Awards Watch Archive for January, 2014

Critics Top Ten List 2013: John M. Urbancich, Cleveland Sun News

American Hustle August: Osage County Before Midnight Blue Jasmine Captain Phillips The Conjuring Fruitvale Station The Place Beyond the Pines Philomena The Wolf of Wall Street

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Critics Top Ten List 2013: Brian Tallerico, RogerEbert.com

1. Before Midnight 2. Inside Llewyn Davis 3. Her 4. Gravity 5. Short Term 12 6. The Act of Killing 7. Upstream Color 8. The Wolf of Wall Street 9. The Wind Rises 10. Nebraska

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PRODUCERS GUILD OF AMERICA ANNOUNCES THEATRICAL MOTION PICTURE, ANIMATED THEATRICAL MOTION PICTURE AND LONG-FORM TELEVISION NOMINATIONS FOR THE 2014 PRODUCERS GUILD AWARDS

 2014 Marks the 25th Anniversary of the Producers Guild Awards LOS ANGELES (January 2, 2014) – The Producers Guild of America (PGA) announced today the motion picture and long-form television nominations for the 25th Annual Producers Guild Awards. The categories include: The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures; The Award for Outstanding…

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Critics Top Ten List 2013: Pablo Villaça, RogerEbert.com

1. Blue Is the Warmest Color 2. Prisoners 3. The Missing Picture 4. Neighbouring Sounds 5. I Will Be Murdered 6. Elena 7. Tattoo 8. Before Midnight 9. Matterhorn 10. Gravity

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Critics Top Ten List 2013: Bill Stamets, RogerEbert.com

The Act of Killing Leviathan The Wall The East The Wind Rises Post Tenebras Lux Her Nebraska Inside Lewyn Davis The Lone Ranger

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Critics Top Ten List 2013: Peter Sobczynski, RogerEbert.com

Blue Is the Warmest Color Passion The Wolf of Wall Street Her Inside Llewyn Davis American Hustle Before Midnight Gravity The Bling Ring Bullet to the Head

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Critics Top Ten List 2013: Charlie Schmidlin, RogerEbert.com

The Selfish Giant The Great Beauty Her Gravity The Crash Reel Upstream Color The World’s End After Tiller No Something in the Air

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Critics Top Ten List 2013: Sheila O’Malley, RogerEbert.com

Before Midnight Post Tenebras Lux Frances Ha Inside Llewyn Davis Blancanieves Much Ado About Nothing Beyond the Hills Blue Is the Warmest Color Pain & Gain The Bling Ring

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Critics Top Ten List 2013: Michal Oleszczyk, RogerEbert.com

1. Much Ado About Nothing 2. Upstream Color 3. Everybody in Our Family 4. The Unspeakable Act 5. This Is the End 6. A Hijacking 7. Caesar Must Die 8. The We and the I 9. 20 Feet from Stardom

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Critics Top Ten List 2013: Omer Mozaffar, RogerEbert.com

12 Years a Slave Dirty Wars Fruitvale Station Gravity Mud No A Place at the Table The Purge These Birds Walk Wadjda

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Critics Top Ten List 2013: Nell Minow, RogerEbert.com

Inside Llewyn Davis The Kings of Summer The Way Way Back The Wolf of Wall Street American Hustle 20 Feet from Stardom / Muscle Shoals No Gravity 12 Years a Slave Nebraska

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Critics Top Ten List 2013: Marsha McCreadie, RogerEbert.com

1. Nebraska 2. American Hustle 3. The Act of Killing 4. Blue Is the Warmest Color 5. Inside Llewyn Davis 6. Lee Daniels’ The Butler 7. 20 Feet From Stardom 8. The Hunt 9. Hannah Arendt 10. Blue Jasmine

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Critics Top Ten List 2013: Craig Lindsay, RogerEbert.com

12 Years a Slave 20 Feet From Stardom The Act of Killing All Is Lost Before Midnight Fruitvale Station The Great Beauty Inside Llewyn Davis The Wind Rises The Wolf of Wall Street

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Critics Top Ten List 2013: Christy Lemire, RogerEbert.com

1 Gravity 2 American Hustle 3 Her 4 Stories We Tell 5 Upstream Color 6 The Spectacular Now 7 Nebraska 8 Frances Ha 9 Short Term 12 10 The World’s End

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Critics Top Ten List 2013: Joyce Kulhawik, RogerEbert.com

The Wolf of Wall Street American Hustle 20 Feet from Stardom Blue Is the Warmest Color Wadjda Gravity Her Nebraska 12 Years a Slave Enough Said

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Critics Top Ten List 2013: Seongyong Cho, RogerEbert.com

1. Gravity 2. Before Midnight 3. Snowpiercer 4. The Past 5. The Great Beauty 6. The Hunt 7. All Is Lost 8. Behind the Candelabra 9. Like Father, Like Son 10. Mud

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Critics Top Ten List 2013: Godfrey Cheshire, RogerEbert.com

1. 12 Years a Slave 2. Her 3. The Act of Killing 4. All Is Lost 5. Mud 6. The Past 7. The Great Beauty 8. Wadjda 9. Like Someone in Love 10. American Promise

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Critics Top Ten List 2013: Dan Callahan, RogerEbert.com

1. Inside Llewyn Davis 2. 12 Years a Slave 3. Lee Daniels’ The Butler 4. Before Midnight 5. Enough Said 6. Computer Chess 7. C.O.G. 8. August: Osage County 9. Gravity 10. The Bling Ring

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Critics Top Ten List 2013: Danny Bowes, RogerEbert.com

1. The Wolf Of Wall Street 2. The Unspeakable Act 3. 12 Years a Slave 4. Museum Hours 5. Her 6. Behind The Candelabra 7. Drug War 8. Spring Breakers 9. The Butler 10. Shuddh Desi Romance

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Critics Top Ten List 2013: Steven Boone, RogerEbert.com

1. Paradise: Love 2. Blue Is the Warmest Color 3. Drug War 4. No 5. 12 Years a Slave 6. Narco Cultura 7. Blackfish 8. The Act of Killing 9. Computer Chess 10. Lore

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon