Awards Watch Archive for December, 2012

Critics Top Ten List 2012: FILM CRIT HULK, Badass Digest

1. HOLY MOTORS
2. DJANGO UNCHAINED
3. LOOPER
4. THE RAID: REDEMPTION
5. MOONRISE KINGDOM
6. CABIN IN THE WOODS
7. ZERO DARK THIRTY
8. PAUL WILLIAMS: STILL ALIVE
9. THE MASTER
10. CLOUD ATLAS / SMASHED (TIE)

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Is The Accelerated Voting Deadline A Bigger Oscar Problem Than The Electronic Lockouts Of Voters?

Is The Accelerated Voting Deadline A Bigger Oscar Problem Than The Electronic Lockouts Of Voters? And – The Atlantic Aggregates Some Stuff They Read

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Critics Top Ten List 2012: Al Alexander, Patriot-Ledger

1. Moonrise Kingdom
2. Monsieur Lazhar
3. Lincoln
4. Argo
5. Headhunters
6. The Sessions
7. Silver Linings Playbook
8. West of Memphis
9. Frankenweenie
10. The Perks of Being a Wallflower

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Critics Top Ten List 2012: Tom Brueggeman, Thompson On Hollywood

1. Zero Dark Thirty
2. The Kid With a Bike
3. Amour
4. Flight
5. The Master
6. Holy Motors
7. Once Upon a Time in Anatolia
8. Barbara
9. The Deep Blue Sea
10. Killer Joe

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Critics Top Ten List 2012: Bill Desowitz, Thompson On Hollywood

1. Lincoln 2. Zero Dark Thirty 3. Skyfall 4. Life of Pi 5. Amour 6. Silver Linings Playbook 7. Anna Karenina 8. The Master 9. Cloud Atlas 10. Les Misérables

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Critics Top Ten List 2012: Peter Howell, Toronto Star

1. Holy Motors
2. Zero Dark Thirty
3. Stories We Tell
4. Amour
5. The Master
6. Skyfall
7. Moonrise Kingdom
8. The End of Time
9. Life of Pi
10. Silver Linings Playbook

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Critics Top Ten List 2012: Sophia Savage, Thompson On Hollywood

Sophia Savage alphabetical Amour Beasts of the Southern Wild The Master No Oslo, August 31st Rust and Bone Silver Linings Playbook Sister Wuthering Heights Zero Dark Thirty

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Critics Top Ten List 2012: Anne Thompson, Thompson On Hollywood

Anne Thompson 1. Life of Pi 2. Beasts of the Southern Wild 3. Zero Dark Thirty 4. Silver Linings Playbook 5. Lincoln 6. End of Watch 7. Argo 8. The Sessions 9. Moonrise Kingdom 10. Anna Karenina

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Critics Top Ten List 2012: Steve Greene, CriticWire

Steve Greene 1. The Imposter 2. Lincoln 3. Searching for Sugar Man 4. Moonrise Kingdom 5. Killing Them Softly 6. Holy Motors 7. Café de Flore 8. The Perks of Being a Wallflower 9. Footnote 10. Magic Mike

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Critics Top Ten List 2012: Bryce J. Renninger, indieWIRE

Bryce J. Renninger 1. Moonrise Kingdom 2. Only the Young 3. The Waiting Room 4. Marina Abramovic The Artist is Present 5. Beasts of the Southern Wild 6. Brave 7. Amour 8. Tchoupitoulas 9. Keep the Lights On 10. How to Survive a Plague

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Critics Top Ten List 2012: Nigel M. Smith, indieWIRE

Nigel M. Smith 1. Zero Dark Thirty 2. Silver Linings Playbook 3. Holy Motors 4. Bachelorette 5. The Master 6. Beasts of the Southern Wild 7. Cloud Atlas 8. How to Survive a Plague 9. On the Road 10. Life of Pi

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Critics Top Ten List 2012: Peter Knegt, indieWIRE

Peter Knegt 1. Zero Dark Thirty 2. Amour 3. Holy Motors 4. Magic Mike 5. Beasts of the Southern Wild 6. The Master 7. Your Sister’s Sister 8. How To Survive a Plague 9. Moonrise Kingdom 10. The Perks of Being a Wallflower

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Critics Top Ten List 2012: Drew Hunt, Chicago Reader

Drew Hunt 1. The Master 2. Two Years at Sea 3. Haywire 4. Moonrise Kingdom 5. The Comedy 6. Goodbye, First Love 7. Django Unchained 8. The Day He Arrives 9. The Deep Blue Sea 10. A Burning Hot Summer

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Critics Top Ten List 2012: Ben Sachs, Chicago Reader

Ben Sachs 1. Life Without Principle 2. Possession 3. A Simple Life 4. The Master Paul 5. Sack Barrow (Ben Rivers) 6. We Have a Pope 7. Holy Motors 8. The Paperboy 9. This Is Not a Film 10. Cosmopolis

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Critics Top Ten List 2012: J. R. Jones, Chicago Reader

J. R. Jones 1. A Separation 2. Lincoln 3. In the Family 4, God Bless America 5. Le Grand Amour (1969) 6. The House I Live In 7. Beyond the Hills 8. Rust and Bone 9. Compliance 10. The Color Wheel

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Ebert Top-10s, With A Promise Of More To Come

Ebert Top-10s, With A Promise Of More To Come

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Critics Top Ten List 2012: Roger Ebert, Chicago Sun-Times

Roger Ebert alphabetical Arbitrage Argo Beasts of the Southern Wild End of Watch Flight Life of Pi Lincoln Oslo, August 31 The Sessions A Simple Life

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Online Film Critics’ Society Nominates

Online Film Critics Society Best Picture Argo Holy Motors The Master Moonrise Kingdom Zero Dark Thirty   Best Director Ben Affleck, Argo Leos Carax, Holy Motors Paul Thomas Anderson, The Master Wes Anderson, Moonrise Kingdom Kathryn Bigelow, Zero Dark Thirty   Best Actor Daniel Day-Lewis, Lincoln John Hawkes, The Sessions Denis Lavant, Holy Motors Joaquin…

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Critics Top Ten List 2012: Aaron Hillis

Aaron Hillis 1. Holy Motors 2. The Loneliest Planet 3. Moonrise Kingdom 4. Zero Dark Thirty 5. Cosmopolis 6. The Turin Horse 7. Wuthering Heights 8. The Comedy 9. Sister 10. Magic Mike

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Critics Top Ten List 2012: Benjamin Solomon, NEXT

Benjamin Solomon 1. Amour 2. The Perks of Being a Wallflower 3. Beasts of the Southern Wild 4. Zero Dark Thirty 5. How to Survive a Plague 6. Lincoln 7. ParaNorman 8. The Dark Knight Rises 9. Keep the Lights On 10. Boy

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon