Awards Watch Archive for December, 2013

Critics Top Ten List 2013: Janet Smith, Georgia Straight

GS 1. Fruitvale Station 2. The Hunt 3. Gravity 4. Wadjda 5. The Act of Killing 6. The Way, Way Back 7. 12 Years A Slave 8. The Wolf of Wall Street 9. Side Effects 10. American Hustle

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Critics Top Ten List 2013: Ken Eisner, Georgia Straight

GS 1. Inside Llewyn Davis 2. 12 Years a Slave 3. Nebraska 4. Dallas Buyers Club/Mud 5. Before Midnight 6. Her 7. Blancanieves 8. A Touch of Sin 9. Blue Jasmine 10. At Berkeley

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Critics Top Ten List 2013: Gabe Toro, The Playlist

TP 1. Upstream Color 2. Spring Breakers 3. Computer Chess 4. Her 5. Bastards 6. Inside Llewyn Davis 7. Like Someone In Love 8. Sun Don’t Shine 9. The Act of Killing 10. Blue Ruin

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Critics Top Ten List 2013: Oliver Lyttleton, The Playlist

TP 1. Inside Llewyn Davis 2. Snowpiercer 3. Under The Skin 4. Ida 5. The World’s End 6. Frances Ha 7. Upstream Color 8. Her 9. 12 Years A Slave 10. The Great Beauty 11. Only Lovers Left Alive 12. Gravity 13. The Wind Rises 14. Starred Up 15. The Kings Of Summer

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Critics Top Ten List 2013: Katie Walsh, The Playlist

TP 1. Short Term 12 2. Spring Breakers 3. After Tiller 4. Crystal Fairy 5. Touchy Feely 6. The Punk Singer 7. The Act of Killing 8. Frances Ha 9. The Hunger Games: Catching Fire 10. The Wolf of Wall Street

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Critics Top Ten List 2013: Mike D’Angelo, Las Vegas Weekly

1. Frances Ha 2. First Cousin, Once Removed 3. Computer Chess 4. The Counselor 5. Upstream Color 6. All Is Lost 7. The Past 8. You Ain’t Seen Nothin’ Yet 9. Leviathan 10. Drug War

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Critics Top Ten List 2013: Josh Bell, Las Vegas Weekly

1. Mud 2. Like Someone In Love 3. Lore 4. Frances Ha 5. Stoker 6. Before Midnight 7. Gravity 8. Inside Llewyn Davis 9. Blue Is The Warmest Color 10. The Bling Ring

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Critics Top Ten List 2013: Peter Keough

PK 1. Her 2. Inside Llewyn Davis 3. Wadjda 4. Upstream Color 5. Fill the Void 6. In the House 7. Caesar Must Die 8. Our Children 9. Computer Chess 10. All Is Lost

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Critics Top Ten List 2013: Joe Morgenstern, Wall Street Journal

WSJ 1. American Hustle 2. Gravity alphabetical 12 Years A Slave Blue Jasmine Cutie and the Boxer Fruitvale Station Her Inside Llewyn Davis Nebraska Short Term 12

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Critics Top Ten List 2013: Claudia Puig, USA TODAY

USAT Alphabetical 12 Years a Slave 20 Feet from Stardom All Is Lost Enough Said Fruitvale Station Gravity Nebraska The Place Beyond the Pines The Spectacular Now What Maisie Knew

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Critics Top Ten List 2013: Leonard Klady

MCN 1. Stories We Tell 2. Captain Phillips 3. A Touch of Sin 4. Gravity 5. Spring Breakers/The Bling Ring 6. 20 Feet from Stardom 7. Upstream Color 8. The Hunt 9. Nebraska 10. Her

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Critics Top Ten List 2013: Wesley Morris, Grantland

Grantland 1. 12 Years a Slave 2. The Wolf of Wall Street 3. The Act of Killing 4. Terrafirma 5. Post Tenebras Lux 6. A Touch of Sin 7. The Great Beauty 8. Gravity 9. This Is the End 10. Let the Fire Burn

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Critics Top Ten List 2013: Andrew O’Hehir, Salon

Salon 1. Stories We Tell 2. 12 Years a Slave 3. Inside Llewyn Davis 4. Ain’t Them Bodies Saints 5. Blue Is the Warmest Color 6. The Great Beauty 7. The Square 8. The Invisible Woman 9. Her 10. The Wolf of Wall Street

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Critics Top Ten List 2013: Michael Atkinson, Sundance Now

SN 1. Blue Is the Warmest Color 2. Beyond the Hills 3. Upstream Color 4. The Great Beauty 5. The Act of Killing 6. The Grandmaster 7. In the Fog 8. Night Across the Street 9. The Past 10. Her 11. Paradise: Love 12. Paradise: Faith 13. Berberian Sound Studio 14. Museum Hours 15. A…

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Critics Top Ten List 2013: Steve Erickson, Gay City News

GCN 1. Leviathan 2. Spring Breakers 3. The Act of Killing 4. Gravity 5. Before Midnight 6. Upstream Color 7. Inside Llewyn Davis 8. A Touch of Sin 9. The Unspeakable Act 10. The Machine Which Makes Everything Disappear

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Critics Top Ten List 2013: Chris Willman

1. American Hustle 2. Her 3. Gravity 4. Frances Ha 5. Before Midnight 6. Nebraska 7. The Act of Killing 8. Inside Llewyn Davis 9. The Past 10. Enough Said 11. All is Lost 12. Broken Circle Breakdown 13. The Great Beauty 14. Frozen 15. Fruitvale Station 16. Captain Phillips 17. 12 Years a Slave…

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Critics Top Ten List 2013: Nelson Carvajal

FCN 1. Prisoners 2. Spring Breakers 3. A Touch of Sin 4. Blue Is The Warmest Color 5. Out Of The Furnace 6. Is The Man Who Is Tall Happy? 7. With My Heart In Yambo 8. To The Wonder 9. Dallas Buyers Club 10. The Wolf of Wall Street 11. All The Memory In…

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Critics Top Ten List 2013: Richard Roeper, Chicago Sun-Times

CST 1. American Hustle 2. Out of the Furnace 3. Mud 4. Gravity 5. The Spectacular Now 6. Captain Phillips 7. Nebraska 8. All Is Lost 9. Twelve Years a Slave 10. The Counselor 11. Dallas Buyers Club 12. This is the End 13. Spring Breakers

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Critics Top Ten List 2013: Mick LaSalle, San Francisco Chronicle

SFC 1. Blue is the Warmest Color 2. The Wolf of Wall Street 3. At Any Price 4. Much Ado About Nothing 5. American Hustle 6. Captain Phillips 7. The Past 8. Gravity 9. Before Midnight 10. The East

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Critics Top Ten List 2013: Peter Rainer, Christian Science Monitor

CSM 1. Before Midnight 2. At Berkeley 3. Fill the Void 4 These Birds Walk 5. Inside Llewyn Davis 6. Caesar Must Die 7. Her 8. 20 Feet From Stardom 9. Ernest and Celestine 10. What Maisie Knew

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon