Awards Watch Archive for December, 2011

How To Look Like Sir Larry

How To Look Like Sir Larry

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Critics Top Ten List 2011: Ken Eisner

Ken Eisner Georgia Straight The Descendants Tinker Tailor Soldier Spy The Artist Midnight in Paris Higher Ground Beginners/The Future Submarine Certified Copy Surviving Progress Margin Call

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Critics Top Ten List 2011: Chris Knight

Chris Knight National Post The Artist Extremely Loud and Incredibly Close Winnie the Pooh Café de Flore The Guard Cave of Forgotten Dreams Project Nim Attack the Block The Girl with the Dragon Tattoo Harry Potter and the Deathly Hallows Part 2

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Frock Talk With The Designer Of Jane Eyre

Frock Talk With The Designer Of Jane Eyre

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Critics Top Ten List 2011: Stan Hall

Stan Hall The Oregonian 1. Cave of Forgotten Dreams 2. Weekend 3. How to Die in Oregon/We Were Here 4. Martha Marcy May Marlene 5. World on a Wire 6. Take Shelter 7. Drive 8. Uncle Boonmee Who Can REcall His Past Lives 9. Meek’s Cutoff 10. Margin Call

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Critics Top Ten List 2011: Mike Russell

Mike Russell The Oregonian 1. Drive 2. 13 Assassins 3. Vengeance 4. Hugo 5. The Tree of Life 6. Bellflower/Martha Marcy May Marlene/Young Adult 7. Attack the Block 8. The Artist 9. Rango 10. Rise of the Planet of the Apes/Mission: Impossible — Ghost Protocol

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Critics Top Ten List 2011: Marc Mohan

Marc Mohan The Oregonian 1. Hugo 2. Cave of Forgotten Dreams 3. The Skin I Live In 4. The Muppets 5. The Double Hour 6. Viva Riva! 7. Bridesmaids 8. The Tree of Life 9. Bellflower 10. Rise of the Planet of the Apes

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Critics Top Ten List 2011: Shawn Levy

Shawn Levy The Oregonian 1. Hugo 2. The Interrupters 3. The Guard 4. Mildred Pierce 5. How to Die in Oregon 6. On the Bowery 7. Rango 8. The Skin I Live In 9. We Need to Talk About Kevin 10. Beginners

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Critics Top Ten List 2011: Peter Howell

Peter Howell Toronto Star 1. The Tree of Life 2. Certified Copy 3. A Separation 4. Nostalgia for the Light 5. Take Shelter 6. The Descendants 7. The Artist 8. Drive 9. Le Quattro Volte 10. Le Havre

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Critics Top Ten List 2011: Chris Hewitt

Chris Hewitt St. Paul Pioneer-Press 1. Meek’s Cutoff 2. Bridesmaids 3. Tinker Tailor Soldier Spy 4. Melancholia 5. I Saw the Devil 6. Bill Cunningham New York 7. The Interrupters 8. Contagion 9. Mission: Impossible – Ghost Protocol 10. The Girl With the Dragon Tattoo

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Critics Top Ten List 2011: Matt Prigge

Matt Prigge Philadelphia Weekly 1. House of Pleasures 2. Margaret 3. A Separation 4. Drive 5. The Tree of Life 6. Certified Copy 7. Rubber 8. Uncle Boonmee Who Can Recall His Past Lives 9. Martha Marcy May Marlene 10. Tuesday, After Christmas

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Critics Top Ten List 2011: Sean Burns

Sean Burns Philadelphia Weekly 1. Drive 2. Hugo 3. Carnage 4. Melancholia 5. Meek’s Cutoff 6. Shame 7. Certified Copy 8. Martha Marcy May Marlene 9. We Need To Talk About Kevin 10. Midnight In Paris

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Critics Top Ten List 2011: Ryan Lattanzio

Ryan Lattanzio San Francisco Bay Guardian Melancholia Uncloe Boonmee Who Can Recall His Past Lives We Need to Talk About Kevin Drive Certified Copy A Separation Into the Abyss Weekend Shame Meek’s Cuttoff The Future

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Critics Top Ten List 2011: Nigel Andrews

Nigel Andrews The Financial Times 1. Melancholia 2. Le Quattro Volte 3. Poetry 4. Margaret 5. Rango 6. Snowtown 7. A Separation 8. My Dog Tulip 9. Cave of Forgotten Dreams 10. Kill List; Black Pond; Weekend; Archipelago; Tyrannosaur; Dreams of a Life

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Interactive-Mapping War Horse’s Journey

Interactive-Mapping War Horse‘s Journey

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Critics Top Ten List 2011: Matthew Lucas

“No other film this year was as bold or ambitious as Terrence Malick’s magnum opus, “The Tree of Life.”

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Critics Top Ten List 2011: Dennis Harvey

Dennis Harvey San Francisco Bay Guardian The Artist Ceremony Certified Copy The Descendants Drive Happy, Happy Hugo I’m Glad My Mother Is Alive Incendies Machotaildrop The Mill and the Cross The Names of Love Oka! Rango A Separation The Strange Case of Angelica Tucker and Dale vs. Evil Uncle Boonmee Who Can Recall His Past…

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Critics Top Ten List 2011: Cheryl Eddy

Cheryl Eddy San Francisco Bay Guardian 1. The Artist 2. Young Adult 3. Tinker Tailor Soldier Spy 4. Drive 5. Melancholia 6. The Descendants 7. Shame 8. The Trip 9. Cave of Forgotten Dreams 10. Troll Hunter 11. The Tree of Life

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Critics Top Ten List 2011: Ben Sachs

Ben Sachs Chicago Reader 1. Aurora 2. Secret Sunshine 3. Film Socialisme 4. Goodbye, First Love 5. Poetry 6. The Strange Case Of Angelica 7. Detective Dee and the Mystery of the Phantom Flame 8. Target 9. 13 Assassins 10. And Everything Is Going Fine

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Critics Top Ten List 2011: J. R. Jones

J. R. Jones Chicago Reader 1. Of Gods And Men 2. Bridesmaids 3. The Tree Of Life 4. Terri 5. Tabloid 6. Client 9: The Rise And Fall Of Eliot Spitzer 7. The Elephant In The Living Room 8. The Wise Kids 9. Beautiful Boy 10. Margin Call

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon