Awards Watch Archive for January, 2005

Central Ohio Film Critics

Best Film Million Dollar Baby Runner up: Sideways/Eternal Sunshine of the Spotless Mind (tie) Best Direction Alexander Payne, Sideways Runner up: Clint Eastwood, Million Dollar Baby Best Lead Performance Hilary Swank, Million Dollar Baby Runner up: Jamie Foxx, Ray Best Supporting Performance Thomas Haden Church, Sideways Runner up: Clive Owen, Closer Actor of the Year…

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British Independent Film

Best British independent film Vera Drake Also nominated: Dead Man’s Shoes Touching the Void Shaun of the Dead My Summer of Love Best foreign independent film Oldboy Also nominated: Motorcycle Diaries Fahrenheit 9/11 Hero Pieces of April Best performance by an actor Phil Davis – Vera Drake Also nominated: Paddy Considine – Dead Man’s Shoes…

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Boston Film Critics

Best Film Sideways Runner-up: Before Sunset Best Foreign Language Film House of Flying Daggers Runner-up: Very Long Engagement Best Director Zhang Yimou (House of Flying Daggers) Runner-up: Alexander Payne Best Documentary Control Room Runner-up: Touching the Void Best Actor Jamie Foxx, Ray Runner-up: Paul Giamatti Best Actress Hilary Swank, Million Dollar Baby Runner-up: Annette Bening/Kim…

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Broadcast Film Critics Association Awards

BEST PICTURE Sideways ACTOR Jamie Foxx – Ray ACTRESS Hilary Swank – Million Dollar Baby DOCUMENTARY FEATURE Fahrenheit 9/11 SUPPORTING ACTOR Thomas Haden Church – Sideways SUPPORTING ACTRESS Virginia Madsen – Sideways ACTING ENSEMBLE Sideways DIRECTOR Martin Scorsese – The Aviator WRITER Alexander Payne and Jim Taylor – Sideways ANIMATED FEATURE The Incredibles YOUNG ACTOR…

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British Academy Film Awards

Award Winners Best Film The Aviator The Alexander Korda Award for Outstanding British Film of the Year My Summer of Love The Carl Foreman Award Special Achievement by a British Director/Producer or Writer in Their First Feature Film Amma Asante [Director/Writer for A Way of Life] The David Lean Award for Achievement in Direction Vera…

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2004-2005 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: A Very Long Engagement, Bad Education, Before Sunset, Being Julia, Born Into Brothels: Calcutta’s Red Light Kids, Broadway: The Golden Age by the Legends Who Were There, Closer, Collateral, Control Room, Eternal Sunshine of the Spotless Mind, Fahrenheit 9/11, Finding Neverland, Hero, House of Flying Daggers, Kinsey, Maria Full of Grace, Million Dollar Baby, Moolaade, Ray, Sideways, Super Size Me, Tarnation, The Aviator, The Fog of War, The Incredibles, The Motorcycle Diaries, The Sea Inside, The Story of the Weeping Camel, The Triplets of Belleville, Touching the Void, Vera Drake, We Don’t Live Here Anymore

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American Society of Cinematographers

Winners A Very Long Engagement Bruno Delbonnel Nominations The Passion of the Christ Caleb Deschanel Collateral Dion Beebe and Paul Cameron Ray Pawel Edelman A Very Long Engagement Bruno Delbonnel The Aviator Robert Richardson

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Art Directors Guild

Period or Fantasy Film • The Aviator (Dante Ferretti) • Finding Neverland (Gemma Jackson) • The Incredibles (Lou Romano) • Lemony Snicket’s A Series of Unfortunate Events (Rick Heinrichs) • The Phantom of the Opera (Anthony Pratt) Contemporary Film • Collateral (David Wasco) • Eternal Sunshine of the Spotless Mind (Dan Leigh) • The Life…

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon