Awards Watch Archive for January, 2015

Critics Top Ten List 2014: Chuck Bowen

Via Fandor. 1. Mr. Turner (Mike Leigh) 2. The Immigrant (James Gray) 3. Cheap Thrills (E.L. Katz) 4. Inherent Vice (Paul Thomas Anderson) 5. Life of Riley (Alain Resnais) 6. The Grand Budapest Hotel (Wes Anderson) 7. Low Down (Jeff Preiss) 8. Stranger by the Lake (Alain Guiraudie) 9. National Gallery (Frederick Wiseman) 10. Under…

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Critics Top Ten List 2014: Miriam Bale

Miriam Bale 1. Inherent Vice (Paul Thomas Anderson) 2. Maps to the Stars (David Cronenberg) 3. The Tale of Princess Kaguya (Isao Takahata) 4. Gone Girl (David Fincher) 5. Belle (Amma Asante) 6. Goodbye to Language (Jean-Luc Godard) 7. Listen Up Philip (Alex Ross Perry) 8. Under the Skin (Jonathan Glazer) 9. Jealousy (Philippe Garrel)…

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National Society Of FIlm Critics Go-Gos Godard

National Society Of Film Critics’ 59 Members Go-Go Godard; Linklater; Marion Cotillard Nod For Both Two Days, One Night And The Immigrant; Spall, Arquette; CITIZENFOUR

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Critics Top Ten List 2014: Robert Greene

The Talkhouse, Sight & Sound Top 10 nonfiction films released in the US in 2014: 1. National Gallery (Wiseman) 2. Manakamana (Spray/Velez) 3. The Overnighters (Moss) 4. Tales Of The Grim Sleeper (Broomfield) 5. Stop The Pounding Heart (Minervini) 6. Big Men (Boynton) 7. 20,000 Days On Earth (Forsyth/Pollard) 8. CITIZENFOUR (Poitras) 9. Maidan (Loznitsa)…

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Critics Top Ten List 2014: Bret Easton Ellis

The Talkhouse 1. Boyhood 2. Leviathan 3. Force Majeure 4. Birdman 5. The Last of the Unjust 6. Nymphomaniac 7. Listen Up Phillip 8. Stranger By the Lake 9. Omar 10. Gone Girl

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Critics Top Ten List 2014: Carrie Rickey

CarrieRickey.com Alphabetically: Belle Beyond the Lights Birdman Citizenfour Ida Kids For Cash Laggies Selma Top Five Whiplash

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Critics Top Ten List 2014: Michael Atkinson

Via Fandor 1. Maidan 2. Manakamana 3. Goodbye to Language 4. Closed Curtain 5. Heli 6. Winter Sleep 7. Manuscripts Don’t Burn 8. Birdman 9. Citizenfour 10. Under the Skin

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Critics Top Ten List 2014: Sean Axmaker

Via Fandor 1. Boyhood 2. Gone Girl 3. The Grand Budapest Hotel 4. The Immigrant 5. Only Lovers Left Alive 6. Ida 7. The Babadook 8. Under the Skin 9. Night Moves 10. Snowpiercer

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20 Weeks To Oscar: The Soft Settling

This is the time of year when I usually write a story about what Bill Condon coined, “The Great Settling.” What that means, essentially, is that Academy voters have now had a chance to watch their DVDs, go to their screenings, hear some whispers, be fed a bunch of narratives, and get advertised to endlessly for a month and the pieces of the puzzle start to fall into place.

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Critics Top Ten List 2014: Ella Taylor

Via Fandor. Ella Taylor 1. Winter Sleep (Nuri Bilge Ceylan) 2. Leviathan (Andrey Zviagintsev) 3. Gloria (Sebastián Lelio) 4. Bethlehem (Yuval Adler) 5. Boyhood (Richard Linklater) 6. Gett (Ronit and Shlomi Elkabetz) 7. Foxcatcher (Bennet MIller) 8. We are the Best! (Lukas Moodysson) 9. The Tale of The Princess Kaguya (Isao Takahata) 10. The Last…

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Rob Marshall Calls Into The Woods “A Fairytale For The Post-9/11 Generation”

Rob Marshall Calls Into The Woods “A Fairytale For The Post-9/11 Generation”

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20 Weeks To Oscar: Another Oscar Zit

Walter Keane’s daughter from his first marriage, Susan, believes her dad’s story. And she built a website.

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon