Awards Watch Archive for January, 2011

The Alliance of Women Film Journalists Like The Social Network, But Mel Gibson Gets A Sexist Pig Award

The Alliance of Women Film Journalists Like The Social Network, But Mel Gibson Gets A Sexist Pig Award

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Alliance of Women Film Journalists 2010 Awards

Best Film The Social Network Best Animated Film Toy Story 3 Best Director David Fincher – The Social Network Best Screenplay, Original The Kids Are All Right – Lisa Cholodenko and Stuart Blumberg Best Screenplay, Adapted The Social Network – Aaron Sorkin Best Documentary Inside Job – Charles Ferguson Best Actress Annette Bening – The…

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Top Tens: January 8, 2011

The top ten shuffle a bit and Inception is now in the number two slot. Black Swan moves up, Toy Story 3 and Winter’s Bone slip back.

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Critics Top Ten List 2010: Tom Charity

Tom Charity CNN Carlos Shutter Island True Grit 127 Hours Mother Toy Story 3 The Social Network Winter’s Bone Father of My Children

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Critics Top Ten List 2010: Justin Chang

Justin Chang Variety Secret Sunshine I Am Love Carlos Last Train Home Vincere Black Swan Dogtooth The Social Network Mother Toy Story 3

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Critics Top Ten List 2010: Sheila Benson

Sheila Benson Seattle Weekly The King’s Speech The Ghost Writer The Social Network Farewell Winter’s Bone Fair Game Please Give Greenberg Mesrine Mother

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Critics Top Ten List 2010: Jeanette Catsoulis

Jeanette Catsoulis New York Times | NPR Red Riding Trilogy Winter’s Bone The Ghost Writer Fish Tank Animal Kingdom Another Year Splice The Social Network Nowhere Boy The Next Three Days

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Critics Top Ten List 2010: Michael Atkinson

Michael Atkinson Village Voice Red Riding Trilogy Dogtooth Never Let Me Go Mother A Prophet I Am Love Ajami Vincere Monsters The Good, the Bad, the Weird

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Critics Top Ten List 2010: Amanda Mae Meyncke

Amanda Mae Meyncke Film.com Tiny Furniture Inception The Kids Are All Right How to Train Your Dragon Scott Pilgrim v. the World The Fighter The Social Network Harry Potter and the Deathly Hallows Pt. 1 Black Swan The Town

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Critics Top Ten List 2010: Richard Mowe

Richard Mowe Box Office Magazine The Kids Are All Right The King’s Speech The Social Network Another Year I Am Love Of Gods and Men The Girl with the Dragon Tattoo The Ghost Writer Made in Dagenham

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Critics Top Ten List 2010: Steve Ramos

Steve Ramos Box Office Magazine Blue Valentine The Social Network Carlos Dogtooth Red Riding Trilogy Last Train Home A Prophet Scott Pilgrim v. the World Daddy Longlegs Mesrine: Public Enemy No. 1

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Critics Top Ten List 2010: John McCarthy

John P. McCarthy Box Office Magazine The Eclipse Inception Another Year Winter’s Bone Four Lions Alamar Black Swan Lebanon The Father of My Children The Social Network

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Critics Top Ten List 2010: Todd Gilchrist

Todd Gilchrist Box Office Magazine Four Lions Inception I Am Love True Grit Blue Valentine The Fighter The Social Network Scott Pilgrim v. the World The Ghost Writer Exit Through the Gift Shop

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Critics Top Ten List 2010: Wade Major

Wade Major Box Office Magazine The King’s Speech Ajami Rabbit Hole Mother and Child The Way Back Made in Dagenham Animal Kingdom Another Year It’s Kind of Funny Father of My Children

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Critics Top Ten List 2010: Mark Keizer

Mark Keizer Box Office Magazine Another Year Black Swan Carlos Inception The Juche Idea The King’s Speech OSS 117: Lost in Rio The Social Network The Tillman Story Winter’s Bone

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Critics Top Ten List 2010: Pete Hammond

Pete Hammond Box Office Magazine Another Year Biutiful Black Swan The Ghost Writer Inception The King’s Speech Rabbit Hole Shutter Island The Social Network Toy Story 3

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Critics Top Ten List 2010: Michael Poulos

Michael Poulos Journal Online Inception Black Swan Toy Story 3 The King’s SPeech Winter’s Bone How to Train Your Dragon The Kids Are All Right The Fighter Shutter Island The Social Network

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Critics Top Ten List 2010: Tom Tangney

Tom Tangney KIRO Seattle Please Give Toy Story 3 Inception 127 Hours The Social Network Garbo the Spy The King’s Speech Four Lions Waste Land/Exit Through the Gift Shop A Town Called Panic

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Critics Top Ten List 2010: Bob Strauss

Bob Strauss Daily News Los Angeles Four Lions Mother Inception Carlos The Social Network Cyrus/Greenberg/The Kids Are All Right/Tiny Furniture The Tillman Story King Kong 360-3D The Fighter Ajami

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Critics Top Ten List 2010: Pam Grady

Pam Grady Box Office Magazine Animal Kingdom Marwencol 127 Hours The Trotsky Brighton Rock True Grit Triage Soul Kitchen Undertow Kick-Ass

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon