Awards Watch Archive for January, 2010

January 7

Back from the holiday break, The Gurus see Avatar and The Hurt Locker surging… and wonder if Nine’s awards journey is over.

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The Top Ten Chart for January 6, 2010

132 Critics. 161 Films. 30 New to the List.

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The Top Ten Chart for January 2, 2010

102 Critics. 151 Films. 30 New to the List.

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Washington, D.C. Area Film Critics Association

Best Film WINNER Up in the Air NOMINEES Inglourious Basterds Precious: Based on the Novel Push by Sapphire The Hurt Locker Up Best Actor WINNER Up in the Air: George Clooney NOMINEES A Single Man: Colin Firth Invictus: Morgan Freeman The Hurt Locker: Jeremy Renner The Road: Viggo Mortensen Best Actress WINNER An Education: Carey…

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Utah Film Critics

Best Picture Up in the Air (runners-up: The Hurt Locker; Inglourious Basterds) Best Achievement in Directing Jason Reitman, Up in the Air (runner-up: John Hillcoat, The Road) Best Male Lead Performance Viggo Mortensen, The Road (runner-up: Jeremy Renner, The Hurt Locker) Best Female Lead Performance Carey Mulligan, An Education (runner-up: Maya Rudolph, Away We Go)…

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Toronto Film Critics

Best Picture (tie) “Hunger”, “Inglourious Basterds” Best Performance, Male Nicolas Cage, “Bad Lieutenant: Port of Call New Orleans” Best Performance, Female Carey Mulligan, “An Education” Best Supporting Performance, Male Christoph Waltz, “Inglourious Basterds” Best Supporting Performance, Female Anna Kendrick, “Up in the Air” Best Director Kathryn Bigelow, “The Hurt Locker” Best Screenplay (tie) ” Inglourious…

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St. Louis Film Critics Association

Best Film Up in the Air Runner-Up: The Hurt Locker Best Actor George Clooney, Up in the Air Runner-Up: Patton Oswalt in Big Fan Best Actress Carey Mulligan in An Education Runner-Up: Gabourey Sidibe in Precious Best Supporting Actor Christoph Waltz in Inglorious Basterds Runner-up: Stanley Tucci in The Lovely Bones Best Supporting Actress Mo’Nique…

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Women Film Critics Circle

BEST MOVIE ABOUT WOMEN (tie) Coco Before Chanel My One And Only BEST MOVIE BY A WOMAN Julie & Julia: Nora Ephron BEST WOMAN STORYTELLER [Screenwriting Award] Sunshine Cleaning: Megan Holley BEST ACTRESS Abbie Cornish: Bright Star BEST ACTOR Ben Foster: The Messenger BEST YOUNG ACTRESS Sidibe Gabourey: Precious BEST COMEDIC ACTRESS Meryl Streep: Julie…

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The Southeastern Film Critics Association

BEST PICTURE 1. Up in the Air 2. The Hurt Locker 3. Up 4. Inglourious Basterds 5. A Serious Man 6. (500) Days of Summer 7. Precious: Based on the Novel Push by Sapphire 8. The Messenger 9. Fantastic Mr. Fox 10. District 9 BEST ACTOR George Clooney – Up in the Air Runner-up: Jeremy…

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Writer’s Guild of America

ORIGINAL SCREENPLAY The Hurt Locker, Written by Mark Boal; Summit Entertainment ADAPTED SCREENPLAY Up in the Air, Screenplay by Jason Reitman and Sheldon Turner; Based upon the novel by Walter Kirn; Paramount Pictures DOCUMENTARY SCREENPLAY The Cove, Written by Mark Monroe; Lionsgate and Roadside Attractions _____________________________________________ Nominations SCREEN NOMINEES ORIGINAL SCREENPLAY (500) Days of Summer,…

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Online Film Critics Awards

Best Picture The Hurt Locker Best Director Kathryn Bigelow, The Hurt Locker Best Actor Jeremy Renner, The Hurt Locker Best Actress Melanie Laurent, Inglourious Basterds Best Supporting Actor Christoph Waltz, Inglourious Basterds Best Supporting Actress Mo’Nique, Precious Best Original Screenplay Quentin Tarantino, Inglourious Basterds Best Adapted Screenplay Wes Anderson and Noah Baumbach, FantasticMr. Fox, based…

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London Film Critics

FILM OF THE YEAR A Prophet THE ATTENBOROUGH AWARD: BRITISH FILM OF THE YEAR Fish Tank FOREIGN LANGUAGE FILM OF THE YEAR Let the Right One In DIRECTOR OF THE YEAR Kathryn Bigelow – The Hurt Locker BRITISH DIRECTOR OF THE YEAR Andrea Arnold – Fish Tank ACTOR OF THE YEAR Christoph Waltz – Inglourious…

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Screen Actors Guild

Outstanding Performance by a Male Actor in a Leading Role JEFF BRIDGES / Bad Blake – “CRAZY HEART” (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham – “UP IN THE AIR” (Paramount Pictures) COLIN FIRTH / George Falconer – “A SINGLE MAN” (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela – “INVICTUS” (Warner Bros. Pictures)…

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2009-2010 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: (500) Days of Summer, A Serious Man, A Single Man, An Education, Avatar, Crazy Heart, District 9, Food Inc., Inglourious Basterds, Invictus, Julie & Julia, Me and Orson Welles, Nine, Precious: Based on the Novel ‘Push’ by Sapphire, Seraphine, Summer Hours, The Blind Side, The Cove, The Fantastic Mr. Fox, The Hurt Locker, The Last Station, The Lovely Bones, The Messenger, The White Ribbon, Up, and Up in the Air

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Kansas City Film Critics

BEST FILM Up in the Air BEST DIRECTOR Kathryn Bigelow, The Hurt Locker BEST ACTOR George Clooney, Up in the Air BEST ACTRESS Meryl Streep, Julie & Julia BEST SUPPORTING ACTOR Christoph Waltz, Inglourious Basterds BEST SUPPORTING ACTRESS Mo’Nique, Precious BEST ORIGINAL SCREENPLAY Inglourious Basterds BEST ADAPTED SCREENPLAY Up in the Air BEST FOREIGN LANGUAGE…

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Independent Spirit Awards

BEST FEATURE Precious BEST DIRECTOR Lee Daniels for Precious BEST FEMALE LEAD Gabby Sidibe for Precious BEST MALE LEAD Jeff Bridges for Crazy Heart BEST SUPPORTING FEMALE Mo’Nique for Precious BEST SUPPORTING MALE Woody Harrelson for The Messenger BEST FIRST FEATURE Crazy Heart JOHN CASSAVETES AWARD Humpday BEST SCREENPLAY Scott Neustadter, Michael H. Weber for…

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San Francisco Film Critics

Best Picture “The Hurt Locker” Best Director Kathryn Bigelow, “The Hurt Locker” Best Original Screenplay Quentin Tarantino, “Inglourious Basterds” Best Adapted Screenplay Wes Anderson and Noah Baumbach, “Fantastic Mr. Fox” Best Actor Colin Firth, “A Single Man” Best Actress Meryl Streep, “Julie & Julia” Best Supporting Actor Christian McKay, “Me and Orson Welles” Best Supporting…

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Gotham Awards

Best Feature The Hurt Locker Kathryn Bigelow, director; Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro, producers (Summit Entertainment) Best Documentary Food, Inc. Robert Kenner, director; Robert Kenner, Elise Pearlstein, producers (Magnolia Pictures) Best Ensemble Performance The Hurt Locker Jeremy Renner, Anthony Mackie, Brian Geraghty, Ralph Fiennes, Guy Pearce, David Morse, Evangeline Lilly (Summit Entertainment)…

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San Diego Film Critics

Best Picture INGLOURIOUS BASTERDS Best Director Quentin Tarantino, Inglourious Basterds Best Actress Michelle Monaghan, Trucker Best Actor Colin Firth, A Single Man Best Supporting Actress Samantha Morton, The Messenger Best Supporting Actor Christoph Waltz, Inglourious Basterds Best Original Screenplay Quentin Tarantino, Inglourious Basterds Best Adapted Screenplay Wes Anderson & Sheldon Turner, Up in the Air…

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Director’s Guild

FEATURE FILM Kathryn Bigelow – The Hurt Locker DOCUMENTARY Louie Psihoyos – The Cove MOVIES FOR TELEVISION/MINI-SERIES Ross Katz – Taking Chance DRAMATIC SERIES NIGHT Lesli Linka Glatter – Mad Men “Guy Walks Into An Advertising Agency” COMEDY SERIES Jason Winer – Modern Family “Pilot” MUSICAL VARIETY Don Mischer “We Are One: Obama Inaugural Celebration”…

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon