Awards Watch Archive for December, 2011

Critics Top Ten List 2011: Wesley Morris

Wesley Morris Boston Globe 1. Margaret 2. Le Quattro Volte 3. Drive 4. The Interrupters 5. City Of Life And Death 6. Poetry 7. 3 8. Weekend 9. Contagion 10. The Future

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Critics Top Ten List 2011: Ty Burr

Ty Burr Boston Globe 1. Hugo 2. Drive 3. The Clock 4. The Artist 5. Le Quattro Volte 6. A Separation 7. Bill Cunningham New York 8. Moneyball 9. Win Win 10. Limitless

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Austin Film Critics Go Hugo

Austin Film Critics Go Hugo

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Austin Film Critics Association 2011 Awards

December 28, 2011 (Austin, TX) – The Austin Film Critics Association today announced its 2011 awards, with Martin Scorsese’s ode to classic cinema, HUGO, winning Best Film. It lead a group of awards that AFCA Founder and President Cole Dabney called “a unique blend highlighting the best of both Hollywood and indie filmmaking.” The hyper-stylized…

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Critics Top Ten List 2011: Jim Tudor

Jim Tudor Twitch 1. The Tree of Life 2. The Artist 3. Harry Potter and the Deathly Hallows Part 2 4. Melancholia 5. 13 Assassins 6. The Future 7. Winter in Wartime 8. Bellflower 9. Rango 10. The Descendants

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Critics Top Ten List 2011: Kristian Lin

Kristian Lin Ft. Worth Weekly 1. Bridesmaids 2. Drive 3. Shame 4. Uncle Boonmee Who Can Recall His Past Lives 5. Attack the Block 6. Meek’s Cutoff 7. Weekend 8. The Artist 9. Elite Squad: The Enemy Within 10. Rango.

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Critics Top Ten List 2011: Tim Lammers

Tim Lammers Detroit Local 4 1. The Artist 2. My Week with Marilyn 3. The Help 4. The Ides of March 5. The Girl with the Dragon Tattoo 6. Rise of the Planet of the Apes/The Adventures of Tintin 7. Moneyball 8. The Descendants 9. Harry Potter and the Deathly Hallows – Part 2 10….

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Critics Top Ten List 2011: Peter Gutierrez

Peter Gutierrez The Montclair Times “Before taking the time to peruse the below list, you should know that it was constructed by a fraud.” 1. Bombay Beach 2. The Last Circus 3. Corman’s World 4. The Artist 5. A Separation 6. All-Star Superman 7. Drive 8. Rabies 9. Melancholia 10. The Tree of Life

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Critics Top Ten List 2011: Lori Hoffman


Lori Hoffman Atlantic City Weekly “In all honesty it is my 10 favorite films of the year, since one’s personal tastes are such a big part of remembering which films gave you the most pleasure or had the biggest emotional impact, or just made you laugh your ass off.” War Horse The Descendants The Artist…

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Utah Film Critics Association: 2011 Awards

Utah Film Critics Association: 2011 Awards Best Picture Drive  Best Achievement in Directing Michael Hazanavicius, The Artist  Best Lead Performance by an Actor Joseph Gordon-Levitt: 50/50 Best Lead Performance by an Actress Michelle Williams, My Week With Marilyn  Best Supporting Performance by an Actor Albert Brooks, Drive Best Supporting Performance by an Actress Amy Ryan,…

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Phoenix Film Critics Society 2011 Awards

Phoenix Film Critics Society 2011 Awards BEST PICTURE The Artist BEST DIRECTOR Michel Hazanavicius, The Artist BEST ACTOR IN A LEADING ROLE Jean Dujardin, The Artist BEST ACTRESS IN A LEADING ROLE Elizabeth Olsen, Martha Marcy May Marlene BEST ACTOR IN A SUPPORTING ROLE Albert Brooks, Drive BEST ACTRESS IN A SUPPORTING ROLE Berenice Bejo,…

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The Oscar Poster is Here

The Oscar Poster Is Here!  The Oscar Poster Is Here!

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Academy “Celebrates the Movies” as Poster Art Kicks Off Oscar® Campaign

“Whether it’s a first date or a holiday gathering with friends or family, movies are a big part of our memory,” said Academy President Tom Sherak. “The Academy Awards not only honor the excellence of these movies, but also celebrate what they mean to us as a culture and to each of us individually.”

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Critics Top Ten List 2011: Jim Brunzell III

“I will acknowledge there are many that feature outstanding acting, editing, cinematography, writing, direction, musical scores, and costume designs, all of which I consider in determining my list. However, few are outstanding in all of these departments.”

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Critics Top Ten List 2011: Bob Fischbach

“It’s a wrap. And a bit of a bust. 2011 was a down year at the box office and, from my vantage point after seeing 140-plus films, a down year in the overall quality of new movies. But the year wasn’t without its high points.”

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Critics Top Ten List 2011: Kristian Lin

“Do better next year, Hollywood. That’s how I feel as I look back on the movies of 2011. American films dominated my Top 10 lists the last two years, but this year both Hollywood and the indies consistently fell short, their best efforts attaining respectability rather than greatness”

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Critics Top Ten List 2011: Mitch Salem

“2011, as a movie year, felt somehow in disarray.”

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Critics Top Ten List 2011: Glenn Whipp

Number 1: The Tree of Life

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Critics Top Ten List 2011: James Rocchi

Number One: Drive

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Critics Top Ten List 2011: Bryan Reesman

Number 1: Insidious

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon