Awards Watch Archive for November, 2014

Gurus o Gold: Just After Selma & American Sniper

The Gurus voted on Best Picture again this week after the Tuesday screenings of Selma and American Sniper. One of the films skyrocketed into the Top 6.

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How Ridley Scott Chose His 11-Year-Old “Voice Of God” For Exodus: Gods And Kings

How Ridley Scott Chose His 11-Year-Old “Voice Of God” For Exodus: Gods And Kings

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Producers Of 10 Possible Best Picture Nominees Offer Amusing Reports From Behind The Scenes

Producers Of 10 Possible Best Picture Nominees Offer Amusing Reports From Behind The Scenes

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8 Real Robots That Inspired Big Hero 6

8 Real Robots That Inspired Big Hero 6

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Bill Irwin On Puppeteering And Performing In Interstellar

Bill Irwin On Puppeteering And Performing In Interstellar

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Gurus o Gold: Just Before Selma & American Sniper

The Gurus rank the Top 6 categories right before the AFI double feature of Selma and American Sniper. Will either film move into the Top 10? You’ll have to wait for the next charts to find out…

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Sez Sasha Stone

“The lost boys that crowd Oscars 2015 have no real qualities to be leaders or heroes. They are fumbling around trying to avoid failure at all costs. That failure claps through the canyon like a falcon’s cry—who are we now?” Sez Sasha Stone

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Foxcatcher’s Bennett Miller On America’s Quest For Father Figures

Foxcatcher‘s Bennett Miller On America’s Quest For Father Figures

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20 Weeks To Oscar: A Thin Line Between Love & Hate

When people start answering questions under the protection of anonymity (“isn’t identified for lack of wanting to be seen taking a position on this in the New York Times because there is only downside from being quoted in a story like this”)… well, professional spinners is gonna spin. And professional reporters are, it seems, going to take a side when they don’t have truly firm facts.

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20 Animated Features Submitted To Academy

Twenty features have been submitted for consideration in the Animated Feature Film category for the 87th Academy Awards®. The submitted features, listed in alphabetical order, are: “Big Hero 6” “The Book of Life” “The Boxtrolls” “Cheatin’” “Giovanni’s Island” “Henry & Me” “The Hero of Color City” “How to Train Your Dragon 2” “Jack and the…

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Kelefa Sanneh On Whether Top Five Will Make Chris Rock A Leading Man

Kelefa Sanneh On Whether Top Five Will Make Chris Rock A Leading Man

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Eddie Redmayne’s Stephen Hawking Moved Stephen Hawking To Tears

Eddie Redmayne’s Stephen Hawking Moved Stephen Hawking To Tears

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Lorne Manly On J. C. Chandor’s American Dreams

Lorne Manly On J. C. Chandor’s American Dreams

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On The Hawkings As “Quiet Bohemians” In Theory of Everything

On The Hawkings As “Quiet Bohemians” In Theory of Everything

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Charles McGrath On The Imitation Game And Alan Turing

Charles McGrath On The Imitation Game And Alan Turing

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon