Awards Watch Archive for February, 2011

DP/30 Oscar Nominees 2010/11: The King’s Speech

actor Colin Firth actor Geoffrey Rush director Tom Hooper

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DP/30 Oscar Nominees 2010/11: The Social Network

screenwriter Aaron Sorkin actor Jesse Eisenberg (with Andrew Garfield) mp3 of the conversation editors Angus Wall & Kirk Baxter cinematographer Jeff Cronenweth

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DP/30 Oscar Nominees 2010/11: Black Swan

3 nominees – cinematographer Matthew Libatique, director Darren Aronofsky, editor Andrew Weisblum actor Natalie Portman director Darren Aronofsky screenwriter Mark Heyman (with choreographer/actor Benjamin Millepied)

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DP/30 Oscar Nominees 2010/11: The Cinematographers

Jeff Cronenweth, The Social Network Roger Deakins, True Grit Matty Libatique, Black Swan Wally Pfister, Inception

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The Long Road To Oscar Noms For 5 Original Screenplay Nominees

The Long Road To Oscar Noms For 5 Original Screenplay Nominees

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Roger Deakins On His “Shot Of The Year”

Roger Deakins On His “Shot Of The Year”

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Gurus o’ Gold – What Would The Oscars Look Like As Of Today?

All the Gurus votes are now in for the last round of voting the complete list of categories. Oscar ballots are due in by Tuesday.

The last group of votes put Melissa Leo back at the top of her category. What other surprises will there be… if The Gurus are right, 8 days from the show?

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Pointers From The Five Costume Design Nominees

Pointers From The Five Costume Design Nominees

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Gurus o’ Gold – The Final Ballot, pt 3 of 3

In the last round of the last vote, the Gurus hand four Oscars to Inception, matching The King’s Speech’s four, The Social Network’s three and True Grit’s two. But are The Gurus the boss of The Academy?

We’ll know in nine days.

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Oscar Producers On Big Structural Changes To Show

Oscar Producers On Big Structural Changes To Show

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Gurus o’ Gold – The Final Ballot, pt 2 of 3

We got your doc categories, your editor, your music, your make-up, your foreign language, and your animated short.

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Yes Virginia, There Are New Banksys Going Up In LA

Yes Virginia, There Are New Banksys Going Up In LA

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Gurus o’ Gold – The Final Ballot, pt 1 of 3

The Gurus are handing in their final ballots in all categories. Any big changes? Well, one category in the Top 8 has a new leader. And a few races have tightened up. The campaigns that have attacked Phase II aggressively have made some inroads, at least with The Gurus. More categories tomorrow…

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Pamela Martin On Editing The Fighter

Pamela Martin On Editing The Fighter

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Goldstein Offers Familiar Crotchet From The Crypt: 1939 Only Year That Ever, Ever, Ever Deserved 10 Best Picture Nominees!

Goldstein Offers Familiar Crotchet From The Crypt: 1939 Only Year That Ever, Ever, Ever Deserved 10 Best Picture Nominees!

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Irish Film And Television Awards Say Social Network Best In’tl Pic; Local As If I Am Not There Gets Its Share

Irish Film And Television Awards Say Social Network Best In’tl Pic; Local As If I Am Not There Gets Its Share

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Sketching 127 Hours’ Exacting Set Design

Sketching 127 Hours‘ Exacting Set Design

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Art Of The Title Sequence On The Bold End Credits (swoon) Of Blue Valentine

Art Of The Title Sequence On The Bold End Credits (swoon) Of Blue Valentine

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Editors Talk Social Network And Fincher Talking To Himself

Editors Talk Social Network And Fincher Talking To Himself

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‘”I’m such a slut!’ Geoffrey Rush exclaimed.”

‘”I’m such a slut!’ Geoffrey Rush exclaimed.”

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon