Awards Watch Archive for December, 2013

Critics Top Ten List 2013: Liam Lacey, The Globe & Mail

TG&M 1. 12 Years A Slave 2. Gravity 3. Nebraska 4. The Wolf Of Wall Street 5. Her 6. Before Midnight 7. Inside Llewyn Davis 8. American Hustle 9. Captain Phillips 10. Frances Ha

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The Top Ten Lists of 2013: 60 and Counting

With sixty lists counted, Gravity now sits at the top of the list. American Hustle has moved into the top five, and Leviathan has jumped onto the list at #15.

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Critics Top Ten List 2013: Quentin Tarantino

Afternoon Delight Before Midnight Blue Jasmine The Conjuring Drinking Buddies Frances Ha Gravity Kick-Ass 2 The Lone Ranger This is the End

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Critics Top Ten List 2013: Guy Lodge

Gravity The Selfish Giant Under the Skin The Immigrant Mother of George Child’s Pose Tom at the Farm Frances Ha Blue is the Warmest Color The Heat Hitfix

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Critics Top Ten List 2013: Jackie Cooper

Nebraska 42 Instructions Not Included The Way Way Back Enough Said Frozen The Book Theif Fruitvale Station Before Midnight August: Osage County   Huffington Post

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20 Weeks To Oscar: The Great Settling 2013

Yes, it’s that time again. Time for all good voters to spend a week with their screeners (and hopefully, screenings), deciding for themselves who really does deserve their votes. But this may be the least predictable season I have ever witnessed. There is… and will be… only one legitimate blockbuster in play. Gravity. $652 million worldwide.

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Critics Top Ten List 2013: Ben Sachs, Chicago Reader

BS 1. At Berkeley 2. Paradise: Faith/Paradies: Hope 3. Computer Chess 4. A Touch Of Sin 5. I’m So Excited 6. Stray Dogs 7. Tabu 8. Drug War 9. Gravity 10. You Ain’t Seen Nothin’ Yet

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Critics Top Ten List 2013: J. R. Jones, Chicago Reader

JRJ 1. The Act of Killing  2. Amour  3. Neighboring Sounds 4. A Touch of Sin  5. 12 Years a Slave  6. Let the Fire Burn 7. Dirty Wars  8. Lore  9.The Missing Picture  10. American Hustle 

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Critics Top Ten List 2013: Devin Faraci, Badass Digest

BD 1. Gravity 2. Blue Jasmine 3. Captain Phillips 4. The Spectacular Now 5. Stoker 6. This Is The End 7. Frances Ha 8. Spring Breakers 9. The Act Of Killing 10. Upstream Color 11. The World’s End 12. The Wolf Of Wall Street 13. Inside Llewyn Davis 14. 12 Years A Slave 15. Her

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Critics Top Ten List 2013: Milan Paurich

1. Her 2. American Hustle 3. Inside Llewyn Davis 4. Nebraska 5. Enough Said 6. Frances Ha 7. The Wolf of Wall Street 8. The Grandmaster 9. Gravity 10. To the Wonder

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Gurus o’ Gold: Holiday Contender Watch Guide

The Gurus are heading out for the holiday. But we have suggestions for your awards viewing over the holidays.

What Screeners You Should Dig Out Of The Pile (Short Term 12 and Before Midnight lead); What Films You Should You See On The BIG Screen (Gravity leads), and What Films We Will Watch Again Over The Holiday (Her leads).

May you all have a merry Christmas and a Gurus new year!

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Critics Top Ten List 2013: Calum Marsh

CM 1. The Wolf of Wall Street 2. Her 3. Leviathan 4. Museum Hours 5. The World’s End 6. 12 Years a Slave 7. Inside Llewyn Davis 8. Spring Breakers 9. Drug War 10. At Berkeley 11. Like Someone in Love 12. A Touch of Sin 13. Viola 14. The Counselor 15. Computer Chess

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Critics Top Ten List 2013: Todd McCarthy, THR

THR 1. Inside Llweyn Davis 2. Her 3. Gravity 4. Frances Ha 5. American Hustle 6. Dallas Buyers Club 7. The Wolf Of Wall Street 8. Short Term 12 9. Leviathan 10. Nebraska

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Critics Top Ten List 2013: Matthew Lucas, Lexington Dispatch (NC)

1. LEVIATHAN 2. THE ACT OF KILLING 3. 12 YEARS A SLAVE 4. SPRING BREAKERS 5. THE WIND RISES 6. THE GREAT BEAUTY 7. THE GRANDMASTER 8. BEFORE MIDNIGHT 9. WELCOME TO PINE HILL 10. LIKE SOMEONE IN LOVE

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Critics Top Ten List 2013: Keith Uhlich, Time Out NY

KU 1. Bastards 2. Museum Hours 3. Lords Of Salem 4. Post Tenebras Lux 5. Viola 6. Berberian Sound Studio 7. This Is Martin Bonner 8. To The Wonder 9. The World’s End 10. The Wolf Of Wall Street

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Critics Top Ten List 2013: Brian D. Johnson, Maclean’s

Maclean’s 1. 12 Years A Slave 2. Inside Llewyn Davis 3. Her 4. Gravity 5. Blue is the Warmest Color 6. A Touch of Sin 7. Dallas Buyers Club 8. Enough Said 9. American Hustle 10. Captain Phillips / All is Lost

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Critics Top Ten List 2013: Michael Phillips, Chicago Tribune

Tribune Her 12 Years A Slave Consuming Spirits Stories We Tell Fruitvale Station American Hustle Post Tenebras Lux Inside Llewyn Davis Let The Fire Burn The Gatekeepers Beyond The Hills Blue Is The Warmest Color Computer Chess The Conjuring Frances Ha Gimme The Loot Gravity The Great Beauty In A World… Like Someone In Love…

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2013 Critics Awards: Utah Film Critics Association

Best Picture: Gravity Best Director: Alfonso Cuarón Best Actor: Chiwetel Ejiofor, 12 Years a Slave Best Actress: Adèle Exarchopoulos, Blue Is the Warmest Color Best Supporting Actor: Bill Nighy, About Time Best Supporting Actress: Scarlett Johansson, Her Best Original Screenplay: Simon Pegg & Edgar Wright, The World’s End Best Adapted Screenplay: Julie Delpy, Ethan Hawke & Richard…

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9 FOREIGN LANGUAGE FILMS ADVANCE IN OSCAR RACE

December 20, 2013 FOR IMMEDIATE RELEASE \BEVERLY HILLS, CA —Nine features will advance to the next round of voting in the Foreign Language Film category for the 86th Academy Awards®. Seventy-six films had originally been considered in the category. The films, listed in alphabetical order by country, are: Belgium, “The Broken Circle Breakdown,” Felix van…

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2013 Critics Awards: Las Vegas Film Critics Society

Best Picture “12 Years a Slave” Best Director Steve McQueen, “12 Years a Slave” Best Actor Matthew McConaughey, “Dallas Buyers Club” Best Actress Emma Thompson, “Saving Mr. Banks” Best Supporting Actor Jared Leto, “Dallas Buyers Club” Best Supporting Actress Lupita Nyong’o, “12 Years a Slave” Best Screenplay Spike Jonze, “Her” Best Foreign Film “Blue is…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon