Awards Watch Archive for January, 2006

Golden Globes (Television) Awards

Awards: January 16, 2006 Best Television Series – Drama Lost Best Television Series – Musical Or Comedy Desperate Housewives Best Performance By An Actress In A Mini-Series Or A Motion Picture Made For Television S. Epatha Merkerson – Lackawanna Blues Best Performance By An Actor In A Mini-Series Or A Motion Picture Made For Television…

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Golden Globes (Film) Awards

Awards: January 16, 2006 Best Picture Drama Brokeback Mountain Best Actor, Drama Philip Seymour Hoffman, Capote Best Actress, Drama Felicity Huffman, Transamerica Best Picture, Musical/Comedy Walk the Line Best Actor, Musical/Comedy Joaquin Phoenix, Walk the Line Best Director Ang Lee, Brokeback Mountain Best Original Song “A Love That Will Never Grow Old” — Brokeback Mountain…

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Florida Film Critics

Awards: December 24, 2005 Best Picture Brokeback Mountain Best Director Ang Lee, Brokeback Mountain Best Actor Philip Seymour Hoffman, Capote Best Actress Reese Witherspoon, Walk the Line Best Supporting Actor Paul Giamatti, Cinderella Man Best Supporting Actress Amy Adams, Junebug Best Cinematography Rodrigo Prieto, Brokeback Mountain Best Screenplay Larry McMurtry and Diana Ossana, Brokeback Mountain…

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Director’s Guild

Nominations: January 5, 2006 Awards: January 28, 2006 Outstanding Directorial Achievement in Feature Film ANG LEE BROKEBACK MOUNTAIN Focus Features Ang Lee’s Directorial Team: Unit Production Managers: Scott Ferguson, Tom Benz First Assistant Directors: Michael Hausman, Pierre Tremblay Second Assistant Director: Donald Murphy Second Second Assistant Director: Brad Moerke Outstanding Directorial Achievement in Documentary WERNER…

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Dallas-Ft. Worth Film Critics

Awards: December 19, 2005 Best Picture Brokeback Mountain Best Director Ang Lee for Brokeback Mountain Best Actor Philip Semour Hoffman – Capote Best Actress Felicity Huffman – Transamerica Best Supporting Actress Catherine Keener – Capote Best Supporting Actor Matt Dillon – Crash Best Foreign Language Paradise Now Best Documentary Murderball Best Animated Film Wallace &…

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Chicago Film Critics

Nominations: December 30, 2005 Awards: January 9, 2006 Best Picture Crash Best Foreign Language Film Cache Best Director David Cronenberg: A History of Violence Best Screenplay Crash by Paul Haggis & Bobby Moresco Best Actor Philip Seymour Hoffman – Capote Best Actress Joan Allen – The Upside of Anger Best Supporting Actor Mickey Rourke –…

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Central Ohio Film Critics

Awards: January 12, 2005 Best Picture A History of Violence Runner up: Brokeback Mountain Best Direction David Cronenberg, A History of Violence Runner up: Ang Lee, Brokeback Mountain Best Lead Performance Heath Ledger, Brokeback Mountain Runner up: Reese Witherspoon, Walk the Line Best Supporting Performance Maria Bello, A History of Violence Runner up: Amy Adams,…

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Broadcast Film Critics Association Awards

Best Picture Brokeback Mountain Best Director Ang Lee – Brokeback Mountain Best Actress Reese Witherspoon – Walk the Line Best Actor Philip Seymour Hoffman – Capote Best Supporting Actor Paul Giamatti – Cinderella Man Best Supporting Actress (tie) Amy Adams – Junebug Michelle Williams – Brokeback Mountain Best Comedy Movie The 40 Year-Old Virgin Best…

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Los Angeles Film Critics Association

LOS ANGELES. Brokeback Mountain was voted Best Picture of the Year. It was announced tonight by Henry Sheehan, President of the Los Angeles Film Critics Association (LAFCA). The runner up was A History of Violence. LAFCA’s 31st annual achievement awards ceremony will be held Thursday, January 17 at the Park Hyatt Hotel in Los Angeles….

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2005-2006 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 2046, A History of Violence, Brokeback Mountain, Broken Flowers, Cache, Capote, Casanova, Chronicles of Narnia: The Lion The Witch and the Wardrobe, Cinderella Man, Crash, Down to the Bone, Downfall, Enron: Smartest Guys in the Room, Good Night and Good Luck., Grizzly Man, Head-On, Howl’s Moving Castle, Hustle & Flow, Innocent Voices, Junebug, King Kong, Kiss Kiss Bang Bang, Kung Fu Hustle, Mad Hot Ballroom, March of the Penguins, Me You and Everyone We Know, Memoirs of a Geisha, Mother of Mine, Mrs. Henderson Presents, Munich, Murderball, North Country, Paradise Now, Pride and Prejudice, Rent, Sin City, Syriana, The Consistant Gardener, The Corpse Bride, The Squid and the Whale, The Upside of Anger, Transamerica, Tsotsi, Walk the Line, Wallace and Gromit

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon