could be dependent on his ability to charm in English this January. George Clooney The Descendents…

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20W20: Best Picture Chart, Oct 23, 2011

We are now on the 20 week road to Oscar and here, to go with
the first column of this year’s series are the first set of post-Toronto charts for Best Picture and the four acting categories. Six unseen movies are still major question marks in all of the races, especially Best Picture, which could have anywhere from 5 to 10 nominees this year.

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20 Weeks To Oscar: Line Dance

20 years of Oscar consultants, in-house and out, figuring out how to game the system, and a decade of deteriorating media standards has led to an out-of-date response mechanism at The Academy, which just wants to do what it’s been doing all these years and to protect, as best they can, their membership from being prayed upon by the vultures.

But where is the line?

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1 Week To 20 Weeks To Oscar: Counting Best Picture Ballots

So I’m a week from writing the weekly column… but the one issue that seems to keep cropping up is how the change in the Best Picture vote accounting rules really works. Steve Pond did a nice job trying to lay it all out when it happened. But people still seem to be unsure what is really up. So I had a chat with AMPAS’ Ric Robertson and Leslie Unger in the name of clarity. This is where I landed…

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon