Awards Watch Archive for January, 2011

Critics Top Ten List 2010: Mike Scott

Mike Scott New Orleans Times 127 Hours Restrepo Winter’s Bone The Social Network Toy Story 3 Blue Valentine The King’s Speech Inception Get Low Easy A

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Critics Top Ten List 2010: Joe Neumaier

Joe Neumaier New York Daily News Blue Valentine The Kids Are All Right Toy Story 3 The Social Network The King’s Speech The Tillman Story The Fighter Let Me In Get Low Never Let Me Go

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Critics Top Ten List 2010: Elizabeth Weitzman

Elizabeth Weitzman New York Daily News The Kids Are All Right Please Give Let Me In The Social Network Black Swan Inception Animal Kingdom The Fighter True Grit Easy A

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Critics Top Ten List 2010: Rene Rodriguez

Rene Rodriguez Miami Herald The Social Network The Fighter Black Swan Carlos I Am Love Inception Animal Kingdom Exit Through the GIft Shop Blue Valentine Somewhere

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Critics Top Ten List 2010: Eric D. Snider

Eric D. Snider Film.com Toy Story 3 Inception Black Swan The Social Network The King’s Speech Rabbit Hole 127 Hours Mother Animal Kingdom Four Lions

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Critics Top Ten List 2010: Laramy Lagel

Laramy Lagel Film.com Inception 127 Hours True Grit Another Year A Prophet The Fighter Get Low Scott Pilgrim v. the World Certified Copy Howl

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Critics Top Ten List 2010: Elisabeth Rappe

Elisabeth Rappe Film.com True Grit Black Swan How to Train Your Dragon Inception Winter’s Bone Rabbit Hole Toy Story 3 Agora The Social Network Going the Distance

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Critics Top Ten List 2010: Dre Rivas

Dre Rivas Film.com The Secret in Their Eyes Inception Black Swan The Social Network The Fighter Toy Story 3 127 Hours A Prophet True Grit

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Critics Top Ten List 2010: Jim Gordon

Jim Gordon CTV.CA The King’s Speech The Secret in Their Eyes Black Swan The Fighter The Social Network The Girl with the Dragon Tattoo Inside Job Winter’s Bone Mother and Child Rabbit Hole

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Critics Top Ten List 2010: Brad Brevet

Brad Brevet Rope of Silone True Grit Inception Another Year 127 Hours Black Swan The Fighter Tangled Toy Story 3 The King’s Speech Scott Pilgrim v. the World

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Critics Top Ten List 2010: Hammer to Nail

Hammer To Nail NY Export: Opus Jazz Trash Humpers Daddy Longlegs Tiny Furniture Prince of Broadway Low and Behold You Won’t Miss Me The Exploding Girl Guy and Medline on a Park Bench The New Year

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Critics Top Ten List 2010: Simon Abrams

Simon Abrams Village Voice Dogtooth        Amer    Let Me In       Oceans  The Ghost Writer        Eccentricities of a Blonde-haired Girl Hadewijch Life During Wartime     Lourdes Film Black Swan

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Critics Top Ten List 2010: Jason Anderson

Jason Anderson EYE Weekly The Social Network Mother Carlos The Oath Sweetgrass Wild Grass Please Give The Ghost Writer [REC] 2 Exit Through the Gift Shop

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Critics Top Ten List 2010: Mal Vincent

Mal Vincent The Virginian-Pilot The Social Network The Ghost Writer The King’s Speech Black Swan Inception True Grit Winter’s Bone Toy Story 3 The Fighter Please Give

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Critics Top Ten List 2010: David Elliott

David Elliott San Diego Reader A Film Unfinished Agora The Ghost Writer The King’s Speech Mademoiselle Chambon The Secret in Their Eyes Somewhere Vincere Wild Grass Winter’s Bone

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Critics Top Ten List 2010: Eric McClanahan

Eric McClanahan Twin Cities Planet Uncle Boonmee Who Can Recall His Past Lives Dogtooth Animal Kingdom Black Swan Exit Through the Gift Shop Alamar Inception The Social Network Valhalla Rising The Robber

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Critics Top Ten List 2010: Marc Savlov

Marc Savlov Austin Chronicle Black Swan The King’s Speech Monsers Restrep Exit Through the Gift Shop Winter’s Bone The Fighter A Prophet Down Terrace Get Low

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Critics Top Ten List 2010: Kimberly Jones

Kimberly Jones Austin Chronicle The Social Network Black Swan Everyone Else Red Riding Trilogy Monsters Toy Story 3 Winter’s Bone It’s Kind of a Fully Story The Exploding Girl Scott Pilgrim v. the World

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Critics Top Ten List 2010: Marjorie Baumgarten

Marjorie Baumgarten Austin Chronicle A Prophet The Fighter Black Swan Winter’s Bone The Social Network Exit Through the Gift Shop Fish Tank The Kids Are All Right Inside Job Let Me In

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The Top Tens: January 7, 2011

True Grit continues to climb up the chart, Toy Story 3 is closing the gap with Inception, and The Social Network stands alone.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon