Posts Tagged ‘Sherlock Holmes’
Tuesday, April 5th, 2011
PICK OF THE WEEK: NEW
Black Swan (Also Blu-ray and Digital) (Three and a Half Stars)
U.S.: Darren Aronofsky, 2010 (Fox)
Darren Aronofsky specializes in cinema tales of the brilliantly sick, sickly brilliant. He spins, with white-hot intensity, barmy movie stories of a crazed math genius going nuts on the stock market (in Pi), of a family of lower depths junkies and pill-poppers flipping out together (Hubert Selby Jr‘s Requiem for a Dream), and of a battered, beaten-down over-the-hill old wrestler putting himself through hell for one last fight in a world falling apart around him (The Wrestler).
In his latest movie, the justly hailed but occasionally (understandably) ridiculed dance melodrama Black Swan, this unbraked chronicler of mad lives charts the psychological disintegration of a young, ambitious New York ballerina named Nina Sayers (played by Oscar-winner Natalie Portman with ferocious dedication), who’s been given the dream lead role of the swan princess of Tchaikovsky’s Swan Lake at Lincoln Center and promptly — what else in a Darren Aronofsky film? — goes over the edge into some kind of madness: self-mutilation, paranoid fantasies and sexual hysteria.
As we watch, Nina whirls and leaps and goes delusional — and the camera seems to whirl and leap and go delusional along with her, executing wild leaps and dizzying spins, diving and pouncing and peeking over her shoulder, Polanski-like, wherever she goes. The ballet company’s seductive bully of a master choreographer, Thomas Leroy (played with a sneer by French star Vincent Cassell), casts Nina as the lead in Tchaikovsky’s classic ballet, replacing his former prima ballerina, Beth McIntyre (Winona Ryder, creating a self-destructive witch) — he’s simultaneously anointing Nina, and hurling her into hell.
Leroy tells Nina she‘s ideal casting for half the part (the role of the pure white swan) but not the other half (the wicked black swan). And Aronofsky then bombards us with Nina’s fears and desires, in scenes of dreamily voluptuous terror. The ballet studio and stage become arenas of paranoia. So does her home, an art-cluttered Manhattan apartment she shares with her painter mother Erica (Barbara Hershey).
Stricken with panic, Nina tears and rips at her own flesh — and then the cuts are mysteriously healed. She‘s flung into predatory sexual escapades or fantasies, involving Leroy, and also her main rival, Lilly (Mila Kunis), whom Thomas provokingly says is the perfect Black Swan.
As the fantasies (?) rage, Nina becomes ill, is berated by Thomas, attacked by Beth, played for a fool (maybe) by her rival Lilly, bossed by her devoted yet domineering mother. Amidst this accelerating chaos, the beauty and classicism and first night of “Swan Lake” (modernized by Thomas) looms.
These nightmares in Black Swan, concocted by Aronofsky and his co-writers Mark Heyman, Andres Heinz (original story) and John McLaughlin, are genuinely scary. We all know dancers suffer, actors suffer, writers suffer, artists suffer. (Hell, everybody suffers a bit, except maybe, at times, the upper income tax bracket guys. But artists maybe suffer more, because it’s part of their metier.) Yet Portman’s Nina — who sleeps (and, in one memorable scene, masturbates) in a doll-strewn and teddy bear-packed bedroom — goes through such intense anguish that, though possibly self-inflicted, it seems punishment enough for orgies of badness and sin, and not just with Mila Kunis.
How much of this is really happening? We know some it is real, some of it a dream, some of it is fears made flesh. But we can never be too sure which is which. That’s what makes the movie interesting.
Black Swan is not really a horror movie, but it’s more emotionally horrific than many that are. The movie hooks you, rakes the flesh of your imagination. The production design is dreamily swank. The camerawork is mobile and sometimes even frenzied. (Matthew Libatique is the cinematographer.) Cassell, Kunis and Ryder are fine, often riveting — and so, I would argue is Hershey. I was never less than entertained, and I was often more than edgy.
Ballet films sometimes seem to bring out the mad poet in some filmmakers: Ben Hecht’s eerie Specter of the Rose, for example, or Michael Powell and Emeric Pressburger’s phantasmagorical operetta-ballet film of Offenbach’s Tales of Hoffman. The most famous (and best) of them all was Powell and Pressburger’s great, colorful, rhapsodically loony The Red Shoes, a touchstoine film for young dancers-to-be, in which Moira Shearer’s Vicky suffered too, though at the hand of the tyrannical Diaghilev-like impresario Lermontov (Anton Walbrook).
Like Red Shoes, Black Swan is a movie that seems to adore art and creativity. It also seems terrified of both, scared silly of the worlds they open up. Just like the magical red ballet shoes that carry Vicky up and over the balustrade and down to the train tracks below, Black Swan’s vision of dance and art is a dangerous one, crazily over the top. But Natalie Portman (who was doubled in some dance scenes) is often wildly impressive. Portman plays with fierce, almost trance-like fervor, letting the nightmares pull her (and us) under.
Anyway, in the end, it’s not art or artistry that drives you crazy, but the way the world ignores and treats some artists. As for the artists themselves, even the mad, selfish ones … They can also be angels, even when their hearts hide some darkness, like Nina‘s. As Black Swan rightly suggests, there’s something else to fear: the demons of ambition and jealousy — and madness — that may dwell within us, always. Waiting. Ready to pounce. To whirl. To dance.
PICK OF THE WEEK: CLASSIC
Raging Bull: 30th Anniversary Edition (Also Blu-ray) (Four Stars)
U. S.: Martin Scorsese, 1980 (MGM/20th Century Fox)
This has been out a while. But I’ve got to review it.
1950s movie lovers had, for one of their touchstones, Elia Kazan‘s On The Waterfront–a great classic film brilliantly written by Budd Schulberg, phenomenally acted by Marlon Brando, as`the slightly punchy fictional ex-boxer Terry Malloy trapped in a brutal labor struggle, memorably supported by fellow actors Eva Marie Saint, Lee J. Cobb, Karl Malden and Rod Steiger.
And 1980s film-lovers had a movie of their own, too. They had Martin Scorsese’s Raging Bull, powerfully written by Paul Schrader and Mardik Martin, unforgettably acted byRobert De Niro as real-life boxer and middle weight champ Jake La Motta trapped in a brutal climb to the championship, terrifically supported by fellow actors Cathy Moriarity, Joe Pesci and Frank Vincent.
These movies are linked, vein to vein, blood to blood, heart to heart. Both were written in the vernacular of the streets: in Raging Bull’s case, such profane and dirty-mouth vernacular, so many “fucks” and “motherfuckers” and “shits,” delivered so off-handedly and almost automatically, that you probably couldn’t have played the show in a regular ‘50s movie theatre without getting arrested. Both movies were shot in black and white — incredible blacks and remarkable whites — by cinematographers Boris Kaufman (“Waterfront”) and Michael Chapman (“Bull”). Both movies had lyrical or booming symphonic/operatic scores, by Leonard Bernstein (West Side Story) for Kazan, and by Pietro Mascagni (Cavalleria Rusticana) for Scorsese.
SPOILER ALERT
Finally, the two movies all but fused into one in the last scene of Raging Bull, the scene where De Niro as the fat, washed up La Motta stares at himself in a dressing room mirror and recites Brando’s famous “Waterfront” speech: “You don’t understand! I coulda had class! I coulda been a contender! I coulda been somebody…instead of a bum which is what I am.” In that scene, De Niro’s La Motta is trying (with some difficulty) to remember his lines, and the legendary speech comes off in an almost expressionless, stumbling monotone: this speech that Brando — as he faced his crooked brother Charlie in the back seat of a Jersey taxicab — filled with so much passion, so much pain and regret, so much humanity
In Raging Bull, we follow Jake La Motta’s life the way La Motta himself told it in his book of the same title: his rise in the city and his battle to become champ, his epochal matches with Sugar Ray Robinson (Johnny Barnes), his ascension (brief, brief) to the middleweight throne, beating Edith Piaf’s lover Marcel Cerdan (Louis Raftis) for the title, and then that last fight with Sugar Ray, where Jake didn’t go down, but lost the title.
END OF SPOILER
We see also his troubled, demon-ridden, violent home life, his almost childish adoration and furious jealousy over his blonde wife Vickie, with her glossy but earthy movie star looks (played by a stunning Cathy Moriarity), and his explosive camaraderie and brainsick fights with his brother Joey (an amazing Joe Pesci). We also see the way everything begins to fall apart for Jake, when he goes crazy with jealousy and puts Joey on the floor and screams “Did you fuck my wife?”
SPOILER ALERT
Terry Malloy was never a contender, but at the end of his story, he won. Jake la Motta was the champion of the world, but at the end of his story, we see him struggling to become a facsimile of Terry the loser at his darkest moment of despair. (“You was my brother, Charley: You should’ve looked after me just a little bit…”)
END OF SPOILER
In the ’50s, most young actors wanted to be a facsimile of Terry too: to be Brando, or to beat Brando, especially in that taxicab scene. In the ’80s, before the decade went all sour and fat and greedy, a lot of them wanted to be De Niro. .(I coulda been somebody…)
And when the decade had passed and a few more years had passed as well, lots of movie people, both critics and filmmakers, decided that Raging Bull — though it had been beaten out for the 1980 Best Picture Oscar by Robert Redford’s good-hearted, well-acted, liberal family drama Ordinary People (while De Niro won Best Actor) — was really the best movie anyone had made during the ’80s, even though it was black and white, and arty, and profane, and about brutal people in a brutal world.
They were right. Raging Bull is the best of the ’80s, and of a few more decades as well. Citizen Kane is the company that Raging Bull keeps. And Casablanca and The Grapes of Wrath and The Treasure of the Sierra Madre and The Godfather Trilogy and Schindler’s List. And, of course, On the Waterfront.
All black and white, except the Godfathers. All movies about the real world, or a world that seems real. All movies that can pummel you in the guts, stun you and tear your heart out.
Why is Raging Bull such a masterpiece among masterpieces? Why is Scorsese a nonpareil director, and De Niro an unmatched actor? (We hear you, Al Pacino.) Why are Terry and Jake two movie characters who live and grow and resonate in our minds as few movie characters ever can or ever will?
It’s not because of the violence and the brutality and the language, though they‘re all a part of the story and they have to be there. They’re done in Raging Bull not just to shock us or give us ugly jolts or show us how streetwise these filmmakers can be, but to reveal to us with lacerating clarity what this world and its people are really like. To show us what they go through: Jake and Vicky and Joey and Sugar Ray and all of the others, even the ones we dislike. “I was blind, but now I see,” is the movie’s last sentence, and it’s written white on black.
That’s what the film gives us most movingly. Not phony uplift. Not schmaltzy sentiment. Not tough guy posturing. Not gutter ranting. But Jake La Motta as Bobby sees him and as Marty sees him: La Motta the champ, a man who was blind, like we all are to some degree, but who now…can see. The man who chases his estranged brother Joey when he sees him in the street after years, and catches him in his arms, and hugs and kisses him with clumsy tenderness (“Charley, Charley…You was my brother…“), and who knows he was wrong, and who asks to see him again, have a drink, talk about things, be a paisano. Be his brother. Forgive him. Christ, forgive him!
Raging Bull. Best of the 1980s. A great movie. A terrible decade. Fuck that decade. You can watch Marty’s and Bobby’s picture again though, and you can see it all so clearly, why it’s great — even though there are people, filmmakers, critics, who dislike this movie still (the language maybe?) or maybe are afraid of it (the violence maybe?) or even disgusted by it (The sex, maybe? These low-life, lower-class guys, maybe?) and who think it’s overrated, that Scorsese is overrated, and that even De Niro is overrated. When I think of that…
You don’t understand, I coulda had class.
You know what? To hell with them.
Extras: Three commentaries by Scorsese, Schrader and others; Documentary Raging Bull: Fight Night; Featurettes; Cathy Moriarity with Johnny Carson on The Tonight Show; Vintage newsreel footage of Jake La Motta in the ring, defending his title.
PICK OF THE WEEK: BOX SET
The Complete Sherlock Holmes Collection (Blu-ray) (Five discs) (Three and a Half Stars)
U. S.: Various directors, 1939-46 (MPI)
None of the many screen acting teams who played master detective Sherlock Holmes and his roommate/chronicler Dr. John Watson ever nailed the parts quite the way Basil Rathbone and Nigel Bruce did — Rathbone, the hawk-faced, eagle-eyed, lean, brilliant and lovably arrogant Holmes; Bruce the chubby, dithering stout-fella sidekick Watson.
One might complain that Bruce was sometimes a little too chubby and dithering. (Did this bumbling, bewildered chap ever really earn a medical decree?) But Bruce’s Watson, though little like the character that Sir Arthur Conan Doyle actually wrote, was the perfect foil for Rathbone’s Holmes. And there will probably never be another Holmes to match Basil‘s, or a team to match them both. Not the admirable Jeremy Brett with David Burke or Edward Hardwicke, not Ronald Howard and H. Marion Crawford. And no, not Robert Downey, Jr. and Jude Law in Guy Ritchie’s recent Sherlock Holmes movie, though it’s an interesting try, and Downey a sometimes ingenious Holmes.
The only competition for Rathbone and Bruce, I think, is a movie team that never was, except in What’s New, Pussycat? That’s Billy Wilder’s provocative first choices for his underrated 1970 The Private Life of Sherlock Holmes, Peter O’Toole as Holmes and Peter Sellers as Watson. (Wilder, of course, feuded with Sellers after Kiss Me Stupid and Sellers’ heart attack and exit, and Jeremy Brett’s buddy Robert Stephens wound up playing the part for Billy, with Colin Blakely as his Watson.)
But I‘d like to see Steve Coogan, Robin Williams or someone from Monty Python doing a schizophrenic Holmes some day , a mad master detective who, after Watson’s seeming murder by Moriarity, takes on both personalities; Watson comes back of course, and Holmes is caught between reality and schizophrenia. Works for me.
Rathbone and Bruce, though: Nobody beats them, as a pure team.
It all started at Twentieth Century Fox in 1939 (that supposed movie year of years), where Rathbone and Bruce appeared together in The Hound of the Baskervilles (Sidney Lanfield, 1939) and The Adventures of Sherlock Holmes (Alfred Werker, 1939). They were both model adaptations. (See below.) But Fox never followed up on plans for a Charlie Chan-style series, especially after both films were blasted in England and by the Doyle estate, and the nonpareil movie Baker Street duo wasn’t reunited until four years later, starting in 1942, and running through 1946, for a lower-budget series at Universal.
The Universal films were almost all directed by Roy William Neill, a silent movie veteran who gives them a strong touch of noir — and, though some critics disagree, I think the series was good all the way to the end. They were all superior B Movies, well-written, well-cast and directed, but with one notable flaw.
The first two Rathbone-Bruces had been period movies, set properly in gaslit, fog-shrouded Victorian London. The later movies, probably in order to let Holmes bring down the curtain with stirring anti-Fascist speeches and tributes to the WW2 Grand Alliance, were all set contemporaneously, in the 40s. That makes them seem anachronistic today, and its really a shame the studios didn’t just continue doing Doyle stories with the perfect pair, in period. (See below.)
Still and all, Rathbone and Bruce remain transcendent, whatever the era they’re plopped into. Rathbone‘s Holmes really does seem smarter than anyone else in the room, including anybody else (say, Professor Moriarity), who might possibly drop by. And Bruce’s priceless fumbling, silly-ass bragging and doggy devotion to Holmes, though hardly According to Doyle, sets Rathbone up, and off, beautifully.
Two from Fox. Twelve from Universal. Fourteen in all. Ah, as Sherlock H. might say, the game’s afoot! In a way, all you really need for a good Sherlock Holmes movie and a good time — elementary, my dear Watson — are Basil Rathbone and Nigel Bruce.
The twelve Universal films are all the painstaking UCLA restorations. (They should have taken more pains over the DVD subtitles though; at one point Samuel Johnson’s very own Watson, James Boswell, is renamed “James Bosvo.”) All of the films star Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. John Watson.
Includes: The Hound of the Baskervilles (U.S.: Sidney Lanfield, 1939) Three and a half Stars. This very good-looking adaptation of the most popular of all the Holmes novels, puts us eerily on the foggy moors where a monster (“Mr. Holmes, they were the footprints of a gigantic hound!“) seems to be dogging the Baskerville household (including heir Richard Greene, bride-to-be Wendy Barrie, sinister servant John Carradine and the inevitable Lionel Atwill). Not all that faithful, but it’s a fine introduction and showcase for the series’ Holmes and Watson — and, incidentally for Mary Gordon as their endearing landlady Mrs. Hudson.
The Adventures of Sherlock Holmes (U.S.; Alfred Werker, 1939) Three and a Half Stars. Adapted not from Doyle, but from William Gillette‘s hugely popular play, with Holmes and Watson battling that archest of arch-criminals Professor Moriarity (George Zucco), while trying to save both Ida Lupino and the crown jewel collection. (I’d choose Ida.) In one delicious garden party moment, Holmes, in music hall disguise, sings and dances an Archie Rice-style version of “By the Seaside.”
Sherlock Holmes and The Voice of Terror (U.S.; John Rawlins, 1942) Three Stars. Holmes battles Nazi spies, traitors and the Hitler-loving Voice, this movie’s version of Lord Haw Haw. First of the RKO series, not based on Doyle, but with a top cast: Reginald Denny, Evelyn Ankers, Henry Daniell, Montague Love and Thomas Gomez.
Sherlock Holmes and the Secret Weapon (U.S.; Roy William Neill, 1942) Two and a Half Stars. Holmes baffles Inspector Lestrade (Dennis Hoey) while outwitting Moriarity (Atwill this time) and fighting Nazis. Can Holmes beat Hitler? Elementary, my dear Winston. With Kaaren (sic) Verne and Holmes Herbert.
Sherlock Holmes in Washington (U.S.; Neill, 1943) Two and a Half Stars. One of the sillier, more improbable (but still enjoyable) of the modern Holmeses, finds the intrepid sleuth Sherlock and his bumbling sidekick Watson, tracking spies and microfilm. We sometimes endure a lot for the pleasure of their company. With Henry Daniell, Marjorie Lord and Zucco as Moriarity.
Sherlock Holmes Faces Death (U.S.; Neill, 1943) Three and a Half Stars. One of the Neill series‘ very best. Scary too. Based on the prime Conan Doyle story The Musgrave Ritual, a clever cipher murder mystery, it’s set in a country manor. So — if you ignore the modern references — you can imagine you’re back in gaslit Victorian times with Holmes and Watson. The cast includes Rathbone, Bruce, Halliwell Hobbes, Hoey (as Lestrade) and two later ‘50s TV mainstays: Hillary Brooke (the blonde on The Abbott and Costello Show) and Milburn Stone (Doc on Gunsmoke).
Sherlock Holmes and the Spider Woman (U.S.; Neill, 1944) Three stars. One of the series‘ best villains, Oscar-winner and future black list victim Gale Sondergaard as the smiling, murderous Spider Woman, battling wits and webs with Holmes. A good one, with Hoey as Lestrade.
The Scarlet Claw (U.S.; Neill, 1944) Three and a Half Stars. Often called the best of the Rathbone-Bruce Universal shows, and it probably is, though again it‘s original, rather than Doyle-derived. Holmes and Watson track a seeming werewolf-like monster and a string of bloody murders in foggy Canada. With Miles Mander and Ian Wolfe.
The Pearl of Death (U.S.: Neill, 1944) Three Stars. Holmes and Watson hunt for the Borgia Pearl, which is hidden in one of six busts. Based on Doyle‘s “The Six Napoleons.” With Ankers, Mander, Hoey and Rondo Hatton as “The Creeper.”
The House of Fear (U.S.: Neill, 1945) Three and a Half Stars. A houseful of eccentrics, united in a kind of tontine (whoever survives all the others gets all their insurance) are being picked off one by one, under the very noses of Holmes and Watson. A tense, ingenious variation on “The Five Orange Pips.” With Hoey, Herbert and Paul Cavanagh.
The Woman in Green (U.S.: Neill, 1945) Three Stars. Holmes hunts a serial killer who chops off fingers. Grislier than usual, but Watson is there to relieve the tension. With Daniell, Brooke and Cavanagh.
Pursuit to Algiers (U.S.; Neill, 1945) Two and a Half Stars. Holmes and Watson aboard a sea liner, guarding a royal heir. Far-fetched but fun.
Terror by Night (U.S.; Neill, 1946) Three Stars. Holmes and Watson take the train in the series’ only example of that delicious sub-genre, the railroad thriller. With Hoey and Alan Mowbray.
Dressed to Kill (U.S.; Neill, 1946) Three Stars. Holmes reveals his flirtatious side as he pursues master femme fatale criminal Patricia Morrison, in a plot involving stolen music boxes. Holmes, flirt? This one has several references to “that woman” Irene Adler of the classic Doyle tale, “A Scandal in Bohemia,” some supplied by the perhaps slightly jealous Watson.
The series ends here, partly because World War II had ended. But I think Universal missed a sure thing by not continuing the Adventures, this time transferring Holmes and Watson to their proper Victorian era. There was another problem though: Neill, an underrated director (and also the producer), died in 1946 after following up Terror By Night and Dressed to Kill with Black Angel, a nice little noir from a Cornell Woolrich novel, starring Dan Duryea and Peter Lorre. That’s a big loss. But why couldn’t someone like RKO’s literate Val Lewton have taken over the Holmes series as producer?
Anyway, I loved watching all these movies, some once again, some for the first time, some good, some not so good, but all blessed by Rathbone’s inimitable sardonic, brainy cool, Bruce’s world-class bumbling, and that perfect movie detective team’s unbeatable chemistry. Why did audiences love them, together, so much? It’s easy to see. Holmes was the cerebral superman, Watson the fubsy everyman. We all want to be Holmes, but mostly we’re Watsons, at best. (And that’s not bad.)
Anyway, as Dr. Watson says, in The Adventures of Sherlock Holmes, in Nigel Bruce’s grandest moment in the entire series, “Elementary, my dear Holmes.”
Extras: Six commentaries with actress Patricia Morrison and others; Interview with UCLA Film and Television Archive Preservation Officer Robert Gitt; Short sound film of Sir Arthur Conan Doyle; Photo galleries; Theatrical trailers.
Farley Granger Noir on DVD
1. Rope (U.S.: Alfred Hitchcock, 1948) Four Stars. Warners (Also in the Warners box set “Alfred Hitchcock: The Signature Collection.”)
2. They Live By Night (U.S. Nicholas Ray, 1949) Four Stars. Warners (In the Warners Box Set “Film Noir Classic Collection: Volume 4”)
3. Side Street (U.S. Anthony Mann, 1949) Three Stars. Warners (In the Warners Box Set “Film Noir Classic Collection: Volume 4”)
4. Strangers on a Train (U.S.: Alfred Hitchcock, 1951) Four Stars. Warners (Also in the Warners box set “Alfred Hitchcock: The Signature Collection.”)
Tags: Black Swan, raging bull, Sherlock Holmes
Posted in Columns, DVD Reviews, MCN Originals, Movie City News, Reviews, Wilmington | 1 Comment »
Sunday, December 5th, 2010
The Warrior’s Weigh
The first weekend of December has the ignominious tradition of being one of the lowest moviegoing periods of the year. This year is no exception with but a single new wide release and holdover titles generally experiencing declines of more than 50%.
The newcomer arrived from the re-constituted Relativity Media with the martial arts actioner The Warrior’s Way. It barely squeaked into the top 10 with an estimated $3 million. Industry trackers hadn’t expected much for the picture but even their estimates were pegged significantly higher at roughly $5 million.
The frame leader was the animated Tangled with an estimated $21.5 million with Harry Potter and the Deathly Hallows, Part 1 taking the consolation prize with $16.9 million. The rest of the holdovers were indeed the deathly hallows.
However, there were a couple of spectacular exclusive debuts. The controversial and intense drama Black Swan bowed to $1.4 million, which translated into a jaw dropping per engagement average of $76,670. And the left-for-dead black comedy I Love You Phillip Morris hit the target with $109,000 from six locations and an $18,200 average. Also encouraging was the two-screen bow of the ironically titled All Good Things with $37,500.
The rest of the new niche crowd ranged from fair to poor including several new films on the Indian circuit, the independent Night Catches Us and the documentary Bhutto.
All added up, revenues amounted to about $86 million and a 54% drop from the weekend slice of Thanksgiving. It was also off 15% from the 2009 edition when the top new entry was third-ranked Brothers with $9.5 million. The 2009 leader with $20 million was The Blind Side.
Domestic box office should push past $10 billion next weekend and register a slight gain for the year when the dust settles in 26 days. It also unquestionably marks another year of theatrical admission declines; likely between 5% and 7%.
As to award’s contenders, it remains anyone’s game and last week’s announcement of honors from the National Board of Review provided scant indication of what’s to follow from major critical groups or the Hollywood Foreign Press. Apart from James L. Brooks’ How Do You Know, the anticipated upcoming releases have been seen and left prognosticators fumbling to identify leaders in any of the talent categories.
__________________________________________________
Weekend Estimates – December 3-5, 2010
Title |
Distributor |
Gross (average) |
% change * |
Theaters |
Cume |
Tangled |
BV |
21.5 (5,970) |
-56% |
3603 |
96.5 |
Harry Potter & the Deathly Hollows, Part 1* |
WB |
16.9 (4,090) |
-66% |
4125 |
244.4 |
Burlesque |
Sony |
6.1 (2,020) |
-49% |
3037 |
27 |
Unstoppable |
Fox |
6.1 (1,930) |
-47% |
3152 |
68.9 |
Love and Other Drugs |
Fox |
5.7 (2,310) |
-42% |
2458 |
22.6 |
Megamind |
Par |
4.9 (1,550) |
-61% |
3173 |
136.6 |
Due Date |
WB |
4.2 (1,720) |
-41% |
2450 |
91 |
Faster |
CBS |
3.8 (1,550) |
-55% |
2470 |
18.1 |
The Warrior’s Way |
Relativity |
3.0 (1,870) |
NEW |
1622 |
3 |
The Next Three Days |
Lionsgate |
2.6 (1,150) |
-45% |
2236 |
18.3 |
Morning Glory |
Par |
1.7 (760) |
-56% |
2263 |
29.1 |
127 Hours |
Fox Searchlight |
1.6 (3,790) |
-4% |
433 |
6.6 |
Black Swan |
Fox Searchlight |
1.4 (76,670) |
NEW |
18 |
1.4 |
Fair Game |
Summit |
1.0 (2,320) |
-27% |
436 |
7.3 |
Red |
Summit |
.75 (960) |
-45% |
779 |
87.2 |
For Colored Girls … |
Lionsgate |
.45 (930) |
-67% |
485 |
37.3 |
Lance et compte |
Seville |
.43 (4,480) |
-31% |
96 |
1.3 |
Skyline |
Uni/Alliance |
.42 (730) |
-63% |
578 |
20.9 |
The Social Network |
Sony |
.41 (1,580) |
-42% |
260 |
91 |
The King’s Speech |
Weinstein Co. |
.32 (53,000) |
-10% |
6 |
0.8 |
|
|
|
|
|
|
|
|
|
|
|
|
Weekend Total ($500,000+ Films) |
|
$81.25 |
|
|
|
% Change (Last Year) |
|
-15% |
|
|
|
% Change (Last Week) |
|
-54% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Also debuting/expanding |
|
|
|
|
|
I Love You Phillip Morris |
Roadside |
.11 (18,200) |
|
6 |
0.11 |
Raktacharitra 2 |
Viva/Happy |
94,200 (4,100) |
|
23 |
0.09 |
Khelein Hum Jee Jaan Sey |
Viva |
65,300 (960) |
|
68 |
0.07 |
Nutcracker 3D |
FreeStyle |
45,700 (1,040) |
-31% |
44 |
0.14 |
Made in Dagenham |
Sony Classics |
39,600 (3,600) |
-37% |
11 |
0.18 |
All Good Things |
Magnolia |
37,500 (18,750) |
|
2 |
0.04 |
Dead Awake |
New Film |
31,400 (570) |
|
55 |
0.03 |
Mar Jawan Gur Khake |
Punjabi |
18,800 (6,270) |
|
3 |
0.02 |
Night Catches Us |
Magnolia |
12,100 (3,020) |
|
4 |
0.01 |
Bhutto |
First Run |
7,800 (3,900) |
|
2 |
0.01 |
Domestic Market Share (Jan. 1 – Dec. 2, 2010)
Distributor (releases) |
Gross |
Market Share |
Warner Bros. (27) |
1792.9 |
18.40% |
Paramount (18) |
1609.2 |
16.50% |
Fox (18) |
1371.7 |
14.00% |
Buena Vista (16) |
1252.3 |
12.80% |
Sony (24) |
1185.4 |
12.10% |
Universal (18) |
797.2 |
8.20% |
Summit (11) |
517.9 |
5.30% |
Lionsgate (15) |
512.4 |
5.20% |
Fox Searchlight (7) |
84.7 |
0.90% |
Overture (7) |
81.9 |
0.80% |
Focus (7) |
75.2 |
0.80% |
CBS (3) |
64.2 |
0.70% |
Weinstein Co. (8) |
63.1 |
0.70% |
Sony Classics (22) |
58.7 |
0.60% |
MGM (1) |
50.4 |
0.50% |
Other * (301) |
246.6 |
2.50% |
|
9763.8 |
100.00% |
* none greater than .04% |
Top Global Grossers * (Jan. 1 – Dec. 2, 2010)
Title |
Distributor |
Gross |
Avatar * |
Fox |
1,955,694,414 |
Toy Story 3 |
BV |
1,065,128,004 |
Alice in Wonderland |
BV |
1,024,537,295 |
Inception |
WB |
840,550,911 |
Shrek Forever After |
Par |
738,351,966 |
Twilight: Eclipse |
Summit |
699,325,617 |
Harry Potter & the Deathly Hallows, Part 1 |
WB |
634,033,738 |
Iron Man 2 |
Par |
622,718,600 |
Despicable Me |
Uni |
534,415,944 |
How to Train Your Dragon |
Par |
495,921,283 |
Clash of the Titans |
WB |
489,778,913 |
Sherlock Holmes * |
WB |
367,796,599 |
The Karate Kid |
Sony |
359,429,551 |
Prince of Persia: The Sands of Time |
BV |
335,816,141 |
The Last Airbender |
Par |
319,062,129 |
Robin Hood |
Uni |
312,207,159 |
Shutter Island |
Par |
301,977,955 |
Sex and the City 2 |
WB |
301,158,934 |
Salt |
Sony |
293,955,694 |
Resident Evil: Afterlife |
Sony/Alliance |
292,972,689 |
The Expendables |
Lionsgate |
272,550,235 |
Grown Ups |
Sony |
271,417,359 |
Alvin and the Chipmunks: The Squeakquel |
Fox |
264,341,533 |
Knight and Day |
Fox |
261,206,060 |
Percy Jackson & the Olympians |
Fox |
226,497,298 |
* does not include 2009 box office |
Tags: 127 Hours, Alice in Wonderland, All Good Things, Alvin and the Chipmunks: The Squeakquel, Avatar, bhutto, Black Swan, Burlesque, Clash of the Titans, Dead Awake, Despicable Me, Due Date, Fair Game, Faster, For Colored Girls …, Grown Ups, Harry Potter & the Deathly Hallows, Harry Potter & the Deathly Hollows, How to Train Your Dragon, I Love You Phillip Morris, Inception, Iron Man 2, Khelein Hum Jee Jaan Sey, Knight and Day, Lance et compte, Love and Other Drugs, Made in Dagenham, Mar Jawan Gur Khake, Megamind, Morning Glory, night catches us, Nutcracker 3D, Part 1, Percy Jackson & the Olympians, Prince of Persia: The Sands of Time, Raktacharitra 2, Red, Resident Evil: Afterlife, Robin Hood, Salt, Sex and the City 2, Sherlock Holmes, Shrek Forever After, Shutter Island, skyline, Tangled, The Expendables, The Karate Kid, The King's Speech, The Last Airbender, The Next Three Days, The Social Network, the warrior's way, Toy Story 3, Twilight: Eclipse, unstoppable
Posted in MCN Originals, MCN Weekend, Movie City News, The Weekend Report | Comments Off on Weekend Box Office Report — December 5
Sunday, November 21st, 2010
Harry and the Deathly Swallows … Gulp!
Harry Potter and the Deathly Hallows, Part 1 ascended to an estimated $126.2 million and corralled more than 60% of weekend ticket sales. Comparatively speaking the remaining films in the multiplex had to settle for chump change, including the bow of the thriller The Next Three Days which slotted fifth with $6.7 million.
The session also included the new Bollywood release Guzaarish, which garnered a better than respectable $423,000 at 108 venues. Among the few exclusive bows both the British import Made in Dagenham and France’s White Material were just OK with respective openings of $39,300 and $35,800, each playing on three screens.
It was the biggest opening yet for a Harry Potter film but while the juggernaut provided a big box office boost from last weekend it was insufficient to stave off a decline from 2009.
Expectations were high for the first installment of the last chapter of the Potter franchise. Advance sales and online tracking anticipated a $100 million debut and that number expanded following word of advance Thursday midnight screenings estimated at $24 million. Large format engagements were estimated at $12.4 million and if that number holds up it will be a record.
Internationally the early estimates are roughly $205 million from 54 markets. It includes all-time records in the U.K. and Russia and otherwise just sensational debuts elsewhere. The final, final Potter putter is schedule for July 2011.
On a decidedly downbeat note, The Next Three Days came in well below tracking that suggested a $10 million launch. The film also received a drubbing from critics.
Weekend revenues lurched toward $200 million, which translated into a 64% hike from seven days back. It was however 25% behind the 2009 slate led by the second installment of Twilight (New Moon), which bowed bitingly to $142.8 million with the unexpectedly $34.1 million potency of The Blind Side right behind it.
The contender’s roster failed to see any additional dynamos this weekend and the titles already in the marketplace were finding the Darwinian aspect of the exercise unrelenting. Both Fair Game and 127 Hours added a significant number of playdates with the latter continuing to maintain a hefty $8,330 engagement average. The other surprise in the mix is the continuing stamina of the non-fiction Inside Job that’s racked up $2.2 million to date.
__________________________________________________
Weekend Estimates – November 19-21, 2010
Title |
Distributor |
Gross (average) |
% change * |
Theaters |
Cume |
Harry Potter & the Deathly Hallows, Part 1* |
WB |
126.2 (30,600) |
NEW |
4125 |
126.2 |
Megamind |
Par |
16.2 (4,280) |
-45% |
3779 |
109.5 |
Unstoppable |
Fox |
13.0 (4,060) |
-43% |
3207 |
41.9 |
Due Date |
WB |
8.9 (2,760) |
-42% |
3229 |
72.4 |
The Next Three Days |
Lionsgate |
6.7 (2,590) |
NEW |
2564 |
6.7 |
Morning Glory |
Par |
5.2 (2,050) |
-43% |
2544 |
19.8 |
Skyline |
Uni/Alliance |
3.4 (1,170) |
-71% |
2883 |
17.6 |
Summit |
2.4 (1,190) |
-51% |
2034 |
83.5 |
For Colored Girls … |
Lionsgate |
2.3 (1,920) |
-64% |
1216 |
34.5 |
Fair Game |
Summit |
1.4 (3,730) |
41% |
386 |
3.7 |
Secretariat |
BV |
1.0 (970) |
-56% |
1010 |
56.4 |
Paranormal Activity 2 |
Par |
.93 (840) |
-69% |
1101 |
83.6 |
The Social Network |
Sony |
.91 (1,590) |
-49% |
571 |
89.2 |
127 Hours |
Searchlight |
.90 (8,330) |
104% |
108 |
1.9 |
Saw 3D |
Lionsgate |
.82 (1,020) |
-71% |
806 |
45.3 |
Jackass 3D |
Par |
.72 (1,050) |
-68% |
687 |
116.1 |
Life As We Know It |
WB |
.52 (930) |
-50% |
558 |
51.6 |
Guzaarish |
UTV |
.42 (3,910) |
NEW |
108 |
0.42 |
The Girl Who Kicked the Hornet’s Nest |
Music Box/Alliance |
.41 (2,180) |
-22% |
188 |
3.5 |
Inside Job |
Sony Classics |
.37 (1,770) |
-22% |
211 |
2.2 |
|
|
|
|
|
|
|
|
|
|
|
|
Weekend Total ($500,000+ Films) |
|
$191.50 |
|
|
|
% Change (Last Year) |
|
-25% |
|
|
|
% Change (Last Week) |
|
64% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Also debuting/expanding |
|
|
|
|
|
Today’s Special |
Reliance |
88,400 (1,670) |
|
53 |
0.09 |
Made in Dagenham |
Sony Classics |
39,300 (13,100) |
|
3 |
0.04 |
White Material |
IFC |
35,800 (11,930) |
|
3 |
0.04 |
Queen of the Lot |
Rainbow |
16,400 (2,730) |
|
6 |
0.02 |
Copacabana |
Seville |
14,100 (2,010) |
|
7 |
0.01 |
Domestic Market Share (Jan. 1 – Nov. 18, 2010)
Distributor (releases) |
Gross |
Market Share |
Paramount (18) |
1555.1 |
16.80% |
Warner Bros. (26) |
1538.8 |
16.70% |
Fox (17) |
1320.7 |
14.30% |
Buena Vista (15) |
1173.4 |
12.70% |
Sony (23) |
1160.3 |
12.60% |
Universal (18) |
790.4 |
8.60% |
Summit (11) |
508.5 |
5.50% |
Lionsgate (14) |
490.6 |
5.30% |
Overture (7) |
81.7 |
0.90% |
Fox Searchlight (7) |
80.3 |
0.90% |
Focus (7) |
75.1 |
0.80% |
Weinstein Co. (7) |
62.5 |
0.70% |
Sony Classics (21) |
57.3 |
0.60% |
MGM (1) |
51.2 |
0.50% |
CBS (2) |
50 |
0.50% |
Other * (288) |
240.7 |
2.60% |
|
9236.6 |
100.00% |
* none greater than .04% |
Top Domestic Grossers * (Jan. 1 – Nov. 18, 2010)
Title |
Distributor |
Gross |
Avatar * |
Fox |
476,883,415 |
Toy Story 3 |
BV |
414,681,777 |
Alice in Wonderland |
BV |
334,191,110 |
Iron Man 2 |
Par |
312,445,596 |
Twilight: Eclipse |
Summit |
300,551,386 |
Inception |
WB |
291,914,445 |
Despicable Me |
Uni |
248,900,040 |
Shrek Forever After |
Par |
238,667,087 |
How to Train Your Dragon |
Par |
218,685,707 |
The Karate Kid |
Sony |
176,797,997 |
Clash of the Titans |
WB |
163,214,888 |
Grown Ups |
Sony |
162,147,232 |
The Last Airbender |
Par |
131,733,601 |
Shutter Island |
Par |
128,051,522 |
The Other Guy |
Sony |
119,256,755 |
Salt |
Sony |
118,485,665 |
Jackass 3D |
Par |
115,357,091 |
Valentine’s Day |
WB |
110,509,442 |
Sherlock Holmes * |
WB |
106,967,985 |
Robin Hood |
Uni |
105,425,146 |
| * does not include 2009 box office |
Tags: 127 Hours, Alice in Wonderland, Avatar, Clash of the Titans, copacabana, Despicable Me, Due Date, Fair Game, For Colored Girls …, Grown Ups, Guzaarish, Harry Potter & the Deathly Hallows, How to Train Your Dragon, Inception, Inside Job, Iron Man 2, Jackass 3D, Life As We Know It, Made in Dagenham, Megamind, Morning Glory, Paranormal Activity 2, Part 1, Queen of the Lot, Red, Robin Hood, Salt, Saw 3D, Secretariat, Sherlock Holmes, Shrek Forever After, Shutter Island, skyline, the girl who kicked the hornet's nest, The Karate Kid, The Last Airbender, The Next Three Days, The Other Guy, The Social Network, Today's Special, Toy Story 3, Twilight: Eclipse, unstoppable, Valentine's Day, White Material
Posted in MCN Originals, MCN Weekend, Movie City News, The Weekend Report | Comments Off on Weekend Box Office Report — November 21
Sunday, October 24th, 2010
Back to Paranormal
Paranormal Activity 2 exceeded pundit expectation (though not necessarily fans) with an estimated $41.6 million to lead weekend movie ticket sales. The session’s only other national bow was Hereafter, which shot up to $11.9 million following last weekend’s limited opener.
Niche and regional bows included a solid $212,000 (in Hindi and Telegu versions) bow for the Indian crime saga Rakhtcharitra. Fans won’t have to wait long for its second part conclusion that’s scheduled for late November. Meanwhile up in Canada the Toronto fest curtain raiser Score: A Hockey Musical failed to live up to its name with a discordant $143,000 from 127 rinks.
Exclusives included good though unsensational debuts that included non-fiction Boxing Gym with a $6,100 TKO in its solo bout and Taqwacores — the tale of an Islamic rock band — grossing $5,500 also in a single outing.
Though there was a marginal dip from last weekend’s box office, the frame saw its first uptick from 2009 in a month with industry mavens already predicting expanded revenues through the end of the year.
Critical response to sleeper sensation Paranormal Activity 2 was at best tepid with the more negative reviews viewing it as a cynical rehash of its inspiration. Nonetheless avids were cueing up to provide Thursday midnight shows a record preview for an R-rated film. It lost traction as the weekend proceeded but the fast start was sufficient to speed past tracking that suggested an opening salvo of not much more than $30 million.
Exit polls for both Paranormal Activity 2 and Hereafter were disappointing. The latter film pretty much brought in the anticipated older crowd and filmmaker Clint Eastwood’s films have a history of hanging in for longer than typical runs and much higher multiples than is the industry norm. Still, this yarn could well stray from that trend.
Weekend revenues amassed roughly $130 million in torn ducats. It represented a slight 2% dip from seven days back but the unexpected Paranormal Activity 2 and overall strong holdovers translated into a 13% box office boost from 2009. A year ago the first Paranormal Activity (in its initial wide weekend) led with $21.1 million followed by Saw VI and Where the Wild Things Are with respective tallies of $14.1 million and $14 million.
With the exception of Waiting for “Superman” it’s been a brutal season for Oscar hopefuls trying to set an early footprint on the awards landscape. Granted, very few have received a wholehearted critical embrace, but even by niche standards the likes of Nowhere Boy, You Will Meet a Tall Dark Stranger and Jack Goes Boating among others have been comparative under-performers when measured against past films that have employed this tactic.
__________________________________________________
Weekend Estimates – October 22-24, 2010
Title |
Distributor |
Gross (average) |
% change * |
Theaters |
Cume |
Paranormal Activity 2 |
Par |
41.6 (12,930) |
New |
3216 |
41.6 |
Jackass 3D |
Par |
21.5 (6,920) |
-57% |
3111 |
87.1 |
Red |
Summit |
15.1 (4,620) |
-31% |
3273 |
43.6 |
Hereafter |
WB |
11.9 (5,450) |
|
2175 |
12.2 |
The Social Network |
Sony |
7.2 (2,450) |
-31% |
2921 |
72.8 |
Secretariat |
BV |
6.9 (2,210) |
-26% |
3108 |
37.3 |
Life As We Know It |
WB |
6.1 (2,010) |
-32% |
3019 |
37.5 |
Legend of the Guardians |
WB |
3.1 (1,390) |
-26% |
2236 |
50.1 |
The Town |
WB |
2.7 (1,390) |
-33% |
1918 |
84.6 |
Easy A |
Sony |
1.7 (1,050) |
-35% |
1632 |
54.7 |
Wal Street: Money Never Sleeps |
Fox |
1.2 (960) |
-49% |
1255 |
50 |
My Soul to Take |
Uni/Alliance |
1.0 (600) |
-68% |
1689 |
13.9 |
Waiting for “Superman” |
Par Vantage |
.76 (2,620) |
2% |
290 |
3.7 |
Alpha and Omega |
Lionsgate |
.71 (980) |
-14% |
727 |
23.5 |
It’s Kind of a Funny Story |
Focus |
.66 (1,180) |
-46% |
560 |
5.1 |
Devil |
Uni |
.63 (980) |
-35% |
642 |
32.4 |
You Again |
BV |
.61 (680) |
-50% |
901 |
24 |
N Secure |
FreeStyle |
.53 (1,190) |
-55% |
445 |
1.9 |
Toy Story 3 |
BV |
.42 (1,211) |
-21% |
350 |
413.4 |
You Will Meet a Tall Dark Stranger |
Sony Classics |
.40 (1,060) |
46% |
381 |
1.8 |
Case 39 |
Par Vantage |
.38 (530) |
-69% |
721 |
12.7 |
|
|
|
|
|
|
|
|
|
|
|
|
Weekend Total ($500,000+ Films) |
|
$123.90 |
|
|
|
% Change (Last Year) |
|
13% |
|
|
|
% Change (Last Week) |
|
-2% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Also debuting/expanding |
|
|
|
|
|
Stone |
Overture |
.34 (3,030) |
49% |
113 |
0.76 |
Conviction |
Fox Searchlight |
.30 (5,420) |
192% |
55 |
0.34 |
Rakhtcharitra |
Viva/Happy |
.21 (6,230) |
|
34 |
0.21 |
Nowhere Boy |
Weinstein Co. |
.21 (870) |
-39% |
215 |
0.76 |
Score: A Hockey Musical |
Mongrel |
.14 (1,130) |
|
127 |
0.14 |
Jhootha Hi Sahi |
Viva |
64,700 (1,350) |
|
48 |
0.06 |
My Girlfriend’s Boyfriend |
Fiftyfilms |
10,300 (5,150) |
|
2 |
0.01 |
Boxing Gym |
Zipporah |
6,100 (6,100) |
|
1 |
0.01 |
Taqwacores |
Rumanni |
5,500 (5,500) |
|
1 |
0.01 |
Inhale |
IFC |
5,600 (2,800) |
|
2 |
0.01 |
Domestic Market Share (Jan. 1 – Oct. 21, 2010)
Distributor (releases) |
Gross |
Market Share |
Warner Bros. (25) |
1403.9 |
16.30% |
Paramount (15) |
1310.6 |
15.30% |
Fox (16) |
1287.9 |
15.00% |
Buena Vista (15) |
1144.7 |
13.30% |
Sony (23) |
1129.9 |
13.20% |
Universal (17) |
771.4 |
9.00% |
Summit (10) |
453.6 |
5.30% |
Lionsgate (12) |
411.5 |
4.80% |
Overture (7) |
79.7 |
0.90% |
Focus (7) |
73.2 |
0.90% |
Fox Searchlight (6) |
72.7 |
0.80% |
Weinstein Co. (7) |
61.6 |
0.70% |
Sony Classics (21) |
53.7 |
0.60% |
MGM (1) |
50.4 |
0.60% |
CBS (2) |
50 |
0.60% |
Other * (271) |
226.9 |
2.70% |
|
8581.7 |
100.00% |
* none greater than .04% |
Top Domestic Grossers * (Jan. 1 – Oct. 21, 2010)
Title |
Distributor |
Gross |
Avatar * |
Fox |
476,726,209 |
Toy Story 3 |
BV |
413,013,123 |
Alice in Wonderland |
BV |
334,191,110 |
Iron Man 2 |
Par |
312,445,596 |
Twilight: Eclipse |
Summit |
300,531,751 |
Inception |
WB |
289,881,124 |
Despicable Me |
Uni |
247,148,995 |
Shrek Forever After |
Par |
238,667,087 |
How to Train Your Dragon |
Par |
218,685,707 |
The Karate Kid |
Sony |
176,797,997 |
Clash of the Titans |
WB |
163,214,888 |
Grown Ups |
Sony |
161,942,598 |
The Last Airbender |
Par |
131,733,601 |
Shutter Island |
Par |
128,051,522 |
The Other Guy |
Sony |
118,236,912 |
Salt |
Sony |
118,229,865 |
Valentine’s Day |
WB |
110,509,442 |
Sherlock Holmes * |
WB |
106,967,985 |
Robin Hood |
Uni |
105,425,146 |
The Expendables |
Lions Gate |
103,068,524 |
* does not include 2009 box office |
Tags: Alice in Wonderland, Alpha and Omega, Avatar, boxing gym, Case 39, Clash of the Titans, Conviction, Despicable Me, Devil, Easy A, Grown Ups, Hereafter, How to Train Your Dragon, Inception, inhale, Iron Man 2, It's Kind Of A Funny Story, Jackass 3D, Jhootha Hi Sahi, Legend of the Guardians, Life As We Know It, My Girlfriend's Boyfriend, My Soul To Take, N Secure, Nowhere Boy, Paranormal Activity 2, Rakhtcharitra, Red, Robin Hood, Salt, Score: A Hockey Musical, Secretariat, Sherlock Holmes, Shrek Forever After, Shutter Island, Stone, Taqwacores, The Expendables, The Karate Kid, The Last Airbender, The Other Guy, The Social Network, The Town, Toy Story 3, Twilight: Eclipse, Valentine's Day, Waiting For 'Superman', Walt Street: Money Never Sleeps, You Again, You Will Meet A Tall Dark Stranger
Posted in MCN Originals, MCN Weekend, Movie City News, The Weekend Report | 1 Comment »
Monday, August 16th, 2010
“This particular modern myth has a central character who could turn out to be irreducible, an axiom of popular culture standing shoulder to shoulder with Sherlock Holmes and James Bond, joining the ranks of heroes who represent an essential, resonant strain of wish-fulfillment.”
David Chute‘s Convincing Brief That Lisbeth Salander Is Timeless Heroine
Tags: David Chute, Lisbeth Salander, Sherlock Holmes, The Girl With the Dragon Tattoo
Posted in MCN Curated Headlines, Movie City News | Comments Off on “This particular modern myth has a central character who could turn out to be irreducible, an axiom of popular culture standing shoulder to shoulder with Sherlock Holmes and James Bond, joining the ranks of heroes who represent an essential, resonant strain of wish-fulfillment.” David Chute’s Convincing Brief That Lisbeth Salander Is Timeless Heroine
Friday, March 5th, 2010
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……….……………………………
x
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|
|
|
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1
|
The Hurt Locker |
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
2
|
1
|
2
|
1
|
1
|
1
|
1
|
147
|
2
|
Avatar |
|
|
1
|
2
|
|
2
|
2
|
2
|
1
|
2
|
1
|
2
|
3
|
2
|
2
|
138
|
3
|
Inglourious Basterds |
|
|
3
|
3
|
|
3
|
3
|
3
|
6
|
3
|
3
|
3
|
4
|
3
|
3
|
113
|
4
|
Up in the Air |
|
|
4
|
4
|
|
4
|
5
|
4
|
4
|
4
|
5
|
5
|
2
|
4
|
4
|
106
|
5
|
Precious: Based on the Novel “Push” by Sapphire |
|
|
5
|
5
|
|
6
|
4
|
5
|
5
|
8
|
4
|
4
|
7
|
5
|
5
|
87
|
6
|
Up |
|
|
7
|
6
|
|
5
|
7
|
6
|
7
|
5
|
7
|
6
|
5
|
7
|
7
|
68
|
7
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An Education |
|
|
6
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8
|
|
8
|
6
|
7
|
8
|
7
|
6
|
7
|
6
|
6
|
8
|
61
|
8
|
The Blind Side |
|
|
10
|
7
|
|
7
|
9
|
10
|
3
|
6
|
10
|
10
|
8
|
10
|
6
|
46
|
9
|
District 9 |
|
|
8
|
9
|
|
9
|
8
|
8
|
10
|
9
|
8
|
9
|
9
|
8
|
9
|
34
|
10
|
A Serious Man |
|
|
9
|
10
|
|
10
|
10
|
9
|
9
|
10
|
9
|
8
|
10
|
9
|
10
|
27
|
|
|
* Greg Ellwood moved Avatar to #1.
* Anne Thompson moved The Blind Side from #7 to #10, A Serious Man from #8 to #9, District 9 from #9 to #8, and Up from #10 to #7.
* Anthony Breznican moved The Hurt Locker from #3 to #1, Avatar from #1 to #2, and Up in the Air from #2 to #3
.
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Kathryn Bigelow
The Hurt Locker |
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
2
|
James Cameron
Avatar |
3
|
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
59
|
3
|
Quentin Tarantino
Inglourious Basterds |
2
|
|
3
|
3
|
3
|
3
|
3
|
3
|
4
|
3
|
3
|
3
|
3
|
3
|
3
|
44
|
4
|
Jason Reitman
Up in the Air
|
4
|
|
5
|
5
|
5
|
4
|
4
|
4
|
3
|
4
|
5
|
5
|
4
|
4
|
4
|
27
|
5
|
Lee Daniels
Precious: Based on the Novel “Push” by Sapphire
|
5
|
|
4
|
4
|
4
|
5
|
5
|
5
|
5
|
5
|
4
|
4
|
5
|
5
|
5
|
20
|
|
|
|
|
|
|
………………………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Jeff Bridges
Crazy Heart |
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
2
|
Jeremy Renner
The Hurt Locker |
2
|
|
5
|
4
|
|
5
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
3
|
51
|
3
|
George Clooney
Up in the Air |
4
|
|
2
|
3
|
|
2
|
4
|
3
|
3
|
4
|
4
|
3
|
3
|
3
|
2
|
44
|
4
|
Colin Firth
A Single Man |
3
|
|
3
|
2
|
|
4
|
3
|
4
|
4
|
3
|
3
|
4
|
4
|
4
|
4
|
37
|
5
|
Morgan Freeman
Invictus |
5
|
|
4
|
5
|
|
3
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
18
|
|
|
|
|
|
|
|
|
……………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Sandra Bullock
The Blind Side
|
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
2
|
2
|
1
|
1
|
1
|
1
|
73
|
2
|
Meryl Streep
Julie and Julia |
3
|
|
2
|
2
|
|
2
|
2
|
2
|
2
|
1
|
1
|
3
|
2
|
2
|
2
|
60
|
3
|
Carey Mulligan
An Education |
4
|
|
3
|
3
|
|
4
|
3
|
3
|
4
|
3
|
3
|
4
|
3
|
3
|
3
|
39
|
4
|
Gabourey Sidibe
Precious: Based on the Novel ‘Push’ by Sapphire |
2
|
|
4
|
4
|
|
3
|
4
|
4
|
5
|
4
|
4
|
2
|
4
|
4
|
4
|
36
|
5
|
Helen Mirren
The Last Station |
5
|
|
5
|
5
|
|
5
|
5
|
5
|
3
|
5
|
5
|
5
|
5
|
5
|
5
|
17
|
|
|
|
|
* Pete Hammond moved Meryl Streep to #2.
. |
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Mo’Nique
Precious: Based on the Novel “Push” by Sapphire |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
2
|
Maggie Gyllenhaal
Crazy Heart |
3
|
|
4
|
4
|
|
5
|
2
|
3
|
3
|
4
|
2
|
2
|
2
|
2
|
3
|
45
|
3
|
Anna Kendrick
Up in the Air |
4
|
|
2
|
2
|
|
3
|
3
|
2
|
4
|
2
|
3
|
–
|
4
|
3
|
2
|
43
|
4
|
Vera Farmiga
Up in the Air |
2
|
|
3
|
3
|
|
4
|
4
|
4
|
2
|
3
|
4
|
|
3
|
4
|
4
|
37
|
5
|
Penelope Cruz
Nine
|
5
|
|
5
|
5
|
|
2
|
5
|
5
|
5
|
5
|
5
|
|
5
|
5
|
5
|
19
|
|
|
|
|
|
|
…………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Christoph Waltz
Inglourious Basterds |
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
2
|
Woody Harrelson
The Messenger |
3
|
|
2
|
3
|
|
4
|
2
|
2
|
4
|
2
|
2
|
2
|
3
|
2
|
3
|
51
|
3
|
Christopher Plummer
The Last Station |
4
|
|
4
|
2
|
|
2
|
4
|
4
|
2
|
3
|
3
|
|
2
|
3
|
4
|
40
|
4
|
Stanely Tucci
The Lovely Bones |
2
|
|
5
|
5
|
|
3
|
3
|
3
|
3
|
4
|
5
|
|
4
|
4
|
2
|
33
|
5
|
Matt Damon
Invictus |
5
|
|
3
|
4
|
5
|
5
|
5
|
5
|
5
|
5
|
4
|
|
5
|
5
|
5
|
20
|
|
|
|
|
|
|
……..……………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
The Hurt Locker |
1
|
|
1
|
2
|
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
2
|
2
|
69
|
2
|
Inglourious Basterds |
2
|
|
2
|
1
|
|
2
|
2
|
1
|
2
|
2
|
2
|
2
|
2
|
1
|
1
|
66
|
3
|
Up |
3
|
|
3
|
3
|
|
5
|
3
|
3
|
5
|
3
|
3
|
3
|
3
|
3
|
4
|
37
|
4
|
A Serious Man |
5
|
|
4
|
4
|
|
4
|
4
|
5
|
3
|
4
|
5
|
|
5
|
4
|
3
|
27
|
5
|
The Messenger |
4
|
|
5
|
5
|
|
3
|
5
|
4
|
4
|
5
|
4
|
|
4
|
5
|
5
|
23
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Up in the Air |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
3
|
1
|
1
|
1
|
1
|
73
|
2
|
Precious: Based on the Novel “Push” by Sapphire |
2
|
|
4
|
2
|
|
2
|
2
|
3
|
4
|
2
|
2
|
3
|
2
|
3
|
4
|
51
|
3
|
An Education |
3
|
|
5
|
3
|
|
4
|
3
|
2
|
2
|
3
|
1
|
5
|
3
|
2
|
2
|
45
|
4
|
In the Loop |
4
|
|
2
|
4
|
|
5
|
4
|
4
|
3
|
4
|
5
|
2
|
5
|
5
|
5
|
31
|
5
|
District 9 |
5
|
|
3
|
5
|
|
3
|
5
|
5
|
5
|
5
|
4
|
4
|
4
|
4
|
3
|
25
|
|
|
|
|
|
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The White Ribbon
Germany |
1
|
|
1
|
3
|
|
1
|
2
|
1
|
2
|
2
|
1
|
2
|
2
|
2
|
1
|
61
|
|
Un Prophete
France |
2
|
|
3
|
2
|
|
2
|
3
|
2
|
1
|
3
|
2
|
1
|
3
|
3
|
2
|
55
|
|
El Secreto de Sus Ojos
Argentina |
4
|
|
2
|
1
|
|
3
|
1
|
3
|
3
|
1
|
4
|
|
1
|
1
|
4
|
51
|
|
Ajami
Israel |
3
|
|
4
|
4
|
|
4
|
5
|
4
|
4
|
4
|
3
|
|
4
|
4
|
3
|
31
|
|
The Milk of Sorrow
Peru |
5
|
|
5
|
5
|
|
5
|
4
|
5
|
5
|
5
|
5
|
|
5
|
5
|
5
|
17
|
|
|
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Cove
Nominees TBD
|
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
73
|
Food, Inc
Robert Kenner, Elise Pearlstein |
2
|
|
3
|
2
|
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
3
|
2
|
58
|
Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers
Judith Ehrlich, Rick Goldsmith |
3
|
|
2
|
4
|
|
3
|
3
|
5
|
3
|
5
|
3
|
|
5
|
4
|
3
|
36
|
Which Way Home
Rebecca Cammisa |
5
|
|
5
|
5
|
|
5
|
4
|
3
|
4
|
4
|
4
|
3
|
3
|
2
|
5
|
28
|
Burma VJ
Anders Østergaard , Lise Lense-Møller |
4
|
|
4
|
3
|
|
4
|
5
|
4
|
5
|
3
|
5
|
|
4
|
5
|
4
|
27
|
|
|
|
|
|
|
………………………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Up
Pete Docter |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
Fantastic Mr. Fox
Wes Anderson
|
2
|
|
3
|
2
|
|
2
|
2
|
2
|
3
|
2
|
3
|
2
|
2
|
3
|
3
|
51
|
Coraline
Henry Selick |
4
|
|
2
|
3
|
|
3
|
3
|
3
|
2
|
3
|
2
|
|
4
|
2
|
2
|
46
|
The Princess and the Frog
John Musker and Ron Clements |
3
|
|
4
|
4
|
|
4
|
4
|
4
|
4
|
4
|
5
|
|
3
|
4
|
4
|
28
|
The Secret of Kells
Tomm Moore |
5
|
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
4
|
|
5
|
5
|
5
|
16
|
|
|
|
|
|
|
|
|
……………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
74
|
Sherlock Holmes
Art Direction: Sarah Greenwood Set Decoration: Katie Spencer |
3
|
|
4
|
3
|
|
2
|
2
|
3
|
5
|
4
|
2
|
|
2
|
2
|
2
|
44
|
Nine
Art Direction: John Myhre Set Decoration: Gordon Sim |
2
|
|
3
|
4
|
|
5
|
3
|
2
|
3
|
5
|
3
|
|
3
|
3
|
5
|
37
|
The Young Victoria
Art Direction: Patrice Vermette Set Decoration: Maggie Gray |
4
|
|
5
|
2
|
|
3
|
4
|
4
|
4
|
3
|
5
|
2
|
4
|
4
|
3
|
34
|
The Imaginarium of Dr Parnassus
Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith |
5
|
|
2
|
5
|
|
4
|
5
|
5
|
2
|
2
|
4
|
|
5
|
5
|
4
|
30
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Mauro Fiore |
1
|
|
1
|
1
|
|
1
|
2
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
72
|
The Hurt Locker
Barry Ackroyd |
2
|
|
2
|
3
|
|
2
|
1
|
2
|
2
|
1
|
2
|
2
|
4
|
3
|
2
|
58
|
Inglourious Basterds
Robert Richardson |
3
|
|
3
|
2
|
|
4
|
3
|
3
|
3
|
3
|
3
|
3
|
2
|
2
|
3
|
46
|
The White Ribbon
Christian Berger |
5
|
|
5
|
4
|
|
3
|
4
|
4
|
4
|
4
|
4
|
4
|
3
|
4
|
5
|
32
|
Harry Potter & the Half-Blood Prince
Bruno Delbonnel |
4
|
|
4
|
5
|
|
5
|
5
|
5
|
5
|
5
|
5
|
|
5
|
5
|
4
|
17
|
|
|
|
|
Greg Ellwood and Pete Hammond moved Avatar to #1. |
|
…………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Young Victoria
Sandy Powell |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
4
|
1
|
1
|
1
|
1
|
1
|
1
|
67
|
Bright Star
Janet Patterson |
4
|
|
3
|
4
|
|
2
|
2
|
2
|
5
|
2
|
5
|
3
|
3
|
3
|
3
|
45
|
Nine
Colleen Atwood |
2
|
|
2
|
3
|
|
5
|
3
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4
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1
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5
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2
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2
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2
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2
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45
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Coco Before Chanel
Catherine Leterrier |
3
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4
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2
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3
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5
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3
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3
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4
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3
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2
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4
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5
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4
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40
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The Imaginarium of Dr Parnassus
Monique Prudhomme |
5
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5
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5
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4
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4
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5
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2
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3
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4
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5
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4
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5
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25
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……..……………………………..
x
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|
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The Hurt Locker
Bob Murawski and Chris Innis |
2
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3
|
1
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1
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|
1
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1
|
1
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1
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1
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2
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1
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1
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2
|
1
|
70
|
Avatar
Stephen Rivkin, John Refoua and James Cameron |
1
|
2
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2
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2
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2
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2
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2
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2
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2
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1
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2
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2
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1
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2
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63
|
Inglourious Basterds
Sally Menke |
3
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4
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4
|
3
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|
4
|
3
|
3
|
3
|
3
|
3
|
3
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3
|
3
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3
|
42
|
District 9
Julian Clarke |
4
|
1
|
3
|
4
|
|
3
|
4
|
5
|
4
|
5
|
5
|
|
4
|
4
|
4
|
30
|
Precious
Joe Klotz |
5
|
5
|
5
|
5
|
|
5
|
5
|
4
|
5
|
4
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4
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5
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5
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5
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17
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Susan Wloszczyna moved Hurt Locker to #1.
. |
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………………………………………
x
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Up
Michael Giacchino |
1
|
1
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1
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1
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|
3
|
1
|
1
|
1
|
1
|
3
|
1
|
1
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1
|
1
|
68
|
Avatar
James Horner |
3
|
2
|
2
|
2
|
|
1
|
3
|
2
|
2
|
2
|
1
|
2
|
2
|
3
|
2
|
60
|
The Hurt Locker
Marco Beltrami and Buck Sanders |
2
|
4
|
5
|
5
|
|
2
|
2
|
5
|
3
|
3
|
2
|
3
|
3
|
5
|
3
|
41
|
Fantastic Mr. Fox
Alexandre Desplat |
–
|
3
|
3
|
4
|
|
4
|
4
|
4
|
5
|
5
|
4
|
4
|
4
|
4
|
5
|
27
|
Sherlock Holmes
Hans Zimmer |
–
|
5
|
4
|
3
|
|
5
|
5
|
3
|
4
|
4
|
5
|
|
5
|
2
|
4
|
25
|
|
|
|
|
Susan Wloszczyna moved Up to #1.
. |
|
………………………………………
x
|
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|
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“The Weary Kind (Theme from Crazy Heart)”
Crazy Heart
Music and Lyric by Ryan Bingham and T Bone Burnett |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
“Down in New Orleans”
The Princess and the Frog
Music and Lyric by Randy Newman |
2
|
4
|
3
|
2
|
|
2
|
4
|
4
|
3
|
2
|
2
|
2
|
3
|
2
|
3
|
47
|
“Take it All”
Nine
Music and Lyric by Maury Yeston |
3
|
2
|
4
|
4
|
|
4
|
2
|
2
|
2
|
4
|
5
|
|
2
|
3
|
4
|
41
|
“Almost There”
The Princess and the Frog
Music and Lyric by Randy Newman |
4
|
3
|
2
|
3
|
|
3
|
3
|
3
|
4
|
3
|
3
|
|
4
|
4
|
2
|
39
|
“Loin de Paname”
Paris 36
Music by Reinhardt Wagner Lyric by Frank Thomas |
5
|
5
|
5
|
5
|
|
5
|
5
|
5
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5
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5
|
4
|
|
5
|
5
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5
|
18
|
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………………………………………
x
|
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|
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Avatar
Christopher Boyes and Gwendolyn Yates Whittle |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
2
|
72
|
The Hurt Locker
Paul N.J. Ottoson |
2
|
4
|
2
|
2
|
|
2
|
2
|
2
|
1
|
2
|
2
|
3
|
2
|
2
|
1
|
60
|
Inglourious Basterds
Wylie Stateman |
3
|
5
|
5
|
3
|
|
3
|
4
|
4
|
3
|
3
|
3
|
2
|
4
|
3
|
3
|
39
|
Star Trek
Mark Stoeckinger and Alan Rankin |
4
|
2
|
3
|
4
|
|
4
|
3
|
3
|
4
|
5
|
4
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|
3
|
4
|
4
|
32
|
Up
Michael Silvers and Tom Myers |
5
|
3
|
4
|
5
|
|
5
|
5
|
5
|
5
|
4
|
5
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|
5
|
5
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5
|
19
|
|
|
|
|
Pete Hammond and Greg Ellwood moved Avatar to number one.
. |
|
………………………………………
x
|
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|
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Star Trek
Barney Burman, Mindy Hall and Joel Harlow |
2
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
3
|
1
|
1
|
2
|
70
|
The Young Victoria
Jon Henry Gordon and Jenny Shircore |
1
|
3
|
2
|
2
|
|
2
|
2
|
2
|
3
|
2
|
2
|
1
|
2
|
2
|
1
|
62
|
Il Divo
Aldo Signoretti and Vittorio Sodano |
3
|
2
|
3
|
3
|
|
3
|
3
|
3
|
2
|
3
|
3
|
2
|
3
|
3
|
3
|
48
|
|
|
|
|
* Anne Thompson moved Star Trek to #1. |
|
………………………………………
x
|
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|
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Avatar
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
2
|
2
|
1
|
2
|
2
|
1
|
2
|
69
|
The Hurt Locker
Paul N.J. Ottosson and Ray Beckett |
2
|
2
|
2
|
2
|
|
2
|
2
|
2
|
1
|
1
|
2
|
1
|
1
|
2
|
1
|
66
|
Inglourious Basterds
Michael Minkler, Tony Lamberti and Mark Ulano |
4
|
4
|
4
|
3
|
|
3
|
4
|
4
|
3
|
3
|
3
|
3
|
3
|
4
|
3
|
39
|
Star Trek
Anna Behlmer, Andy Nelson, Peter J. Devlin
|
3
|
3
|
3
|
4
|
|
4
|
3
|
3
|
4
|
5
|
4
|
|
4
|
5
|
4
|
30
|
Transformers: Revenge of the Fallen
Greg P. Russell, Gary Summers and Geoffrey Patterson |
5
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
4
|
5
|
|
5
|
3
|
5
|
18
|
|
|
|
|
* Anne Thompson moved The Hurt Locker from #5 to #2, Transformers from #2 to #3, and Star Trek from #3 to #5 |
|
………………………………………
x
|
|
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|
|
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|
|
|
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|
|
|
|
|
|
Avatar
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
District 9
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken |
3
|
2
|
2
|
3
|
|
2
|
3
|
3
|
3
|
2
|
2
|
|
2
|
3
|
2
|
50
|
Star Trek
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton |
2
|
3
|
3
|
2
|
|
3
|
2
|
2
|
2
|
3
|
3
|
|
3
|
2
|
3
|
48
|
|
|
|
|
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NOTE: Changes from last week are marked in bold.
The Gurus
Tags: (500) Days of Summer, A Serious Man, A Single Man, Ajami, An Education, Avatar, Burma VJ, Coraline, Crazy Heart, District 9, El Secreto de Sus Ojos, Fantastic Mr. Fox, Food, Harry Potter & the Half-Blood Prince, In the Loop, Inc., Inglourious Basterds, Invictus, It's Complicated, Julie & Julia, Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers, Nine, Paris 36, Precious, Sherlock Holmes, Star Trek, The Blind Side, The Cove, The Hurt Locker, The Imaginarium of Dr. Parnassus, The Last Station, The Lovely Bones, The Messenger, The Milk of Sorrow, The Princess and the Frog, The Road, The Secret of Kells, The White Ribbon, The Young Victoria, This is It, Un Prophete, Up in the Air, Which Way Home
Posted in Awards Watch, Gurus o' Gold | Comments Off on March 5
Thursday, February 25th, 2010
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……….……………………………
x
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1
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The Hurt Locker |
1
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3
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1
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1
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1
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1
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1
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1
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2
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1
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2
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1
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1
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1
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1
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146
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2
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Avatar |
|
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2
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2
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2
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2
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2
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1
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2
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1
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2
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3
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2
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2
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137
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3
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Inglourious Basterds |
|
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3
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3
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3
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3
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3
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6
|
3
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3
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3
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4
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3
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3
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113
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4
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Up in the Air |
|
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4
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4
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4
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5
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4
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4
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4
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5
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5
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2
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4
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4
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106
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5
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Precious: Based on the Novel “Push” by Sapphire |
|
|
5
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5
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6
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4
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5
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5
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8
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4
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4
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7
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5
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5
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87
|
6
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Up |
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7
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6
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5
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7
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6
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7
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5
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7
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6
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5
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10
|
7
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65
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7
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An Education |
|
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6
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8
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8
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6
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7
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8
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7
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6
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7
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6
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6
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8
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61
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8
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The Blind Side |
|
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10
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7
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7
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9
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10
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3
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6
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10
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10
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8
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7
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6
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49
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9
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District 9 |
|
|
8
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9
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9
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8
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8
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10
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9
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8
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9
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9
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9
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9
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33
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10
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A Serious Man |
|
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9
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10
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10
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10
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9
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9
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10
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9
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8
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10
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8
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10
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28
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|
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……….……………………………
x
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|
1
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Kathryn Bigelow
The Hurt Locker |
1
|
|
1
|
1
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1
|
1
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1
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1
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1
|
1
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1
|
1
|
1
|
1
|
1
|
75
|
2
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James Cameron
Avatar |
3
|
|
2
|
2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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59
|
3
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Quentin Tarantino
Inglourious Basterds |
2
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|
3
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3
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3
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3
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3
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3
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4
|
3
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3
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3
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3
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3
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3
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44
|
4
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Jason Reitman
Up in the Air
|
4
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|
5
|
5
|
5
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4
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4
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4
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3
|
4
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5
|
5
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4
|
4
|
4
|
27
|
5
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Lee Daniels
Precious: Based on the Novel “Push” by Sapphire
|
5
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|
4
|
4
|
4
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5
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5
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5
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5
|
5
|
4
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4
|
5
|
5
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5
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20
|
|
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………………………………………..
x
|
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1
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Jeff Bridges
Crazy Heart |
1
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|
1
|
1
|
1
|
1
|
1
|
1
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1
|
1
|
1
|
1
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1
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1
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1
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75
|
2
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Jeremy Renner
The Hurt Locker |
2
|
|
5
|
4
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|
5
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2
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2
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2
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2
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2
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2
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2
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2
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3
|
51
|
3
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George Clooney
Up in the Air |
4
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|
2
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3
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2
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4
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3
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3
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4
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4
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3
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3
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3
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2
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44
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4
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Colin Firth
A Single Man |
3
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3
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2
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4
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3
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4
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4
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3
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3
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4
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4
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4
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4
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37
|
5
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Morgan Freeman
Invictus |
5
|
|
4
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5
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|
3
|
5
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5
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5
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5
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5
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5
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5
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5
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5
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18
|
|
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……………………………………….
x
|
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1
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Sandra Bullock
The Blind Side
|
1
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1
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1
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1
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1
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1
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1
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2
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2
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1
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1
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1
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1
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73
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2
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Meryl Streep
Julie and Julia |
3
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2
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3
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2
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2
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2
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2
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1
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1
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3
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2
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2
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2
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59
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3
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Carey Mulligan
An Education |
4
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3
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2
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4
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3
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3
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4
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3
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3
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4
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3
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3
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3
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40
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4
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Gabourey Sidibe
Precious: Based on the Novel ‘Push’ by Sapphire |
2
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4
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4
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3
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4
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4
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5
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4
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4
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2
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4
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4
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4
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36
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5
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Helen Mirren
The Last Station |
5
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5
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5
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5
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5
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5
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3
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5
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5
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5
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5
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5
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5
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17
|
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………………………………………
x
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1
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Mo’Nique
Precious: Based on the Novel “Push” by Sapphire |
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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75
|
2
|
Maggie Gyllenhaal
Crazy Heart |
3
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4
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4
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5
|
2
|
3
|
3
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4
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2
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2
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2
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2
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3
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45
|
3
|
Anna Kendrick
Up in the Air |
4
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2
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2
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3
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3
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2
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4
|
2
|
3
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–
|
4
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3
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2
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43
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4
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Vera Farmiga
Up in the Air |
2
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3
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3
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4
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4
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4
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2
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3
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4
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3
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4
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4
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37
|
5
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Penelope Cruz
Nine
|
5
|
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5
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5
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2
|
5
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5
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5
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5
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5
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5
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5
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5
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19
|
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…………………………………….
x
|
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1
|
Christoph Waltz
Inglourious Basterds |
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
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1
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1
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1
|
1
|
1
|
75
|
2
|
Woody Harrelson
The Messenger |
3
|
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2
|
3
|
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4
|
2
|
2
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4
|
2
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2
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2
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3
|
2
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3
|
51
|
3
|
Christopher Plummer
The Last Station |
4
|
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4
|
2
|
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2
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4
|
4
|
2
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3
|
3
|
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2
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3
|
4
|
40
|
4
|
Stanely Tucci
The Lovely Bones |
2
|
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5
|
5
|
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3
|
3
|
3
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3
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4
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5
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4
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4
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2
|
33
|
5
|
Matt Damon
Invictus |
5
|
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3
|
4
|
5
|
5
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5
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5
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5
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5
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4
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5
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5
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5
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20
|
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……..……………………………..
x
|
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1
|
The Hurt Locker |
1
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1
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2
|
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1
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1
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2
|
1
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1
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1
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1
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1
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2
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2
|
69
|
2
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Inglourious Basterds |
2
|
|
2
|
1
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2
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2
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1
|
2
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2
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2
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2
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2
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1
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1
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66
|
3
|
Up |
3
|
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3
|
3
|
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5
|
3
|
3
|
5
|
3
|
3
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3
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3
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3
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4
|
37
|
4
|
A Serious Man |
5
|
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4
|
4
|
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4
|
4
|
5
|
3
|
4
|
5
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5
|
4
|
3
|
27
|
5
|
The Messenger |
4
|
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5
|
5
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3
|
5
|
4
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4
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5
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4
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4
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5
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5
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23
|
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………………………………………
x
|
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1
|
Up in the Air |
1
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1
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1
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1
|
1
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1
|
1
|
1
|
3
|
1
|
1
|
1
|
1
|
73
|
2
|
Precious: Based on the Novel “Push” by Sapphire |
2
|
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4
|
2
|
|
2
|
2
|
3
|
4
|
2
|
2
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3
|
2
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3
|
4
|
51
|
3
|
An Education |
3
|
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5
|
3
|
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4
|
3
|
2
|
2
|
3
|
1
|
5
|
3
|
2
|
2
|
45
|
4
|
In the Loop |
4
|
|
2
|
4
|
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5
|
4
|
4
|
3
|
4
|
5
|
2
|
5
|
5
|
5
|
31
|
5
|
District 9 |
5
|
|
3
|
5
|
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3
|
5
|
5
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5
|
5
|
4
|
4
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4
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4
|
3
|
25
|
|
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|
|
……….……………………………
x
|
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|
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The White Ribbon
Germany |
1
|
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1
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3
|
|
1
|
2
|
1
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2
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2
|
1
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2
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2
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2
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1
|
61
|
|
Un Prophete
France |
2
|
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3
|
2
|
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2
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3
|
2
|
1
|
3
|
2
|
1
|
3
|
3
|
2
|
55
|
|
El Secreto de Sus Ojos
Argentina |
4
|
|
2
|
1
|
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3
|
1
|
3
|
3
|
1
|
4
|
|
1
|
1
|
4
|
51
|
|
Ajami
Israel |
3
|
|
4
|
4
|
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4
|
5
|
4
|
4
|
4
|
3
|
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4
|
4
|
3
|
31
|
|
The Milk of Sorrow
Peru |
5
|
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5
|
5
|
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5
|
4
|
5
|
5
|
5
|
5
|
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5
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5
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5
|
17
|
|
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|
|
……….……………………………
x
|
|
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|
|
The Cove
Nominees TBD
|
1
|
|
1
|
1
|
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1
|
1
|
1
|
1
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1
|
1
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1
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1
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1
|
1
|
73
|
Food, Inc
Robert Kenner, Elise Pearlstein |
2
|
|
3
|
2
|
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
3
|
2
|
58
|
Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers
Judith Ehrlich, Rick Goldsmith |
3
|
|
2
|
4
|
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3
|
3
|
5
|
3
|
5
|
3
|
|
5
|
4
|
3
|
36
|
Which Way Home
Rebecca Cammisa |
5
|
|
5
|
5
|
|
5
|
4
|
3
|
4
|
4
|
4
|
3
|
3
|
2
|
5
|
28
|
Burma VJ
Anders Østergaard , Lise Lense-Møller |
4
|
|
4
|
3
|
|
4
|
5
|
4
|
5
|
3
|
5
|
|
4
|
5
|
4
|
27
|
|
|
|
|
|
|
………………………………………..
x
|
|
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|
|
|
|
Up
Pete Docter |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
Fantastic Mr. Fox
Wes Anderson
|
2
|
|
3
|
2
|
|
2
|
2
|
2
|
3
|
2
|
3
|
2
|
2
|
3
|
3
|
51
|
Coraline
Henry Selick |
4
|
|
2
|
3
|
|
3
|
3
|
3
|
2
|
3
|
2
|
|
4
|
2
|
2
|
46
|
The Princess and the Frog
John Musker and Ron Clements |
3
|
|
4
|
4
|
|
4
|
4
|
4
|
4
|
4
|
5
|
|
3
|
4
|
4
|
28
|
The Secret of Kells
Tomm Moore |
5
|
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
4
|
|
5
|
5
|
5
|
16
|
|
|
|
|
|
|
|
|
……………………………………….
x
|
|
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|
|
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|
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|
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|
|
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|
|
Avatar
Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
74
|
Sherlock Holmes
Art Direction: Sarah Greenwood Set Decoration: Katie Spencer |
3
|
|
4
|
3
|
|
2
|
2
|
3
|
5
|
4
|
2
|
|
2
|
2
|
2
|
44
|
Nine
Art Direction: John Myhre Set Decoration: Gordon Sim |
2
|
|
3
|
4
|
|
5
|
3
|
2
|
3
|
5
|
3
|
|
3
|
3
|
5
|
37
|
The Young Victoria
Art Direction: Patrice Vermette Set Decoration: Maggie Gray |
4
|
|
5
|
2
|
|
3
|
4
|
4
|
4
|
3
|
5
|
2
|
4
|
4
|
3
|
34
|
The Imaginarium of Dr Parnassus
Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith |
5
|
|
2
|
5
|
|
4
|
5
|
5
|
2
|
2
|
4
|
|
5
|
5
|
4
|
30
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
Avatar
Mauro Fiore |
1
|
|
2
|
3
|
|
1
|
2
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
69
|
The Hurt Locker
Barry Ackroyd |
2
|
|
1
|
1
|
|
2
|
1
|
2
|
2
|
1
|
2
|
2
|
4
|
3
|
2
|
61
|
Inglourious Basterds
Robert Richardson |
3
|
|
3
|
2
|
|
4
|
3
|
3
|
3
|
3
|
3
|
3
|
2
|
2
|
3
|
45
|
The White Ribbon
Christian Berger |
5
|
|
5
|
4
|
|
3
|
4
|
4
|
4
|
4
|
4
|
4
|
3
|
4
|
5
|
32
|
Harry Potter & the Half-Blood Prince
Bruno Delbonnel |
4
|
|
4
|
5
|
|
5
|
5
|
5
|
5
|
5
|
5
|
|
5
|
5
|
4
|
17
|
|
|
|
|
|
|
…………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Young Victoria
Sandy Powell |
1
|
|
1
|
1
|
|
1
|
1
|
1
|
4
|
1
|
1
|
1
|
1
|
1
|
1
|
67
|
Bright Star
Janet Patterson |
4
|
|
3
|
4
|
|
2
|
2
|
2
|
5
|
2
|
5
|
3
|
3
|
3
|
3
|
45
|
Nine
Colleen Atwood |
2
|
|
2
|
3
|
|
5
|
3
|
4
|
1
|
5
|
2
|
|
2
|
2
|
2
|
45
|
Coco Before Chanel
Catherine Leterrier |
3
|
|
4
|
2
|
|
3
|
5
|
3
|
3
|
4
|
3
|
2
|
4
|
5
|
4
|
40
|
The Imaginarium of Dr Parnassus
Monique Prudhomme |
5
|
|
5
|
5
|
|
4
|
4
|
5
|
2
|
3
|
4
|
|
5
|
4
|
5
|
25
|
|
|
|
|
|
|
……..……………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Hurt Locker
Bob Murawski and Chris Innis |
2
|
3
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
2
|
1
|
1
|
2
|
2
|
69
|
Avatar
Stephen Rivkin, John Refoua and James Cameron |
1
|
2
|
2
|
2
|
|
2
|
2
|
2
|
2
|
2
|
1
|
2
|
2
|
1
|
1
|
64
|
Inglourious Basterds
Sally Menke |
3
|
4
|
4
|
3
|
|
4
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
42
|
District 9
Julian Clarke |
4
|
1
|
3
|
4
|
|
3
|
4
|
5
|
4
|
5
|
5
|
|
4
|
4
|
4
|
30
|
Precious
Joe Klotz |
5
|
5
|
5
|
5
|
|
5
|
5
|
4
|
5
|
4
|
4
|
|
5
|
5
|
5
|
17
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Up
Michael Giacchino |
1
|
1
|
1
|
1
|
|
3
|
1
|
1
|
1
|
1
|
3
|
1
|
1
|
1
|
4
|
68
|
Avatar
James Horner |
3
|
2
|
2
|
2
|
|
1
|
3
|
2
|
2
|
2
|
1
|
2
|
2
|
3
|
1
|
60
|
The Hurt Locker
Marco Beltrami and Buck Sanders |
2
|
4
|
5
|
5
|
|
2
|
2
|
5
|
3
|
3
|
2
|
3
|
3
|
5
|
2
|
41
|
Fantastic Mr. Fox
Alexandre Desplat |
–
|
3
|
3
|
4
|
|
4
|
4
|
4
|
5
|
5
|
4
|
4
|
4
|
4
|
5
|
27
|
Sherlock Holmes
Hans Zimmer |
–
|
5
|
4
|
3
|
|
5
|
5
|
3
|
4
|
4
|
5
|
|
5
|
2
|
3
|
25
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
“The Weary Kind (Theme from Crazy Heart)”
Crazy Heart
Music and Lyric by Ryan Bingham and T Bone Burnett |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
“Down in New Orleans”
The Princess and the Frog
Music and Lyric by Randy Newman |
2
|
4
|
3
|
2
|
|
2
|
4
|
4
|
3
|
2
|
2
|
2
|
3
|
2
|
3
|
47
|
“Take it All”
Nine
Music and Lyric by Maury Yeston |
3
|
2
|
4
|
4
|
|
4
|
2
|
2
|
2
|
4
|
5
|
|
2
|
3
|
4
|
41
|
“Almost There”
The Princess and the Frog
Music and Lyric by Randy Newman |
4
|
3
|
2
|
3
|
|
3
|
3
|
3
|
4
|
3
|
3
|
|
4
|
4
|
2
|
39
|
“Loin de Paname”
Paris 36
Music by Reinhardt Wagner Lyric by Frank Thomas |
5
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
4
|
|
5
|
5
|
5
|
18
|
|
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Christopher Boyes and Gwendolyn Yates Whittle |
1
|
1
|
2
|
2
|
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
2
|
70
|
The Hurt Locker
Paul N.J. Ottoson |
2
|
4
|
1
|
1
|
|
2
|
2
|
2
|
1
|
2
|
2
|
3
|
2
|
2
|
1
|
62
|
Inglourious Basterds
Wylie Stateman |
3
|
5
|
5
|
3
|
|
3
|
4
|
4
|
3
|
3
|
3
|
2
|
4
|
3
|
3
|
39
|
Star Trek
Mark Stoeckinger and Alan Rankin |
4
|
2
|
3
|
4
|
|
4
|
3
|
3
|
4
|
5
|
4
|
|
3
|
4
|
4
|
32
|
Up
Michael Silvers and Tom Myers |
5
|
3
|
4
|
5
|
|
5
|
5
|
5
|
5
|
4
|
5
|
|
5
|
5
|
5
|
19
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Star Trek
Barney Burman, Mindy Hall and Joel Harlow |
2
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
3
|
1
|
2
|
2
|
69
|
The Young Victoria
Jon Henry Gordon and Jenny Shircore |
1
|
3
|
2
|
2
|
|
2
|
2
|
2
|
3
|
2
|
2
|
1
|
2
|
1
|
1
|
63
|
Il Divo
Aldo Signoretti and Vittorio Sodano |
3
|
2
|
3
|
3
|
|
3
|
3
|
3
|
2
|
3
|
3
|
2
|
3
|
3
|
3
|
48
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
2
|
2
|
1
|
2
|
2
|
1
|
2
|
69
|
The Hurt Locker
Paul N.J. Ottosson and Ray Beckett |
2
|
2
|
2
|
2
|
|
2
|
2
|
2
|
1
|
1
|
2
|
1
|
1
|
5
|
1
|
63
|
Inglourious Basterds
Michael Minkler, Tony Lamberti and Mark Ulano |
4
|
4
|
4
|
3
|
|
3
|
4
|
4
|
3
|
3
|
3
|
3
|
3
|
4
|
3
|
39
|
Star Trek
Anna Behlmer, Andy Nelson, Peter J. Devlin
|
3
|
3
|
3
|
4
|
|
4
|
3
|
3
|
4
|
5
|
4
|
|
4
|
3
|
4
|
32
|
Transformers: Revenge of the Fallen
Greg P. Russell, Gary Summers and Geoffrey Patterson |
5
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
4
|
5
|
|
5
|
2
|
5
|
19
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones |
1
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
75
|
District 9
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken |
3
|
2
|
2
|
3
|
|
2
|
3
|
3
|
3
|
2
|
2
|
|
2
|
3
|
2
|
50
|
Star Trek
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton |
2
|
3
|
3
|
2
|
|
3
|
2
|
2
|
2
|
3
|
3
|
|
3
|
2
|
3
|
48
|
|
|
|
The Gurus
Tags: (500) Days of Summer, A Serious Man, A Single Man, Ajami, An Education, Avatar, Burma VJ, Coraline, Crazy Heart, District 9, El Secreto de Sus Ojos, Fantastic Mr. Fox, Food, Harry Potter & the Half-Blood Prince, In the Loop, Inc., Inglourious Basterds, Invictus, It's Complicated, Julie & Julia, Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers, Nine, Paris 36, Precious, Sherlock Holmes, Star Trek, The Blind Side, The Cove, The Hurt Locker, The Imaginarium of Dr. Parnassus, The Last Station, The Lovely Bones, The Messenger, The Milk of Sorrow, The Princess and the Frog, The Road, The Secret of Kells, The White Ribbon, The Young Victoria, This is It, Un Prophete, Up in the Air, Which Way Home
Posted in Awards Watch, Gurus o' Gold | Comments Off on February 25
Thursday, February 11th, 2010
|
Has anything changed in your
opinion since nominations?
If so, what? |
Scott Bowles |
Nope |
Anthony Breznican |
I don’t think much has changed. Jeff Bridges wins. Sandra Bullock wins. Christoph Waltz. Mo’Nique. Best picture — Avatar? Probably. But looking at the formula for calculating the 10 votes to include second and third choices makes me wonder how solid that is. Does that potentially benefit The Hurt Locker? Dark-horse Up in the Air? Invictus? (Wait, nevermind …) Probably Bigelow for director. Avatar for picture. Up in the Air gets adapted screenplay for Reitman, while Inglourious Basterds wins original screenplay for Tarantino. And overall, the Academy spreads the wealth during a very strong year. |
Gregory Ellwood |
I think the only thing that has changed – ever so slightly – is that people would actually be surprised of Streep won Best Actress. It’s pretty much expected that Bullock will win. |
Pete Hammond |
I think the Best Picture race is appearing more fluid because of the uncertainty of how the preferential balloting will affect certain films. Still no matter how many times I come up with an alternative premise that tries to make the race interesting and suspenseful I then talk to a handful of Oscar voters who tell me they are voting for The Hurt Locker. Go figure. No other changes in the acting races. They appear locked as far as I can see although the actress race has gotten more aggressive but will it help? We’ll see. It’s Bullock’s to lose at this point. |
Eugene Hernandez |
In the wake of her DGA win and continued momentum for The Hurt Locker, Kathryn Bigelow seems to be solidly on track for the directing Oscar. Meanwhile Jeff Bridges, Christoph Waltz and Mo’Nique appear headed for wins, as well. I think Sandra Bullock is well positioned, but keep an eye on Meryl Streep. At this stage, is anyone willing to consider a surprise in this category: Gabourey Sidibe or Carey Mulligan. Not out of the question. Also, I’m keeping an eye on the doc category. Food Inc. seems solid, but The Cove got a boost this week with news of a release in Japan. Don’t count out Daniel Ellsberg, which is a strong film. Finally, best picture: In any other year I’d predict The Hurt Locker at this moment, but given the new ballot with ten nominees… We’ll all be holding our breath down to the final award of the night. Just what the Academy ordered. |
Peter Howell |
I don’t think anything has changed, apart from firming up of the top prospects. I’ve talked to lot of people who are FINALLY going to see The Hurt Locker as result of the noms — which is good. |
Dave Karger |
No, we’re definitely in a lull right now… |
Mark Olsen |
Nothing has changed, things have just solidified/been confirmed. It’s kind of the scourge of the extended awards season and our microscopic coverage, that we take much of the surprise out of it both for ourselves and anyone else who actually follows along. Of course, if things weren’t quite so predictable/understandable we’d all be out of business, so…
|
David Poland |
Well, there’s a lot of talk. Seems to me that the thing that has changed is that viewers of The Hurt Locker in The Academy has probably jumped from 40% to 90%. That’s a huge win. |
Steve Pond |
What’s changed is that we’re looking for things to write about, and there aren’t as many of those things as there were a week ago.
Movement in the races, momentum shifts, that kind of thing? Not so much. |
Sean Smith |
– |
Sasha Stone |
What has changed is that we are entering the second phase of the Oscar race. Not many people seem to notice that there was a date extension, which means that there are a few weeks with ballots outstanding. This is very different from the past several years when there wasn’t any time to mull over the frontrunners. That means there will be more careful consideration of the contenders.
Avatar has been seriously hurt by not winning the DGA or the PGA, or having any SAG nominations — heading into the Oscar race with no acting nor writing nominations means that it is weakest at the heart of the voting academy, where actors kind of rule. This change took place, it feels like, because of the momentum put forth by Cameron’s winning the Golden Globe. Voters after that in the various races seemed to go, “hold on a minute, THAT is the best film of 2009?” At the same time, though Avatar has become the highest earner, the week that ballots went out its position dipped to one behind Dear John. Had it remained in a dominant spot throughout these next few weeks it still might have been enough.What has changed, though, ultimately, is not a question we can answer because none of us have ever been through a ten-picture race. What is exciting is that anything is possible and no one should be surprised if a film not expected to win turns up in the number one spot, like Up or Precious, or even Inglourious Basterds. For me the miracle of this race, the truly surprising thing about it so far, is how well a small film written off by almost everyone (one that continues to be written off) keeps winning despite its box office returns. On the one hand, this could be seen as an anti-Cameron vote, on the other hand, wow.
The Oscar race is usually about the team who played it best. But this year it feels like it’s actually about the movie. That means that, perhaps, Hollywood might not be ready just yet to give up their nuts and bolts filmmaking and embrace the brave new world of computer-generated worlds and emotion-capture actors. On the other hand, maybe they are. |
Kris Tapley |
Immediately after the Oscar nominations were announced, journalists in the broader media began to dig into the red meat of ” Avatar vs. The Hurt Locker” and all the nifty headlines it conjured. But at least in fringe corners of the web — where this nonsense is a focus (raises hand) — an awareness of the Best Picture category’s use of the preferential ballot has begun to pick up steam. This is, after all, one more change in protocol that could have as big an impact as “the 10.” Suddenly Avatar is understood as a more polarizing film than its competition, and therefore weak to surprise attacks from consensus favorites like Up, Up in the Air or even Inglourious Basterds. That The Hurt Locker rarely inspires active disapproval probably makes the slow realization moot, but the simple fact that the race can’t be boiled to two contenders is at least making the rounds. |
Anne Thompson |
It’s hard to imagine anything dive-bombing Christoph Waltz and Mo’Nique’s Oscar chances. Sandra Bullock is not a lock to beat Meryl Streep. Many older Academy members are rooting for Hollywood’s most-nominated actress, who hasn’t won an Oscar since 1983’s Sophie’s Choice. And The Hurt Locker‘s Jeremy Renner, who actually played the piano and sang on The View, is challenging veteran Jeff Bridges, whose singing in Crazy Heart not only makes the movie, but should win him his first Oscar. Does Renner have a shot? Most folks didn’t call Adrien Brody’s win for The Pianist. But it’s Bridges’ turn.As for best picture and director, it’s Avatar vs. The Hurt Locker all the way. The trick is to convince people that Avatar isn’t just a great technological achievement but a movie to be taken seriously. That’s why I wonder: if Academy members vote for The Hurt Locker for best picture, wouldn’t they consider giving Cameron best director? Who else could have accomplished what he did on Avatar? It’s a director’s achievement. If it’s a popularity contest, self-effacing Bigelow wins against her egoistic ex-mate. But the Academy didn’t “like” Cameron last time, when Titanic won 11 Oscars. The major difference: Oscar voters took historic romantic period epic Titanic more seriously than tree-hugging sci-fi Avatar. |
Susan Wloszczyna |
The excitement over Avatar and its record box office has subsided, Cameron gave a couple just-OK acceptance speeches and now it looks as if The Hurt Locker and — given the weighted voting — Inglourious Basterds might have a better chance at winning best picture. That surprises me since I would think Hollywood would celebrate the green the blue people brought in and how Cameron proved that 3D is not just a gimmick. Up in the Air seems to be deflating by the minute whereas Precious is taking its op-ed blows pretty well. As much as I am behind Team Bigelow, part of me would love to see a sci-fi film actually win the top prize. |
|
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Tags: (500) Days of Summer, A Serious Man, A Single Man, Ajami, An Education, Avatar, Burma VJ, Coraline, Crazy Heart, District 9, El Secreto de Sus Ojos, Fantastic Mr. Fox, Food, Harry Potter & the Half-Blood Prince, In the Loop, Inc., Inglourious Basterds, Invictus, It's Complicated, Julie & Julia, Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers, Nine, Paris 36, Precious, Sherlock Holmes, Star Trek, The Blind Side, The Cove, The Hurt Locker, The Imaginarium of Dr. Parnassus, The Last Station, The Lovely Bones, The Messenger, The Milk of Sorrow, The Princess and the Frog, The Road, The Secret of Kells, The White Ribbon, The Young Victoria, This is It, Un Prophete, Up in the Air, Which Way Home
Posted in Awards Watch, Gurus o' Gold | Comments Off on February 11
Tuesday, February 2nd, 2010
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
The Hurt Locker |
–
|
3
|
1
|
1
|
1
|
2
|
1
|
2
|
2
|
1
|
3
|
1
|
1
|
1
|
2
|
142
|
2
|
Avatar |
–
|
1
|
2
|
2
|
|
1
|
2
|
1
|
1
|
2
|
2
|
2
|
4
|
2
|
1
|
129
|
3
|
Inglourious Basterds |
–
|
4
|
3
|
4
|
|
3
|
5
|
3
|
4
|
3
|
1
|
3
|
3
|
4
|
4
|
106
|
4
|
Up in the Air |
–
|
2
|
4
|
3
|
|
5
|
3
|
5
|
5
|
4
|
5
|
4
|
2
|
3
|
3
|
100
|
5
|
Precious: Based on the Novel “Push” by Sapphire |
–
|
6
|
5
|
5
|
|
4
|
4
|
4
|
9
|
8
|
4
|
5
|
6
|
5
|
5
|
79
|
6
|
Up |
–
|
7
|
7
|
6
|
|
6
|
8
|
7
|
6
|
5
|
9
|
7
|
8
|
6
|
8
|
54
|
7
|
An Education |
–
|
9
|
6
|
9
|
|
8
|
7
|
6
|
7
|
7
|
8
|
8
|
5
|
8
|
7
|
50
|
8
|
The Blind Side |
–
|
8
|
8
|
7
|
|
7
|
9
|
8
|
3
|
6
|
10
|
10
|
7
|
9
|
6
|
52
|
9
|
District 9 |
–
|
5
|
9
|
8
|
|
9
|
6
|
9
|
8
|
9
|
6
|
6
|
9
|
7
|
9
|
46
|
10
|
A Serious Man |
–
|
10
|
10
|
10
|
|
10
|
10
|
10
|
10
|
10
|
7
|
9
|
10
|
10
|
10
|
21
|
|
|
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Kathryn Bigelow
The Hurt Locker |
–
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
2
|
1
|
69
|
2
|
James Cameron
Avatar |
–
|
3
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
1
|
2
|
56
|
3
|
Quentin Tarantino
Inglourious Basterds |
–
|
4
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
3
|
4
|
3
|
4
|
38
|
4
|
Jason Reitman
Up in the Air
|
–
|
2
|
5
|
4
|
5
|
4
|
4
|
4
|
4
|
4
|
5
|
4
|
3
|
4
|
3
|
29
|
5
|
Lee Daniels
Precious: Based on the Novel “Push” by Sapphire
|
–
|
5
|
4
|
5
|
4
|
5
|
5
|
5
|
5
|
5
|
4
|
5
|
5
|
5
|
5
|
17
|
|
|
………………………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Jeff Bridges
Crazy Heart |
–
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
70
|
2
|
George Clooney
Up in the Air |
–
|
2
|
2
|
2
|
|
2
|
3
|
2
|
3
|
2
|
3
|
4
|
3
|
2
|
2
|
47
|
3
|
Jeremy Renner
The Hurt Locker |
–
|
3
|
5
|
4
|
|
5
|
2
|
4
|
2
|
3
|
2
|
2
|
2
|
4
|
3
|
40
|
4
|
Colin Firth
A Single Man |
–
|
4
|
3
|
3
|
|
4
|
4
|
3
|
4
|
4
|
4
|
3
|
5
|
3
|
4
|
32
|
5
|
Morgan Freeman
Invictus |
–
|
5
|
4
|
5
|
|
3
|
5
|
5
|
5
|
5
|
5
|
5
|
4
|
5
|
5
|
18
|
|
|
……………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Sandra Bullock
The Blind Side
|
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
2
|
2
|
1
|
1
|
1
|
1
|
68
|
2
|
Meryl Streep
Julie and Julia |
–
|
2
|
2
|
2
|
|
2
|
2
|
2
|
2
|
1
|
1
|
2
|
2
|
2
|
2
|
58
|
3
|
Carey Mulligan
An Education |
–
|
4
|
4
|
4
|
|
4
|
3
|
3
|
4
|
3
|
4
|
4
|
3
|
3
|
4
|
32
|
4
|
Gabourey Sidibe
Precious: Based on the Novel ‘Push’ by Sapphire |
–
|
3
|
5
|
3
|
|
3
|
4
|
4
|
5
|
4
|
3
|
3
|
4
|
4
|
3
|
32
|
5
|
Helen Mirren
The Last Station |
–
|
5
|
3
|
5
|
|
5
|
5
|
5
|
3
|
5
|
5
|
5
|
5
|
5
|
5
|
20
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Mo’Nique
Precious: Based on the Novel “Push” by Sapphire |
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
70
|
2
|
Anna Kendrick
Up in the Air |
–
|
2
|
2
|
2
|
|
3
|
2
|
2
|
4
|
2
|
3
|
2
|
2
|
4
|
2
|
49
|
3
|
Vera Farmiga
Up in the Air |
–
|
3
|
3
|
3
|
|
4
|
4
|
4
|
2
|
3
|
4
|
3
|
5
|
3
|
3
|
35
|
4
|
Maggie Gyllenhaal
Crazy Heart |
–
|
4
|
4
|
4
|
|
5
|
3
|
3
|
5
|
4
|
2
|
4
|
3
|
2
|
4
|
35
|
5
|
Penelope Cruz
Nine
|
–
|
5
|
5
|
5
|
|
2
|
5
|
5
|
3
|
5
|
5
|
5
|
4
|
5
|
5
|
21
|
|
|
…………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Christoph Waltz
Inglourious Basterds |
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
70
|
2
|
Woody Harrelson
The Messenger |
–
|
3
|
2
|
2
|
|
4
|
2
|
2
|
4
|
3
|
2
|
3
|
3
|
3
|
3
|
45
|
3
|
Stanely Tucci
The Lovely Bones |
–
|
2
|
5
|
4
|
|
3
|
3
|
4
|
3
|
4
|
4
|
2
|
4
|
2
|
2
|
38
|
4
|
Christopher Plummer
The Last Station |
–
|
4
|
4
|
3
|
|
2
|
4
|
5
|
2
|
2
|
5
|
5
|
2
|
4
|
4
|
36
|
5
|
Matt Damon
Invictus |
–
|
5
|
3
|
5
|
|
5
|
5
|
3
|
5
|
5
|
3
|
4
|
5
|
5
|
5
|
21
|
|
|
……..……………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
The Hurt Locker |
—
|
2
|
1
|
2
|
|
1
|
1
|
2
|
1
|
1
|
2
|
2
|
1
|
2
|
2
|
62
|
2
|
Inglourious Basterds |
—
|
1
|
3
|
1
|
|
2
|
2
|
1
|
2
|
2
|
1
|
1
|
4
|
1
|
1
|
61
|
3
|
Up |
–
|
3
|
2
|
3
|
|
5
|
3
|
3
|
5
|
3
|
4
|
5
|
2
|
3
|
4
|
35
|
4
|
The Messenger |
—
|
4
|
4
|
5
|
|
3
|
4
|
4
|
4
|
5
|
5
|
3
|
3
|
5
|
5
|
25
|
5
|
A Serious Man |
–
|
5
|
5
|
4
|
|
4
|
5
|
5
|
3
|
4
|
3
|
4
|
5
|
4
|
3
|
27
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Up in the Air |
–
|
1
|
1
|
1
|
|
2
|
1
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
2
|
67
|
2
|
Precious: Based on the Novel “Push” by Sapphire |
–
|
3
|
5
|
2
|
|
1
|
2
|
3
|
4
|
3
|
1
|
2
|
3
|
4
|
2
|
47
|
3
|
An Education |
–
|
4
|
3
|
4
|
|
4
|
4
|
2
|
2
|
2
|
3
|
5
|
2
|
3
|
4
|
39
|
4
|
District 9 |
–
|
2
|
4
|
3
|
|
3
|
3
|
5
|
5
|
4
|
4
|
4
|
4
|
2
|
5
|
31
|
5
|
In the Loop |
–
|
5
|
2
|
5
|
|
5
|
5
|
4
|
3
|
5
|
5
|
3
|
5
|
5
|
3
|
25
|
|
|
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The White Ribbon
Germany |
–
|
1
|
1
|
2
|
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
2
|
1
|
1
|
43
|
|
Un Prophete
France |
–
|
2
|
2
|
3
|
|
2
|
2
|
2
|
1
|
4
|
2
|
2
|
4
|
2
|
2
|
33
|
|
El Secreto de Sus Ojos
Argentina |
–
|
3
|
3
|
1
|
|
3
|
4
|
4
|
4
|
2
|
4
|
4
|
1
|
3
|
4
|
27
|
|
Ajami
Israel |
–
|
4
|
5
|
4
|
|
4
|
3
|
3
|
3
|
3
|
3
|
5
|
3
|
4
|
3
|
21
|
|
The Milk of Sorrow
Peru |
–
|
5
|
4
|
5
|
|
5
|
5
|
5
|
5
|
5
|
5
|
3
|
5
|
5
|
5
|
11
|
|
|
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Cove
Nominees TBD
|
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
43
|
Food, Inc
Robert Kenner, Elise Pearlstein |
–
|
3
|
2
|
2
|
|
2
|
2
|
2
|
3
|
2
|
1
|
2
|
2
|
2
|
2
|
33
|
Burma VJ
Anders Østergaard , Lise Lense-Møller |
–
|
4
|
3
|
3
|
|
4
|
4
|
3
|
2
|
3
|
5
|
3
|
3
|
3
|
3
|
22
|
Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers
Judith Ehrlich, Rick Goldsmith |
–
|
2
|
4
|
4
|
|
3
|
3
|
4
|
4
|
4
|
3
|
4
|
5
|
5
|
4
|
20
|
Which Way Home
Rebecca Cammisa |
–
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
4
|
5
|
4
|
4
|
5
|
13
|
|
|
|
|
|
|
………………………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Up
Pete Docter |
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
44
|
Fantastic Mr. Fox
Wes Anderson
|
–
|
2
|
3
|
2
|
|
2
|
2
|
2
|
3
|
3
|
3
|
2
|
2
|
3
|
3
|
33
|
Coraline
Henry Selick |
–
|
4
|
2
|
3
|
|
3
|
4
|
4
|
2
|
2
|
1
|
3
|
4
|
2
|
2
|
27
|
The Princess and the Frog
John Musker and Ron Clements |
–
|
3
|
4
|
4
|
|
4
|
3
|
3
|
4
|
4
|
5
|
4
|
3
|
4
|
4
|
21
|
The Secret of Kells
Tomm Moore |
–
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
4
|
5
|
5
|
5
|
5
|
10
|
|
|
|
|
|
|
|
|
……………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair |
–
|
1
|
1
|
1
|
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
40
|
Sherlock Holmes
Art Direction: Sarah Greenwood Set Decoration: Katie Spencer |
–
|
2
|
3
|
2
|
|
2
|
3
|
2
|
5
|
5
|
4
|
4
|
4
|
2
|
2
|
29
|
Nine
Art Direction: John Myhre Set Decoration: Gordon Sim |
–
|
5
|
2
|
4
|
|
5
|
1
|
3
|
3
|
3
|
3
|
5
|
3
|
3
|
5
|
26
|
The Young Victoria
Art Direction: Patrice Vermette Set Decoration: Maggie Gray |
–
|
4
|
5
|
5
|
|
3
|
4
|
4
|
4
|
4
|
2
|
3
|
2
|
4
|
4
|
19
|
The Imaginarium of Dr Parnassus
Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith |
–
|
3
|
4
|
3
|
|
4
|
5
|
5
|
2
|
2
|
5
|
2
|
5
|
5
|
3
|
17
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Mauro Fiore |
–
|
4
|
2
|
1
|
|
1
|
2
|
2
|
1
|
3
|
1
|
1
|
1
|
1
|
1
|
36
|
The Hurt Locker
Barry Ackroyd |
–
|
3
|
1
|
2
|
|
2
|
1
|
1
|
2
|
1
|
2
|
2
|
5
|
2
|
4
|
34
|
Inglourious Basterds
Robert Richardson |
–
|
2
|
3
|
3
|
|
4
|
4
|
3
|
3
|
4
|
3
|
4
|
2
|
3
|
3
|
29
|
The White Ribbon
Christian Berger |
–
|
1
|
4
|
4
|
|
3
|
3
|
4
|
4
|
2
|
4
|
3
|
3
|
5
|
2
|
26
|
Harry Potter & the Half-Blood Prince
Bruno Delbonnel |
–
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
4
|
4
|
5
|
10
|
|
|
|
|
|
|
…………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nine
Colleen Atwood |
–
|
2
|
1
|
3
|
|
5
|
3
|
2
|
1
|
4
|
2
|
4
|
2
|
1
|
1
|
36
|
The Young Victoria
Sandy Powell |
–
|
5
|
5
|
1
|
|
1
|
1
|
1
|
4
|
1
|
1
|
1
|
1
|
3
|
2
|
36
|
Bright Star
Janet Patterson |
–
|
4
|
2
|
4
|
|
2
|
2
|
3
|
5
|
5
|
4
|
3
|
3
|
4
|
4
|
24
|
Coco Before Chanel
Catherine Leterrier |
–
|
3
|
4
|
2
|
|
3
|
5
|
4
|
3
|
3
|
3
|
2
|
4
|
5
|
3
|
23
|
The Imaginarium of Dr Parnassus
Monique Prudhomme |
–
|
1
|
3
|
5
|
|
4
|
4
|
5
|
2
|
2
|
5
|
5
|
5
|
2
|
5
|
16
|
|
|
|
|
|
|
……..……………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Hurt Locker
Bob Murawski and Chris Innis |
–
|
2
|
1
|
2
|
|
2
|
1
|
2
|
1
|
1
|
2
|
1
|
2
|
2
|
1
|
40
|
Avatar
Stephen Rivkin, John Refoua and James Cameron |
–
|
4
|
3
|
1
|
|
1
|
2
|
1
|
2
|
3
|
1
|
2
|
1
|
1
|
2
|
37
|
District 9
Julian Clarke |
–
|
1
|
2
|
3
|
|
3
|
3
|
4
|
4
|
4
|
3
|
3
|
4
|
4
|
3
|
26
|
Inglourious Basterds
Sally Menke |
–
|
3
|
4
|
4
|
|
4
|
4
|
3
|
3
|
2
|
4
|
4
|
3
|
3
|
4
|
22
|
Precious
Joe Klotz |
–
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
10
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Up
Michael Giacchino |
–
|
1
|
1
|
1
|
|
3
|
1
|
5
|
1
|
1
|
2
|
1
|
1
|
1
|
2
|
36
|
Avatar
James Horner |
–
|
3
|
4
|
2
|
|
1
|
2
|
2
|
2
|
2
|
3
|
2
|
2
|
5
|
1
|
30
|
Fantstic Mr. Fox
Alexandre Desplat |
–
|
2
|
3
|
4
|
|
4
|
5
|
4
|
5
|
3
|
1
|
4
|
3
|
4
|
3
|
27
|
Sherlock Holmes
Hans Zimmer |
–
|
5
|
2
|
3
|
|
5
|
3
|
1
|
4
|
4
|
4
|
5
|
4
|
2
|
5
|
22
|
The Hurt Locker
Marco Beltrami and Buck Sanders |
–
|
4
|
5
|
5
|
|
2
|
4
|
3
|
3
|
5
|
5
|
3
|
5
|
3
|
4
|
16
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
“The Weary Kind (Theme from Crazy Heart)”
Crazy Heart
Music and Lyric by Ryan Bingham and T Bone Burnett |
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
45
|
“Take it All”
Nine
Music and Lyric by Maury Yeston |
–
|
4
|
4
|
4
|
|
4
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
2
|
28
|
“Down in New Orleans”
The Princess and the Frog
Music and Lyric by Randy Newman |
–
|
2–
|
3
|
2
|
|
2
|
4
|
3
|
3
|
4
|
3
|
4
|
3
|
3
|
4
|
27
|
“Almost There”
The Princess and the Frog
Music and Lyric by Randy Newman |
–
|
3
|
2
|
3
|
|
3
|
3
|
4
|
4
|
3
|
4
|
3
|
4
|
4
|
3
|
26
|
“Loin de Paname”
Paris 36
Music by Reinhardt Wagner Lyric by Frank Thomas |
–
|
5
|
5
|
5
|
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
5
|
9
|
|
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Christopher Boyes and Gwendolyn Yates Whittle |
–
|
1
|
2
|
1
|
|
1
|
1
|
1
|
1
|
2
|
1
|
1
|
1
|
1
|
1
|
44
|
The Hurt Locker
Paul N.J. Ottoson |
–
|
2
|
1
|
2
|
|
2
|
2
|
2
|
2
|
1
|
2
|
2
|
2
|
5
|
2
|
37
|
Star Trek
Mark Stoeckinger and Alan Rankin |
–
|
3
|
4
|
5
|
|
4
|
3
|
4
|
4
|
5
|
3
|
5
|
3
|
3
|
4
|
20
|
Inglourious Basterds
Wylie Stateman |
–
|
5
|
5
|
3
|
|
3
|
4
|
3
|
3
|
3
|
4
|
4
|
4
|
4
|
3
|
20
|
Up
Michael Silvers and Tom Myers |
–
|
4
|
3
|
4
|
|
5
|
5
|
5
|
5
|
4
|
5
|
3
|
5
|
2
|
5
|
14
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Star Trek
Barney Burman, Mindy Hall and Joel Harlow |
–
|
1
|
1
|
1
|
|
1
|
2
|
1
|
1
|
1
|
1
|
3
|
1
|
1
|
1
|
28
|
The Young Victoria
Jon Henry Gordon and Jenny Shircore |
–
|
2
|
3
|
2
|
|
2
|
1
|
2
|
3
|
3
|
2
|
1
|
3
|
2
|
2
|
19
|
Il Divo
Aldo Signoretti and Vittorio Sodano |
–
|
3
|
2
|
3
|
|
3
|
3
|
3
|
2
|
2
|
3
|
2
|
2
|
3
|
3
|
13
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson |
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
2
|
1
|
1
|
2
|
1
|
1
|
44
|
The Hurt Locker
Paul N.J. Ottosson and Ray Beckett |
–
|
2
|
2
|
2
|
|
2
|
2
|
2
|
2
|
1
|
2
|
2
|
1
|
4
|
2
|
37
|
Inglourious Basterds
Michael Minkler, Tony Lamberti and Mark Ulano |
–
|
4
|
5
|
3
|
|
3
|
4
|
3
|
3
|
3
|
3
|
3
|
4
|
3
|
3
|
22
|
Star Trek
Anna Behlmer, Andy Nelson, Peter J. Devlin
|
–
|
3
|
4
|
4
|
|
4
|
3
|
4
|
4
|
5
|
4
|
4
|
3
|
2
|
4
|
20
|
Transformers: Revenge of the Fallen
Greg P. Russell, Gary Summers and Geoffrey Patterson |
–
|
5
|
3
|
5
|
|
5
|
5
|
5
|
5
|
4
|
5
|
5
|
5
|
5
|
5
|
12
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Avatar
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones |
–
|
1
|
1
|
1
|
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
1
|
29
|
District 9
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken |
–
|
2
|
2
|
2
|
|
2
|
3
|
2
|
3
|
3
|
2
|
2
|
2
|
3
|
2
|
19
|
Star Trek
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton |
–
|
3
|
3
|
3
|
|
3
|
2
|
3
|
2
|
2
|
3
|
3
|
3
|
2
|
3
|
12
|
|
|
|
|
|
|
|
Tags: (500) Days of Summer, A Serious Man, A Single Man, Ajami, An Education, Avatar, Burma VJ, Coraline, Crazy Heart, District 9, El Secreto de Sus Ojos, Fantastic Mr. Fox, Food, Harry Potter & the Half-Blood Prince, In the Loop, Inc., Inglourious Basterds, Invictus, It's Complicated, Julie & Julia, Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers, Nine, Paris 36, Precious, Sherlock Holmes, Star Trek, The Blind Side, The Cove, The Hurt Locker, The Imaginarium of Dr. Parnassus, The Last Station, The Lovely Bones, The Messenger, The Milk of Sorrow, The Princess and the Frog, The Road, The Secret of Kells, The White Ribbon, The Young Victoria, This is It, Un Prophete, Up in the Air, Which Way Home
Posted in Awards Watch, Gurus o' Gold | Comments Off on February 2
Thursday, January 28th, 2010
|
|
.……………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Avatar |
25%
|
–
|
80%
|
30%
|
60%
|
80%
|
40%
|
45%
|
70%
|
35%
|
25%
|
20%
|
3
|
3
|
60%
|
12
|
–
|
47.5%
|
2
|
The Hurt Locker |
30%
|
–
|
10%
|
32%
|
35%
|
10%
|
40%
|
25%
|
20%
|
40%
|
20%
|
30%
|
3
|
3
|
25%
|
12
|
–
|
26.4%
|
4
|
Inglourious Basterds |
15%
|
–
|
2%
|
15%
|
2%
|
3
|
10%
|
10%
|
5%
|
5%
|
30%
|
15%
|
3
|
3
|
5%
|
11
|
–
|
10.4%
|
3
|
Up in the Air |
20%
|
–
|
3%
|
15%
|
2%
|
10%
|
10%
|
10%
|
1%
|
10%
|
10%
|
5%
|
3
|
3
|
10%
|
12
|
–
|
8.92%
|
5
|
Precious |
5
|
–
|
5
|
5
|
3
|
3
|
5
|
5
|
6
|
5
|
5
|
6
|
3
|
3
|
5
|
10
|
58
|
–
|
6
|
Up |
6
|
–
|
6
|
7
|
3
|
3
|
6
|
6
|
5
|
7
|
6
|
7
|
3
|
3
|
6
|
10
|
48
|
–
|
7
|
An Education |
7
|
–
|
7
|
8
|
3
|
3
|
7
|
7
|
7
|
6
|
7
|
8
|
3
|
3
|
7
|
10
|
39
|
–
|
8
|
District 9 |
–
|
–
|
8
|
6
|
3
|
3
|
8
|
8
|
–
|
8
|
–
|
5
|
3
|
3
|
8
|
6
|
26
|
–
|
9
|
Invictus |
|
–
|
9
|
9
|
3
|
3
|
9
|
9
|
8
|
9
|
9
|
9
|
3
|
3
|
9
|
9
|
19
|
–
|
10
|
A Serious Man |
8
|
–
|
–
|
–
|
3
|
3
|
–
|
10
|
–
|
10
|
10
|
–
|
3
|
3
|
–
|
4
|
6
|
–
|
–
|
The Blind Side |
|
–
|
0
|
10
|
3
|
–
|
9
|
–
|
9
|
13
|
8
|
–
|
–
|
–
|
10
|
3
|
6
|
–
|
–
|
The Messenger |
9
|
–
|
10
|
—
|
–
|
–
|
–
|
–
|
–
|
1
|
–
|
–
|
–
|
–
|
–
|
2
|
3
|
–
|
–
|
Star Trek |
10
|
–
|
–
|
11
|
–
|
–
|
10
|
–
|
–
|
–
|
–
|
10
|
–
|
–
|
–
|
3
|
3
|
–
|
–
|
Nine |
|
–
|
–
|
— |
–
|
–
|
9
|
–
|
10
|
12
|
–
|
–
|
–
|
–
|
–
|
1
|
1
|
–
|
–
|
This is It |
|
–
|
–
|
10
|
—
|
–
|
–
|
–
|
–
|
–
|
–
|
–
|
–
|
–
|
–
|
1
|
1
|
–
|
|
|
|
|
|
|
……….……………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Katherine Bigelow |
45%
|
–
|
60%
|
45%
|
40%
|
60%
|
50%
|
50%
|
39%
|
45%
|
45%
|
65%
|
3
|
3
|
45%
|
12
|
49%
|
|
James Cameron |
35% |
–
|
40%
|
42%
|
45%
|
40%
|
50%
|
40%
|
59%
|
40%
|
40%
|
20%
|
3
|
3
|
55%
|
12
|
42.3%
|
|
Other |
20%
|
–
|
0%
|
13%
|
5%
|
0%
|
0%
|
10%
|
2%
|
5%
|
15%
|
15%
|
3
|
3
|
0%
|
12
|
7.1%
|
|
|
|
|
|
|
………………………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Jeff Bridges |
60%
|
–
|
60%
|
60%
|
60%
|
80%
|
50%
|
80%
|
60%
|
60%
|
80%
|
60%
|
3
|
3
|
90%
|
12
|
66.7%
|
2
|
George Clooney |
15%
|
–
|
40%
|
35%
|
20%
|
20%
|
20%
|
10%
|
15%
|
20%
|
10%
|
15%
|
3
|
3
|
5%
|
12
|
18.8%
|
3
|
Jeremy Renner |
20%
|
–
|
0%
|
1%
|
15%
|
0%
|
30%
|
5%
|
25%
|
15%
|
5%
|
15%
|
3
|
3
|
5%
|
12
|
11.25%
|
5
|
Other |
5%
|
–
|
0%
|
4%
|
5%
|
0%
|
0%
|
5%
|
0%
|
5%
|
5%
|
10%
|
3
|
3
|
0%
|
12
|
3.25%
|
|
|
|
|
|
|
|
|
……………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2
|
Sandra Bullock |
35%
|
–
|
60%
|
40%
|
40%
|
55%
|
45%
|
45%
|
55%
|
40%
|
40%
|
45%
|
3
|
3
|
65%
|
12
|
47.1%
|
1
|
Meryl Streep |
35%
|
–
|
40%
|
35%
|
45%
|
45%
|
55%
|
45%
|
43%
|
45%
|
41%
|
40%
|
3
|
3
|
35%
|
12
|
42%
|
3
|
Others |
30%
|
–
|
0%
|
25%
|
15%
|
0%
|
0%
|
10%
|
2%
|
15%
|
19%
|
15%
|
3
|
3
|
0%
|
12
|
10.9%
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Mo’Nique |
90%
|
–
|
90%
|
95%
|
90%
|
100%
|
100%
|
90%
|
90%
|
90%
|
90%
|
85%
|
3
|
3
|
100%
|
12
|
92.5%
|
2
|
Other |
10%
|
–
|
10%
|
5%
|
10%
|
0%
|
0%
|
10%
|
10%
|
10%
|
10%
|
15%
|
3
|
3
|
0%
|
12
|
7.5%
|
|
|
|
|
|
|
…………………………………….
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Christoph Waltz |
–
|
–
|
90%
|
95%
|
95%
|
100%
|
95%
|
85%
|
90%
|
95%
|
90%
|
75%
|
3
|
3
|
100%
|
11
|
90%
|
2
|
Others |
–
|
–
|
10%
|
5%
|
5%
|
0%
|
5%
|
15%
|
10%
|
5%
|
10%
|
25%
|
3
|
3
|
0%
|
11
|
10%
|
|
|
|
|
|
|
……..……………………………..
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
The Hurt Locker |
–
|
–
|
40%
|
35%
|
50%
|
60%
|
50%
|
45%
|
45%
|
50%
|
50%
|
30%
|
3
|
3
|
50%
|
11
|
45.9%
|
2
|
Inglourious Basterds |
–
|
–
|
40%
|
45%
|
45%
|
40%
|
50%
|
45%
|
40%
|
45%
|
40%
|
55%
|
3
|
3
|
50%
|
11
|
45%
|
2
|
Others |
–
|
–
|
20%
|
20%
|
5%
|
0%
|
0%
|
10%
|
15%
|
5%
|
10%
|
15%
|
3
|
3
|
0%
|
11
|
9.1
|
|
|
|
|
|
|
………………………………………
x
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
Up in the Air |
–
|
–
|
80%
|
65%
|
50%
|
40%
|
95%
|
65%
|
55%
|
50%
|
35%
|
55%
|
3
|
3
|
70%
|
11
|
60%
|
2
|
Precious |
–
|
–
|
10%
|
25%
|
30%
|
60%
|
5%
|
25%
|
40%
|
30%
|
30%
|
5%
|
3
|
3
|
30%
|
11
|
26.4%
|
2
|
Others |
–
|
–
|
10%
|
10%
|
20%
|
0%
|
0%
|
10%
|
5%
|
20%
|
35%
|
40%
|
3
|
3
|
0%
|
11
|
13.6%
|
|
|
|
|
|
|
|
Tags: (500) Days of Summer, A Serious Man, A Single Man, Ajami, An Education, Avatar, Burma VJ, Coraline, Crazy Heart, District 9, El Secreto de Sus Ojos, Fantastic Mr. Fox, Food, Harry Potter & the Half-Blood Prince, In the Loop, Inc., Inglourious Basterds, Invictus, It's Complicated, Julie & Julia, Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers, Nine, Paris 36, Precious, Sherlock Holmes, Star Trek, The Blind Side, The Cove, The Hurt Locker, The Imaginarium of Dr. Parnassus, The Last Station, The Lovely Bones, The Messenger, The Milk of Sorrow, The Princess and the Frog, The Road, The Secret of Kells, The White Ribbon, The Young Victoria, This is It, Un Prophete, Up in the Air, Which Way Home
Posted in Awards Watch, Gurus o' Gold | Comments Off on January 28
Thursday, January 21st, 2010
Karen Durbin
|
1 |
Hunger |
2 |
Hurt Locker |
3 |
White Ribbon |
4 |
Treeless Mountain |
5 |
Precious |
6 |
Bright Star |
7 |
Where the Wild Things Are |
8 |
Private Lives of Pippa Lee |
9 |
Inglourious Basterds |
10 |
Jennifer’s Body |
|
|
Quentin Tarantino |
1 |
Star Trek |
2 |
Drag Me To Hell |
3 |
Funny People |
4 |
Up in the Air |
5 |
Chocolate |
6 |
Observe and Report |
7 |
Zombieland |
8 |
Julie & Julia |
9 |
Avatar | The Hurt Locker |
10 |
District 9 |
|
|
|
|
David Edelstein |
1 |
Summer Hours |
2 |
Everlasting Moments |
3 |
Brothers |
4 |
Fantastic Mr. Fox |
5 |
Tyson |
6 |
A Serious Man |
7 |
Coraline |
8 |
In the Loop |
9 |
Food Inc |
10 |
The Hurt Locker |
|
|
J. Hoberman |
1 |
The Hurt Locker |
2 |
Hunger |
3 |
Police, Adjective |
4 |
I’m Gonna Explode |
5 |
Coraline |
6 |
The Sun |
7 |
Beaches of Agnes |
8 |
The Headless Woman |
9 |
Inglourious Basterds |
10 |
Red Cliff |
|
|
|
|
TC Kirkham |
1 |
Astroboy |
2 |
Avatar |
3 |
Departures |
4 |
(500) Days of SUmmer |
5 |
Julie & Julia |
6 |
New York, I Love You |
7 |
9 | Sita Sings the BLues |
8 |
Star Trek | Taking Woodstock |
9 |
Up |
10 |
Watchmen |
|
|
Robert Levin |
1 |
Up in the Air |
2 |
A Serious Man |
3 |
The Hurt Locker |
4 |
Of Time and the City |
5 |
Avatar |
6 |
The Messenger |
7 |
The COve |
8 |
Up |
9 |
Sin Nombre |
10 |
Big Fan |
|
|
|
|
Geoff Berkshire |
1 |
Precious |
2 |
Up in the Air |
3 |
Summer Hours |
4 |
Inglourious Basterds |
5 |
Where the Wild Things Are |
6 |
Ponyo |
7 |
Moon |
8 |
Sugar |
9 |
A Single Man |
10 |
Funny People |
|
|
Irv Slifkin |
1 |
A Serious Man |
2 |
Taking Woodstock |
3 |
Avatar |
4 |
Anvil! The Story of Anvil |
5 |
Fantastic Mr. Fox |
6 |
Hurt Locker |
7 |
(500) Days of Summer |
8 |
The Hangover |
9 |
In the Loop |
10 |
Sugar |
|
|
|
|
Geoff Berkshire | Karen Durbin | David Edelstein | J. Hoberman | TC Kirkham | Robert Levin | Irv Slifkin | Quentin Tarantino
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 24
Thursday, January 21st, 2010
Betsy Pickle |
1 |
That Evening Sun |
2 |
Up in the Air |
3 |
(500) Days of SUmmer |
4 |
Avatar |
5 |
The Messenger |
6 |
Inglourious Basterds |
7 |
In the Loop |
8 |
Bright Star |
9 |
An Education |
10 |
Julie & Julia |
|
|
Al Alexander |
1 |
Inglourious Basterds |
2 |
Up in the Air |
3 |
Up |
4 |
In the Loop |
5 |
The Hurt Locker |
6 |
The Messenger |
7 |
(500) Days of SUmmer |
8 |
Food Inc |
9 |
Baader Meinhof Complex |
10 |
Coraline |
|
|
|
|
Jen Yamato |
1 |
Beaches of Agnes |
2 |
Fantastic Mr. Fox |
3 |
Up |
4 |
The Hurt Locker |
5 |
Bronson |
6 |
Where the Wild Things Are |
7 |
The Messenger |
8 |
An Education |
9 |
District 9 |
10 |
(500) Days of Summer |
|
|
Jennifer Merin |
1 |
An Education |
2 |
Beaches of Agnes |
3 |
Bright Star |
4 |
The Cove |
5 |
District 9 |
6 |
Fantastic Mr. Fox |
7 |
The Hurt Locker |
8 |
The Messenger |
9 |
Precious |
10 |
Up in the Air |
|
|
|
|
Susan Granger |
1 |
Avatar |
2 |
The Hurt Locker |
3 |
Inglourious Basterds |
4 |
Invictus |
5 |
Julie & Julia |
6 |
Nine |
7 |
Star Trek |
8 |
The Blind Side |
9 |
Up |
10 |
Up in the AIr |
|
|
Tricia Olszewski |
1 |
Up |
2 |
Inglourious Basterds |
3 |
Up in the Air |
4 |
Paranormal Activity |
5 |
Coraline |
6 |
Adventureland |
7 |
World’s Greatest Dad |
8 |
The Hurt Locker |
9 |
Food, Inc |
10 |
Sherlock Holmes |
|
|
|
|
Ann Lewinson |
1 |
Gomorrah |
2 |
An Education |
3 |
The White Ribbon |
4 |
A Serious Man |
5 |
Hunger |
6 |
District 9 |
7 |
The Single Man |
8 |
The Hurt Locker |
9 |
The Limits of Control |
10 |
Princess & the Frog |
|
|
Jette Kernion
AWFJ |
1 |
A Serious Man |
2 |
Bronson |
3 |
World’s Greatest Dad |
4 |
Coraline |
5 |
St. Nick |
6 |
A Town Called Panic |
7 |
District 9 |
8 |
Fantastic Mr. Fox |
9 |
Up in the Air |
10 |
Inglourious Basterds |
|
|
|
|
Marjorie Baumgarten |
1 |
Where the Wild Things Are |
2 |
The Beaches of Agnes |
3 |
A Single Man |
4 |
A Serious Man |
5 |
The Hurt Locker |
6 |
Summer Hours |
7 |
An Education |
8 |
Up |
9 |
Antichrist |
10 |
Bright Star |
|
|
Katey Rich |
1 |
Inglourious Basterds |
2 |
Up |
3 |
In the Loop |
4 |
Star Trek |
5 |
A Serious Man |
6 |
Avatar |
7 |
The White Ribbon |
8 |
Fantastic Mr. Fox |
9 |
Sugar |
10 |
Duplicity |
|
|
|
|
Al Alexander | Marjorie Baumgarten | Susan Granger | Jette Kernion | Ann Lewinson | Jennifer Merin | Tricia Olszewski | Betsy Piickle | Katey Rich | Jen Yamato
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 23
Thursday, January 21st, 2010
Nell Minow
AWFJ |
1 |
Up in the Air |
2 |
Where the Wild Things Are |
3 |
Precious |
4 |
Fantastic Mr. Fox |
5 |
(500) Days of Summer |
6 |
District 9 |
7 |
Coraline |
8 |
Up |
9 |
Star Trek |
10 |
An Education |
|
|
Jessica Barnes
|
1 |
Where the Wild Things Are |
2 |
The Hurt Locker |
3 |
Moon |
4 |
Inglourious Basterds |
5 |
District 9 |
6 |
Funny People |
7 |
Watchmen |
8 |
Star Trek |
9 |
Adventureland |
10 |
Food Inc. |
|
|
|
|
Shelli Sonstein
AWFJ |
1 |
Up in the Air |
2 |
Inglourious Basterds |
3 |
Up |
4 |
The Hurt Locker |
5 |
Precious |
6 |
The Messenger |
7 |
Avatar |
8 |
Zombieland |
9 |
Pirate Radio |
10 |
Bruno |
|
|
Cynthia Fuchs
|
1 |
Back Home Tomorrow |
2 |
Beaches of Agnes |
3 |
How to Fold a Flag |
4 |
The Hurt Locker |
5 |
Living in Emergency |
6 |
October Country |
7 |
Sugar |
8 |
35 Shots of Rum |
9 |
Treeless Mountain |
10 |
24 City |
|
|
|
|
Diana Saenger
AWFJ
|
1 |
Avatar |
2 |
The Messenger |
3 |
Bright Star |
4 |
Imaginarium of Dr. Parnassus |
5 |
Sin Nombre |
6 |
Me & Orson Welles |
7 |
The Cove |
8 |
The Burning Plain |
9 |
The Hangover |
10 |
|
|
|
Joanna Langfield
AWFJ |
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
A Serious Man |
4 |
Avatar |
5 |
Up |
6 |
District 9 |
7 |
Crazy Heart |
8 |
An Education |
9 |
(500) Days of Summer |
10 |
Adventureland |
|
|
|
|
Thelma Adams |
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
Star Trek |
4 |
The Hangover |
5 |
The Young Victoria |
6 |
District 9 |
7 |
Coco Before Chanel |
8 |
Inglourious Basterds |
9 |
Paranormal Activity |
10 |
Up |
|
|
Rebecca Murray |
1 |
Avatar |
2 |
(500) Days of Summer |
3 |
Up |
4 |
An Education |
5 |
Inglourious Basterds |
6 |
The Hurt Locker |
7 |
The Road |
8 |
Zombieland |
9 |
Up in the Air |
10 |
District 9 |
|
|
|
|
Claudia Puig
AWFJ |
1 |
The Hurt Locker |
2 |
Up |
3 |
Up in the Air |
4 |
Sin Nombre |
5 |
Sugar |
6 |
(500) Days of SUmmer |
7 |
District 9 |
8 |
Inglourious Basterds |
9 |
A Serious Man |
10 |
Summer Hours |
|
|
Carol Cling
AWFJ |
1 |
The Hurt Locker |
2 |
An Education |
3 |
Bright Star |
4 |
Up |
5 |
Princess and the Frog |
6 |
The Cove |
7 |
A Serious Man |
8 |
In the Loop |
9 |
Up in the Air |
10 |
Sin Nombre |
|
|
|
|
Thelma Adams | Jessica Barnes | Carol Cling | Cyntia Fuchs | Brandy McDonnell | Nell Minow | Rebecca Murray | Claudia Puig | Diana Saenger | Shelli Sonstein
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 22
Thursday, January 21st, 2010
Susan Wloszczyna
|
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
Up |
4 |
Precious |
5 |
A Serious Man |
6 |
An Education |
7 |
Zombieland |
8 |
Coraline |
9 |
Fantastic Mr. Fox |
10 |
Inglourious Basterds |
|
|
David Walsh
|
1 |
Everlasting Moments |
2 |
Of Time and the City |
3 |
The Country Teacher |
4 |
Laila’s Birthday |
5 |
Where the Wild Things Are |
6 |
Serbis |
7 |
The Men Who Stare at Goats |
8 |
24 City |
9 |
A Serious man |
10 |
Bright Star |
|
|
|
|
Karina Longworth
|
1 |
Silent Light |
2 |
Two Lovers |
3 |
The Girlfriend Experience |
4 |
Summer Hours |
5 |
Beeswax |
6 |
Cargo 200 |
7 |
The Limits of Control |
8 |
Bad Lieutenant |
9 |
The Hurt Locker |
10 |
Inglourious Basterds |
|
|
Mark Jenkins
|
1 |
35 Shots of Rum |
2 |
Summer Hours |
3 |
Still Walking |
4 |
The Beaches of Agnes |
5 |
The Hurt Locker |
6 |
24 City |
7 |
The Cove |
8 |
Tokyo Sonata |
9 |
Departures |
10 |
Police, Adjective |
|
|
|
|
Sean P. Means
Salt Lake Tribune |
1 |
Sita Sings the Blues |
2 |
A Serious Man |
3 |
Up |
4 |
The Cove |
5 |
Up in the Air |
6 |
Phoebe in Wonderland |
7 |
The Class |
8 |
Pirate Radio |
9 |
Every Little Step |
10 |
In the Loop |
|
|
Aaron Hillis
|
1 |
Tetro |
2 |
Two Lovers |
3 |
Inglourious Basterds |
4 |
The Hurt Locker |
5 |
Fantastic Mr. Fox |
6 |
35 Shots of Rum |
7 |
You, the Living |
8 |
The Informant |
9 |
Paradise |
10 |
Tony Manero |
|
|
|
|
Caryn James
|
1 |
Up in the Air |
2 |
Bright Star |
3 |
The Hurt Locker |
4 |
A Single Man |
5 |
Inglourious Basterds |
6 |
An Education |
7 |
Fantastic Mr. Fox |
8 |
In the Loop |
9 |
The Road |
10 |
Seraphine |
|
|
Dennis Lim
Moving Image Source |
1 |
Summer Hours |
2 |
The Limits of Control |
3 |
The Headless Woman |
4 |
Inglourious Basterds |
5 |
24 City |
6 |
Police, Adjective |
7 |
Fantastic Mr. Fox |
8 |
Night and Day |
9 |
Liverpool |
10 |
Beeswax |
|
|
|
|
Richard Brody
New Yorker |
1 |
Fantastic Mr. Fox |
2 |
Beaches of Agnes |
3 |
Funny People |
4 |
Two Lovers |
5 |
Gentlemen Broncos |
6 |
Police, Adjective |
7 |
24 City |
8 |
Lorna’s Silence |
9 |
Frontier of Dawn |
10 |
Alexander the Last |
|
|
Ed Gonzalez
|
1 |
Two Lovers |
2 |
Up |
3 |
Julia |
4 |
Where the Wild Things Are |
5 |
The Hurt Locker |
6 |
Revanche |
7 |
35 Shots of Rum |
8 |
Inglourious Basterds |
9 |
That Evening Sun |
10 |
The Window |
|
|
|
|
Richard Brody | Ed Gonzalez | Aaron Hillis | Caryn James | Mark Jenkins | Dennis Lim | Karina Longworth | Sean Means | David Walsh | Susan Wloszczyna
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 21
Thursday, January 21st, 2010
Amy Taubin
Film Comment |
1 |
35 Shots of Rum |
2 |
The Hurt Locker |
3 |
The Headless Woman |
4 |
Tulpan |
5 |
Tokyo Sonata |
6 |
The Informant |
7 |
Lake Tahoe |
8 |
Police, Adjective |
9 |
The Sun |
10 |
Sugar |
|
|
Chuck Wilson
LA Weekly |
1 |
Bright Star |
2 |
The Hurt Locker |
3 |
Everlasting Moments |
4 |
A Single Man |
5 |
Drag Me to Hell |
6 |
Police, Adjective |
7 |
Public Enemies |
8 |
The Beaches of Agnes |
9 |
The Messenger |
10 |
Bad Lieutenant |
|
|
|
|
Joe Leydon
Variety |
1 |
Up in the Air |
2 |
That Evening Sun |
3 |
(500) Days of Summer |
4 |
The Messenger |
5 |
Fantastic Mr. Fox |
6 |
A Serious Man |
7 |
The Informant |
8 |
Summer Hours |
9 |
The Hurt Locker |
10 |
Funny People |
|
|
Gerald Peary
Boston Phoenix |
1 |
The Hurt Locker |
2 |
A Serious man |
3 |
Precious |
4 |
Humpday |
5 |
The Baader Meinhof Complex |
6 |
Lorna’s Silence |
7 |
The Informant |
8 |
Beeswax |
9 |
Up |
10 |
Treeless Mountain |
|
|
|
|
Sam Adams
LA Times |
1 |
Still Walking |
2 |
A Serious Man |
3 |
The Sun |
4 |
Fantastic Mr. Fox |
5 |
Coraline |
6 |
The Hurt Locker |
7 |
The Limits of Control |
8 |
The Headless Woman |
9 |
Two Lovers |
10 |
Crank: High Voltage |
|
|
Ben Kenigsberg
Time Out Chicago |
1 |
Inglourious Basterds |
2 |
The Hurt Locker |
3 |
A Serious Man |
4 |
Tokyo Sonata |
5 |
The Headless Woman |
6 |
Julia |
7 |
The Box |
8 |
The White Ribbon |
9 |
Public Enemies |
10 |
Summer Hours |
|
|
|
|
Nathan Lee
Film Comment |
1 |
The Headless Woman |
2 |
Halloween II |
3 |
Summer Hours |
4 |
Inglourious Basterds |
5 |
TheSun |
6 |
Next Day Air |
7 |
Adventureland |
8 |
Loren Cass |
9 |
The Feature |
10 |
The Limits of Control |
|
|
Matthew Wilder
Collider.com |
1 |
Broken Embraces |
2 |
A Serious man |
3 |
Inglourious Basterds |
4 |
The Hurt Locker |
5 |
The Headless Woman |
6 |
Tetro |
7 |
Bad Lieutenant |
8 |
The Informant |
9 |
Night and Day |
10 |
You, the Living |
|
|
|
|
Matt Prigge
Philadelphia Weekly |
1 |
In the Loop |
2 |
Inglourious Basterds |
3 |
Duplicity |
4 |
The Headless Woman |
5 |
I’m Gonna Explode |
6 |
The Beaches of Agnes |
7 |
Fantastic Mr. Fox |
8 |
Sita Sings the Blues |
9 |
Afterschool |
10 |
Crank: High Voltage |
|
|
Sean Burns
Philadelphia Weekly |
1 |
Up |
2 |
A Serious Man |
3 |
Adventureland |
4 |
Public Enemies |
5 |
The Hurt Locker |
6 |
Two Lovers |
7 |
Where the Wild Things Are |
8 |
Fantastic Mr. Fox |
9 |
Funny People |
10 |
Bad Lieutenant |
|
|
|
|
Sam Adams | Sean Burns | Ben Kenigsberg | Nathan Lee | Joe Leydon | Gerald Peary | Matt Prigge | Amy Taubin | Matthew Wilder | Chuck Wilson
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 20
Thursday, January 21st, 2010
Whitney Matheson
USA Today PopCandy |
1 |
Fantastic Mr. Fox |
2 |
Star Trek |
3 |
Inglourious Basterds |
4 |
The Rock-afire Explosion |
5 |
Tyson |
6 |
Whip It |
7 |
Humpday |
8 |
Coraline |
9 |
Best Worst Movie |
10 |
Adventureland |
|
|
Don Sanchez
ABC-7 |
1 |
A Single Man |
2 |
An Education |
3 |
Avatar |
4 |
The Blind Side |
5 |
The Hurt Locker |
6 |
Inglourious Basterds |
7 |
Nine |
8 |
Star Trek |
9 |
Up |
10 |
Up in the Air |
|
|
|
|
Michael Sragow
The Baltimore Sun |
1 |
The Exiles |
2 |
The Hurt Locker |
3 |
The Class |
4 |
Up |
5 |
Waltz with Bashir |
6 |
Harvard Beats Yale 29-29 |
7 |
Bright Star |
8 |
Cheri |
9 |
Everlasting Moments |
10 |
Precious |
|
|
George Roush
Latino Review |
1 |
Up |
2 |
Inglorious Basterds |
3 |
The Hurt Locker |
4 |
Precious |
5 |
District 9 |
6 |
Taken |
7 |
The Cove |
8 |
In the Loop |
9 |
The Hangover |
10 |
The Mystery Team |
|
|
|
|
Curt Holman
Creative Loafing |
1 |
Up |
2 |
The Hurt Locker |
3 |
12 |
4 |
In the Loop |
5 |
The Damned United |
6 |
District 9 |
7 |
A Serious Man |
8 |
Fantastic Mr. Fox |
9 |
Coraline |
10 |
Anvil! The Story of Anvil |
|
|
Brandy McDonnell
The Oklahoman |
1 |
Inglorious Basterds |
2 |
The Hurt Locker |
3 |
Up in the Air |
4 |
(500) Days of Summer |
5 |
Precious |
6 |
Fantastic Mr. Fox |
7 |
Up |
8 |
District 9 |
9 |
Invictus |
10 |
The Brothers Bloom |
|
|
|
|
Matt Goldberg
Collider.com |
1 |
The Brothers Bloom |
2 |
Up |
3 |
A Serious Man |
4 |
Where the Wild Things Are |
5 |
District 9 |
6 |
Inglourious Basterds |
7 |
A Single Man |
8 |
Away We Go |
9 |
In the Loop |
10 |
Fantastic Mr. Fox |
|
|
Brad Schreiber
Huffington Post |
1 |
Coraline |
2 |
Duplicity |
3 |
Moon |
4 |
The Baader Meinhof Complex |
5 |
The Last Station |
6 |
Hunger |
7 |
O’Horten |
8 |
A Serious Man |
9 |
An Education |
10 |
The Hangover |
|
|
|
|
Clint O’Connor
The Plain Dealer |
1 |
Precious |
2 |
In the Loop |
3 |
Fantastic Mr. Fox |
4 |
Up in the Air |
5 |
Avatar |
6 |
Me & Orson Welles |
7 |
Inglourious Basterds |
8 |
The Hangover |
9 |
The Hurt Locker |
10 |
A Serious Man |
|
|
Matt Pais
Metromix Chicago |
1 |
A Serious Man |
2 |
Where the Wild Things Are |
3 |
The Hurt Locker |
4 |
Tulpan |
5 |
Crazy Heart |
6 |
Mary & Max |
7 |
An Education |
8 |
In the Loop |
9 |
The Girlfriend Experience |
10 |
Extract |
|
|
|
|
Matt Goldberg | Curt Holman | Whitney Matheson | Brandy McDonnell | Clint O’Connor | Matt Pais | George Roush | Don Sanchez | Brad Schreiber | Michael Sragow
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 19
Thursday, January 21st, 2010
C. Robert Cargill
|
1 |
District 9 |
2 |
Fish Story |
3 |
Avatar |
4 |
Star Trek |
5 |
Moon |
6 |
Fantastic Mr. Fox |
7 |
The Road |
8 |
Up |
9 |
Taking Woodstock |
10 |
Up in the Air |
|
|
Amanda Mae Meyncke
|
1 |
Bright Star |
2 |
Inglourious Basterds |
3 |
The Brothers Bloom |
4 |
A Single Man |
5 |
Public Enemies |
6 |
(500) Days of Summer |
7 |
An Education |
8 |
The Hangover |
9 |
Avatar |
10 |
Sunshine Cleaning |
|
|
|
|
MaryAnn Johanson
Film.com |
1 |
The Hurt Locker |
2 |
District 9 |
3 |
The Road |
4 |
The Soloist |
5 |
A Serious Man |
6 |
Bright Star |
7 |
Up |
8 |
Inglourious Basterds |
9 |
Fantastic Mr. Fox |
10 |
The Brothers Bloom |
|
|
Laremy Legel
|
1 |
Inglourious Basterds |
2 |
In the Loop |
3 |
Fantastic Mr. Fox |
4 |
Star Trek |
5 |
Sherlock Holmes |
6 |
Up |
7 |
(500) Days of Summer |
8 |
The Hangover |
9 |
The Brothers Bloom |
10 |
Away We Go |
|
|
|
|
Josh Tyler
Cinema Blend |
1 |
Up in the Air |
2 |
(500) Days of Summer |
3 |
The Hurt Locker |
4 |
Bad Lieutenant |
5 |
Up |
6 |
Whip It |
7 |
Mystery Team |
8 |
Peter and Vandy |
9 |
Watchmen |
10 |
Star Trek |
|
|
Kiko Martinez
San Antonio News |
1 |
Where the Wild Things Are |
2 |
Up in the Air |
3 |
A Serious Man |
4 |
Fantastic Mr. Fox |
5 |
The White Ribbon |
6 |
Broken Embraces |
7 |
An Education |
8 |
Mary & Max |
9 |
The Hurt Locker |
10 |
Precious |
|
|
|
|
Kevyn Knox
|
1 |
Inglourious Basterds |
2 |
Antichrist |
3 |
The Hurt Locker |
4 |
Public Enemies |
5 |
Red Cliff |
6 |
Watchmen |
7 |
Tetro |
8 |
Drag Me To Hell |
9 |
Gomorrah |
10 |
Star Trek |
|
|
Harry Knowles
Ain’t It Cool News |
1 |
District 9 |
2 |
Where the Wild Things Are |
3 |
Up |
4 |
Inglourious Basterds |
5 |
The Square |
6 |
Private Eye |
7 |
Avatar |
8 |
Moon |
9 |
Bronson |
10 |
Fantastic Mr. Fox |
|
|
|
|
Gary Cogill
WFAA-TV |
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
Inglourious Basterds |
4 |
Avatar |
5 |
Nine |
6 |
Sherlock Holmes |
7 |
Up |
8 |
Precious |
9 |
Crazy Heart |
10 |
This is It |
|
|
Chuck Koplinski
Illinois Times |
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
Up |
4 |
The Messenger |
5 |
The Hangover |
6 |
Fantastic Mr. Fox |
7 |
Precious |
8 |
An Education |
9 |
It Might Get Loud |
10 |
Knowing |
|
|
|
|
C. Rogert Cargill | Gary Cogill | MaryAnn Johanson | Harry Knowles | Kevyn Knox | Chuck Koplinski | Laremy Legel | Kiko Martinez | Amanda Mae Meyncke | Josh Tyler
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 18
Thursday, January 21st, 2010
Peg Aloi
|
1 |
Fantastic Mr. Fox |
2 |
Bright Star |
3 |
O’Horten |
4 |
Inglourious Basterds |
5 |
Moon |
6 |
An Education |
7 |
Summer Hours |
8 |
In the Loop |
9 |
Sin Nombre |
10 |
Star Trek |
|
|
Dwight Brown
Tri-State Defender |
1 |
Avatar |
2 |
Fantastic Mr. Fox |
3 |
Hunger |
4 |
The Hurt Locker |
5 |
Invictus |
6 |
Precious |
7 |
Public Enemes |
8 |
Star Trek |
9 |
This is It |
10 |
Up |
|
|
|
|
Steve Persall
|
1 |
Up in the Air |
2 |
Precious |
3 |
(500) Days of Summer |
4 |
District 9 |
5 |
Inglourious Basterds |
6 |
The Cove | Food Inc |
7 |
An Education |
8 |
Where the Wild Things Are |
9 |
The Messenger |
10 |
Up |
|
|
Christy Lemire
Associated Press |
1 |
Moon |
2 |
An Education |
3 |
The Hurt Locker |
4 |
Up |
5 |
District 9 |
6 |
A Serious man |
7 |
Fantastic Mr. Fox |
8 |
Sugar |
9 |
Passing Strange |
10 |
Drag Me to Hell |
|
|
|
|
Brian Miller
Seattle Weekly |
1 |
The Maid |
2 |
The Hurt Locker |
3 |
Revanche |
4 |
A Serious Man |
5 |
In the Loop |
6 |
Duplicity |
7 |
The Informant |
8 |
Up |
9 |
Up in the Air |
10 |
Avatar |
|
|
David Germain
|
1 |
The Hurt Locker |
2 |
Precious |
3 |
The White Ribbon |
4 |
Bad Lieutenant |
5 |
Up |
6 |
An Education |
7 |
(500) Days of Summer |
8 |
Passing Strange |
9 |
Anvil! The Story of Anvil |
10 |
The Damned United |
|
|
|
|
Kevin Williamson
Ottawa Sun |
1 |
Up in the Air |
2 |
Up |
3 |
The Hurt Locker |
4 |
The Cove |
5 |
District 9 |
6 |
Avatar |
7 |
The Hangover |
8 |
(500) Days of Summer |
9 |
Inglourious Basterds |
10 |
An Education |
|
|
Lexi Feinberg
BigPictureBigSound |
1 |
(500) Days of Summer |
2 |
A Serious man |
3 |
An Education |
4 |
Inglourious Basterds |
5 |
Up |
6 |
I Love You, Man |
7 |
Up in the Air |
8 |
Precious |
9 |
The Hurt Locker |
10 |
Where the Wild Things Are |
|
|
|
|
Liz Braun
Ottawa Sun |
1 |
A Single Man |
2 |
The Hurt Locker |
3 |
Hunger |
4 |
Crazy Heart |
5 |
Food Inc |
6 |
Gomorrah |
7 |
The Hangover |
8 |
Precious |
9 |
The White Ribbon |
10 |
Sin Nombre |
|
|
Jim Slotek
Ottawa Sun |
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
The Road |
4 |
Star Trek |
5 |
Up |
6 |
Anvil! The Story of Anvil |
7 |
The Cove |
8 |
In the Loop |
9 |
The Hangover |
10 |
Avatar |
|
|
|
|
Peg Aloi | Liz Braun | Dwight Brown | Lexi Feinberg | David Germain | Christy Lemire | Brian Miller | Steve Persall | Jim Slotek | Kevin Williamson
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 17
Thursday, January 21st, 2010
Gary Dretzka
|
1 |
The Hurt Locker |
2 |
Up |
3 |
Avatar |
4 |
The Maid |
5 |
The Baader-Meinhof Complex |
6 |
Bronson |
7 |
Up in the Air |
8 |
In the Loop |
9 |
Burma VJ |
10 |
Sin Nombre |
|
|
Ray Pride |
1 |
Limits of Control |
2 |
The Hurt Locker |
3 |
The Headless Woman |
4 |
A Serious Man |
5 |
Summer Hours |
6 |
Fantastic Mr. Fox |
7 |
Bad Lieutenant |
8 |
Two Lovers |
9 |
Loren Cass |
10 |
Antichrist |
|
|
|
|
Noah Forrest
|
1 |
Inglourious Basterds |
2 |
The Hurt Locker |
3 |
Mammoth |
4 |
Tetro |
5 |
The White Ribbon |
6 |
A Serious Man |
7 |
Private Lives of Pippa Lee |
8 |
In the Loop |
9 |
Two Lovers |
10 |
Fantastic Mr. Fox |
|
|
Kim Voynar |
1 |
Up in the Air |
2 |
The Hurt Locker |
3 |
An Education |
4 |
Goodbye Solo |
5 |
In the Loop |
6 |
A Serious Man |
7 |
Where the Wild Things Are |
8 |
Precious |
9 |
Beaches of Agnes |
10 |
District 9 |
|
|
|
|
The MCN Critics | Gary Dretzka | Noah Forrest | Ray Pride | Kim Voynar |
Tags: (500) Days of Summer, 12, 2012, 24 City, 35 Shots of Rum, A Prophet, A Serious Man, A Single Man, A Town Called Panic, Adventureland, Afterschool, An Education, Antichrist, Anvil! The Story of Anvil, Avatar, Away We Go, Bad Lieutenant, Beeswax, Big Fan, Bright Star, Broken Embraces, Bronson, Brothers, Bruno, Burma VJ, Capitalism: A Love Story, Cheri, Cloudy With a Chance of Meatballs, Collapse, Coraline, Crank: High Voltage, Crazy Heart, Departures, Disgrace, District 9, Drag Me to Hell, Duplicity, Everlasting Moments, Every Little Step, Fantastic Mr. Fox, Food Inc., Frontier of Dawn, Funny People, Gommorah, Good Hair, Goodbye Solo, Harry Potter and the Half-Blood Prince, House of the Devil, Humpday, Hunger, I Killed My Mother, I Love You Man, I'm Gonna Explode, Il Divo, Imaginarium of Dr. Parnassus, In the Loop, Inglourious Basterds, Invictus, Julia, Julie & Julia, Knight and Day, Knowing, La Danse, Lake Tahoe, Liverpool, Loren Cass, Lorna's Silence, Mary & Max, Me and Orson Welles, Moon, Mother, Mystery Team, Nine, O'Horten, Of Time and the City, Paradise, Paranormal Activity, Passing Strange, Phoebe in Wonderland, Pirate Radio, Police Adjective, Pontypool, Ponyo, Precious, Princess and the Frog, Privates Live of Pippa Lee, Public Enemies, Red Cliff, Revanche, Seraphine, Serbis, Sherlock Holmes, Silent Light, Sin Nombre, Sita Sings the Blues, Somers Town, Star Trek, State of Play, Still Walking, Sugar, Summer Hours, Sunshine Cleaning, Taking Woodstock, Tetro, The Baader Meinhof Complex, The Beaches of Agnes, The Blind Side, The Brothers Bloom, The Cove, The Hangover, The Headless Woman, The Hurt Locker, The Informant, The Limits of Control, The Lovely Bones, The Maid, The Men Who Stare at Goats, The Messenger, The Road, The Soloist, The White Ribbon, Thirst, Three Monkeys, Tulpaan, Two Lovers, Up, Up in the Air, Waltz with Bashir, Watchmen, Where the Wild Things Are, World's Greatest Dad, You the Living
Posted in Awards Watch, The Top Tens - Critics Pages | Comments Off on Page 16