Gurus o’ Gold Archive for December, 2010

Gurus o’ Gold: Last Licks 2010

With overwhelming domination of the Critics Groups, The Social Network overtakes The King’s Speech for the top spot by 1 point. The other mover is Black Swan, which leaps from #7 to #4.

And The Gurus bid a fond farewell to Sean Smith, off to do serious things with his life. And we ring in the New Year with Anthony Breznican flipping to Entertainment Weekly from USA Today. The more things change…

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Gurus o’ Golden Globes, Post-Nominations

The Gurus came through Globes Day with a new appreciation for The Fighter and worries about True Grit.

Also, with Globes nods in, a look at the Picture and Acting categories. Jolie, Berry, Wahlberg & Kunis all got nods without a single Gurus guessing they would. So what now? (And the ranking of the rest of the movie categories coming soon.)

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Gurus o’ GIobes Gold: Dec 10, 2010

The only real action in the Oscar race this week is The Gurus moving The Town into the Top Ten.

Most of today’s Guru output looks at The Golden Globes, the award given out by 80something 80somethings and Dick Clark. The Gurus take measure like Mizrahi of all of the top 8 categories, which at The Globes, doesn’t include screenwriting or directing… though 11 Gurus have come up with 18 candidates in one category, which says it all!

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Gurus o’ Gold: True Grit Week – Episode Two

The last of the Gurus has checked in and the battles remain tight. “True Grit Week,” saw film at #4, up from #7 last week, and Top 5 slots for all three of the main actors actors and the Coens in Screenplay & Director. With 100% of Guru districts reporting, Annette Bening and Natalie Portman are within 2 points of one another in Best Actress. Duvall and Bardem still can’t crack the Top 5 in Actor. And we’ve sorted Original and Adapted Screenplays.

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Gurus o' Gold

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon